Linbeymusol Wonderful character development!

Palaest recommended

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Walter Sloane Mostly, the movie is committed to the value of a good time.

Vimacone One of Avery's pet projects was satirizing popular American culture. Chief among these were well known stories and documentaries. Here he parodies Ripley's Believe It Or Not in the spot gag format which he established the year before. It's a collection of sight gags of outrageous oddities from around the world. Egghead (or the proto-Elmer version of Egghead) is thrown in for good measure as a running gag expressing blatant skepticism throughout the picture.Since Ripley's Believe It Or Not is still around today, the gist of the parody should not be lost to modern viewers aside from a few topical gags (i.e. the Buck Rogers reference) and some elements of Ripley's from this time period. Many fans have expressed disdain for the spot gag cartoons, but they didn't start becoming stale until late 1940. I believe Avery himself had the same sentiment, based on an interview he did with Joe Adamson. I've always had a fondness for this short, but it's mostly nostalgia speaking.

TheLittleSongbird Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best cartoons ever made by anybody. 'Believe It or Else' is not one of my favourites and is to me an uneven effort of his, but even lesser Avery is still worth watching and much better than the lesser efforts of most others. It's best to forget the story, which is basically a series of gags strung along. Egghead is okay but a fairly limited character whose material is pretty repetitive even for a running gag. Avery is no stranger to running gags, but other cartoons of his have done them with much more variety.In terms of humour, 'Believe it or Else' varies. Parts are very amusing, especially the Buck Dodgers spoof and the ending. Others aren't as well timed and come over as unusually corny for Avery and it would definitely help to be familiar with what each gag is parodying, this aspect was hit and miss for me too. Avery has done funnier, wilder and more imaginative cartoons that took more risks.However, it is no surprise that, as with a vast majority of Avery's cartoons regardless of the period, the animation is excellent. Beautifully drawn, very detailed and the colours are vibrant.Carl Stalling's music score is typically lushly and cleverly orchestrated, with lively and energetic rhythms, it's also beautifully synchronised with the action and gestures/expressions and even enhances the impact.Some amusing moments, if never hilarious, decent timing and lively supporting characters are further things to like. As is the very good voice acting, Mel Blanc showing off his envious unparalleled versatility again.Overall, uneven but still worth watching. 6/10 Bethany Cox

Edgar Allan Pooh . . . but that's a pretty apt description about the Marching Orders provided to We Americans of the (Then) Far Future by Warner Bros.' always prophetic Animated Shorts Seers division (aka, The Looney Tuners), those Peerlessly Proficient Prognosticators of the USA's upcoming Calamities, Catastrophes, Cataclysms, and Apocalypti. These clairvoyant psychics, who can boast a much better track record of Prophecies Fulfilled than such over-rated hacks as Nostradamus, were particularly accurate with their uncanny depictions for America's Deplorable Advent of Rump. BELIEVE IT OR ELSE is a title sounding fairly threatening in and of itself, and as soon as Today's Viewers see frequent Warner Rump stand-in "Egghead" barge onto the scene during BELIEVE IT OR ELSE we can understand why that title elicits such trepidation. But, as was often the case with these brief cartoon offerings from Warner, the final scene of BELIEVE IT OR ELSE provides a prescription for relief from our current Reign of Terror. Though an easily bamboozled American Minority in the Confederate\Nazi States have been fooled into thinking that Rump is a "Man of Stature," Warner shows by Rump's Egghead representation that he's as bogus as those bloated Gas Bags in the Macy's Parade, and can be "popped" or cut-down-to-size as efficiently as the Magician sawing Egghead in half as BELIEVE IT OR ELSE concludes.

Robert Reynolds Tex Avery loved to do spoofs of things and this one was a spoof of Robert Ripley's column/program, "Believe It or Not", where he detailed odd or unusual events, items and the like for his readers' edification. This is Avery doing the same, but Avery's way. The running gag (Avery almost always used one in his shorts) consists of Egghead (Elmer Fudd in the larval stage) periodically showing up to scoff at various claims, saying, "I don't believe it!" The ending is probably the best gag, the rest being either mildly amusing or falling a bit flat, with one or two not working in the slightest. Egghead basically makes this one worth watching. Decent idea, with some funny gags, but the parts are definitely greater than the sum. Average Avery, which means that it's equal to quite a few other directors' better work, but a simple finger exercise for the maestro, Still worth watching. Recommended.