Beneath the Valley of the Ultra-Vixens

1979 "Six Chicks in search of a Cluck! ...and so hilariously funny!"
5.4| 1h33m| NR| en
Details

Believe it or not even in Smalltown USA there are still people who are unfulfilled and unrelieved in the midst of plenty. Levonna & Lamar could have the perfect relationship if it were not Lamar's obsession with rear entry. After submitting to the one last time Levonna comes up with a plan. While Lamar is trying find other tail to try his technique on, Levonna becomes Lola with aid of a wig and a Mexican accent. A Mexican cocktail later Lola finally has Lamar straight, but he wasn't awake for it. The gay marriage counselor, attracted to Lamar's problem, couldn't help them and Lemar must finally seek redemption at the church of Rio Dio Radio and the laying on of hands by Sister Eufaula Roo.

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RM Films International

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Reviews

Linbeymusol Wonderful character development!
ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Greensleeves This movie will stretch your patience to breaking point in no time. The constant droning of the on screen 'comedy' narrator, the repeated shots of bouncing breasts and grinding crotches, the hysterical orgasmic screaming of the female leads will have you exhausted with it all after ten minutes. If the tedium doesn't get you then the unceasing loud and overwrought music score will guarantee a headache. Russ Meyer's early movies were much more enjoyable than this last effort where he goes all out to be as 'shocking' and explicit as possible. The women are as amazing as usual (in a an exaggerated cartoon kind of way) for a Russ Meyer movie but if only everyone could have calmed down just a little then it may have been watchable. As it is, watching it just becomes a horrendous, never-ending, shrieking nightmare.
bertig i really liked this film, having seen Up, Supervixens, Beyond the valley of the dolls and 2 other which names i can't remember. I thought the film was very funny and i noticed that the lines that the narrator speaks i had heard before it was sampled in a house-track witch i had heard a couple of years ago. I thought the first woman was great and liked the way she dance'd before she went in the coffin. I like'd this whole 70's look and style of the film and the lighting and all these colours and how they played together, it was just visually stunning. The only thing that bothered me was that everybody was always balling and it did get a bit to much. The black woman was really scary and just ugly. But i thought Kitten was great. I read somewhere that she's russ's wife. She was great and horny as hell. I think this was russ meyer's last fil, i'd give it 6-7 of 10. not as good as Up witch is great and i give 8-9
Infofreak At this point 'Beneath..' appears to be Russ Meyer's last movie, which is a pity. A pity because we could do with his invention and energy and ideas to liven up our dull movie going lives, and also a pity because it isn't one of his best efforts.Meyer's two movies prior to this one - 'Supervixens' and 'Up!' - are two of his best ever, and don't receive the attention they deserve. 'Beneath..' follows a similar format to those two classics but does so with more coarseness and less fun. Meyer takes advantage of the more liberal censorship laws of the late 70s and makes his most explicit movie yet, but loses much of his sense of smutty joyfulness. The one thing that saves this movie is the exuberant performance from the dynamic Kitten Natividad. If you are a fan of Kitten and her sensational body then this is the movie for you! Otherwise I could name at least a half a dozen Meyer movies to watch before this one. A disappointment this, but still has enough glimpses of Meyer's genius to make it worth a look.
jminer More than a comedy, this is a parody on a parody. Based more than a bit on Thornton Wilder's "Our Town", it satirises American middle class values in a much more Rabelaisian way than Wilder himself did. Or could.OF course, Meyer is the great auteur. He writes, directs, produces, shoots and appears in this film, helped only by a pneumatic cast on screen and Roger Ebert thankfully off it. Even the title screams satire, from the great outsider, poking Hollywood right in its Beyond the Valley of the Dolls/Beneath the Planet of the Apes tunnel vision. Nobody makes films as full-blooded as Russ Meyer. His vision is full speed ahead and damn the torpedoes. But it's also sophisticated in structure, with enough dramatic irony to warrant the term post-modern.I haven't seen it in 20 years but I'll never forget the rollercoaster experience, or the absurd self-referential epilogue. An extraordinary film that deserves acclaim beyond its secretive cult status.