ada the leading man is my tpye

Diagonaldi Very well executed

Protraph Lack of good storyline.

Matialth Good concept, poorly executed.

GusF A "Romeo and Juliet" story set against the backdrop of the Irish War of Independence in 1921, this is a hugely enjoyable romantic historical drama. Saying that the history of Anglo-Irish relations is contentious and often violent is a bit like saying that the Sun is hot but the film romanticises it in the wonderfully entertaining way that only 1930s Hollywood could. The film is well directed by H.C. Potter. The very strong script by John Balderston, Rose Franken and William Brown Meloney paints the war, which has never exactly been a particularly popular subject for the silver screen outside of the generally lacklustre Irish film industry, in broad strokes. That said, the depiction of the conflict is not overly simplistic as neither side is presented in black and white terms. As someone who knows a great deal about the Irish history of this period but is not terribly nationalistic about it, I appreciated that. Watching films about 1920s Ireland is a bit of a departure for me as my PhD concerns the period, albeit the drafting of statute post-1922 as opposed to the War of Independence, and I generally try not to think about my work while I am relaxing but I was prepared to make an exception in this case.The film stars the underrated Brian Aherne in an excellent performance as Dennis Riordan, a prominent Irish revolutionary and minister in the government of the unofficial and unrecognised Irish Republic. Riordan is essentially a nicer and more honourable version of Michael Collins. Like Collins, he is one of the leaders of the IRA - which is now called the Old IRA to distinguish it from its later incarnations - and a senior member of the Irish delegation sent over to London to negotiate the Anglo-Irish Treaty of 1921. I was not surprised that, with the exception of a photograph of Padraig Pearse, none of the actual Irish revolutionaries of the 1916-22 period were alluded to or mentioned by name in the film. In fact, I would have been shocked if they had been since many of the surviving ones were ministers in the then Irish government or had been ministers in the previous one. Riordan loves Ireland with a passion and is certainly prepared to fight for his country's freedom but he harbours an old dream of retiring to a little farm in Galway where he can forget about the conflict and live a normal life. When it comes to the controversial provisions of the Treaty, he is conflicted between his oath that he will do everything possible to secure a republic and his desire for peace after almost three years of warfare. While most of the Irish characters in the film are played by Irish actors, Aherne is the major exception as he was English, though he was of Irish descent as his name would suggest. His Irish accent is pretty variable, sometimes sounding more Scottish, but the strength of his performance means that it was surprisingly easy for me to overlook that.Merle Oberon is great as his beloved enemy Helen Drummond, the daughter of the prominent British diplomat Lord Athleigh. At the beginning of the film, the British forces are unaware of what Riordan looks like and, after he is briefly arrested, he decides to have a little bit of fun with them by claiming to be Dennis Riordan, knowing that they will not believe. After running into each other again, Riordan and Helen spend the day together in the countryside and, as often happens in such films, fall madly in love in a flash. After Helen learns that the medical student Tom Casey is in fact Riordan, she alerts her father and the authorities in the Viceregal Lodge (now the President of Ireland's official residence Áras an Uachtaráin) and they unsuccessfully attempt to arrest him at a cattle market. Helen soon comes to regret her decision and goes to Riordan to apologise, telling him that she loves him. Aherne and Oberon have great chemistry and their scenes together are very romantic and occasionally moving, even if they are in no way realistic. While much is made of Riordan and Helen's different nationalities, this is no mention of the fact that he is almost certainly a Catholic and she is almost certainly a Protestant, which would have been a very pressing issue under the circumstances. Riordan's fellow Irish revolutionaries believe that his love affair with an English aristocrat is clouding his judgement and make him swear an oath that he will never see her again, at least in private. When Riordan - who holds the casting vote - decides to sign the Treaty, the more radical republicans in the movement believe that it is because of Helen's influence and attempt to assassinate him. However, the fictional Riordan fared better than the real Collins as he survives the attempt. In one of his first major roles, David Niven is very good as the charming Captain Gerald Preston. His feelings for Helen are not returned but he accepts the consistent rejection with grace and charm. It's a good thing that Niven wasn't cast as Riordan as he is so quintessentially English that I could never buy him as a Michael Collins stand-in! Henry Stephenson, the poor man's C. Aubrey Smith, is dull and forgettable as Lord Athleigh. The effortlessly fantastic character actor Donald Crisp is very good as Liam Burke, the most radical of the radicals. In contrast to Riordan, Burke is not based on any senior Irish revolutionary in particular but he has traces of Eamon de Valera and Cathal Brugha. He'd have been better as Lord Athleigh as well, come to think of it. Overall, this is a very entertaining film. It is far from an entirely accurate depiction of Ireland in 1921 but it was never supposed to be anything of the sort.

mark.waltz Don't expect the true story of what was going on in Dublin and most of Ireland during the early 1920's; That has been sanitized out as to not "offend" the movie viewers over there. What is present is an acceptable love story with some of the political intrigue intact, but it is basic background to the typical romantic struggles of total opposites whose love affair seems to be doomed from the start.Brian Donlevy plays a fictional character, possibly a composite of various Irish rebels who eluded the police and military and stirred up enough trouble to keep this rebellion going on for decades. When Merle Oberon arrives with her British ambassador father (Henry Stephenson) in Dublin, she accidentally encounters Donlevy and after some initial unpleasantness from him because of her station in life, they can't help but admit that they are attracted to each other. She is trapped inside his hide-out during a raid and after being taken back to London, convinces her father to set up a meeting with the leaders of the rebellion. Members of Donlevy's team (particularly Donald Crisp and Jerome Cowan) are against a "treaty", and this leads to Donlevy accused of being a traitor.While female roles in movies like this are usually meant to be merely "window dressing", Oberon adds some spark into her character which makes her much more interesting. She tosses out enough of her own ideals about the rebellion, and this makes her more compelling as a part of a serious plot. This is where the film succeeds as its structure isn't about the actual rebellion or the reasons behind it, but cause and effect and looming tragedy when one member of a rebel team seems to be drifting away from his priorities. Solid acting, outstanding production design and sparking direction by H.C. Potter makes up for the lack of fact that was already covered in plays and films like "Juno and the Paycock" and "The Informer".In order to enjoy this film it helps to know a little something about this period of history, something which has recurred between Ireland and "the mother country" a lot over the future decades. On the level of a doomed love story, it works best, with Oberon and Aherne a gorgeous pair whom you root for up to the moving finale.

rsternesq I admit it. I gave this film a 10 for purely subjective reasons. I love the sound, the look and the emotional content of the two stars. Brian Aherne was so very beautiful that he is quite literally stunning. Merle Oberon was never lovelier. The sound, the dialog, the vocabulary. Wow. They had faces and voices then and they had grace. If one compares the sheer heart of these performances, these scripts with the current crop, one could weep. A profound thank you for this film, even with the fictionalized ending. Lovely. Truly memorable in every meaning of that word even if the 10 is a bit of an exaggeration, it is only a very slight one. Lovely.

theowinthrop This 1936 film was the only movie about the Anglo-Irish War of Liberation (1916 - 1922) that centered on a character based on Michael Collins prior to the 1996 movie called MICHAEL COLLINS. Why it took so long to outwardly make a major film about the Irish hero is a matter of mystery to me. The best reason is that Hollywood did not wish to jeopardize English and British Empire sales of their films by painting a positive image of the man who gave them such a stunning black eye and won independence (or technically semi-independence) for Eire in 1922. Hollywood would be willing to show a great Irish leader destroyed by a sex scandal (the abysmal 1939 film PARNELL), but that leader failed. This 1935 film, BELOVED ENEMY, follows the general outlines of the events of 1921-22. Collins, directing intelligence against the British forces, destroyed the Black and Tans and managed to make mincemeat of British operations throughout the provinces of Ireland (except for Belfast and it's norther neighbors). Prime Minister Lloyd George and his advisers (including Winston Churchill) decided to have a peace treaty - but the negotiations were extremely difficult for all concerned. Lloyd George wanted to get the British forces disengaged, because the nation's prestige was badly shaken by it's increased defeat. The Irish negotiators (led by Arthur Griffiths and Michael Collins) were to try to get full independence if they could. However, Collins was put in charge of the negotiation team only because his one rival, Eamon de Valera, refused to go. This has remained a matter of controversy to this day, as to whether de Valera did this out of distrust of the British or as a cynical way of shafting Collins who would be blamed for the resulting treaty. Gumming up the work further were the Northern Irish Protestants (Ulstermen) led by Edward Carson and James Craig. They too were split (Carson wanted all of Ireland to remain in the United Kingdom, as Great Britain was officially known in 1922; Craig just wanted to protect the six northern Protestant provinces from being part of the Catholic Ireland envisioned by Collins and de Valera).The resulting treaty basically satisfied nobody - and still doesn't. Eire was created as a semi-Independent part of the United Kingdon (in a sense it achieved Parnell's long dead "Home Rule" parliament system). Northern Ireland got it's independence as a semi-independent section with it's capital at Stormont near Belfast (Craig would become it's first Prime Minister; Carson was disgusted by the decision and never accepted it). Griffiths died of natural causes a few weeks after the treaty was signed. Collins had to face the anger of de Valera, who rejected the result. Within two months Collins was assassinated by anti-treaty Irish, and a Civil War began that lasted a year (and was bloodier than the fight against the British). Eventually de Valera would be elected President of Eire. In 1949 he formally removed Eire from the United Kingdom. The southern Irish state has remained independent ever since.The story was changed in BELOVED ENEMY. Based on a story that during the long negotiations Collins met and romanced an English aristocratic lady, the Collins character Dennis Reardon (Brian Ahearn) meets and falls in love with aristocratic Helen Drummond (Merle Oberon), whose father is involved on the English negotiation team. When the treaty is presented to the world, and does not give the full independence that the Southern Irish expected, Reardon is denounced as a traitor. His closest friend O'Roarke (Jerome Cowan) decides to punish him for his treason by shooting him when he is riding in an open car (as Collins was killed). The only difference is that here Reardon (although wounded) lives to return to his aristocratic lover.The film was well produced and acted, so despite trivializing a true tragedy by giving it a happy ending I will give it an 8 out of 10.