Beyond Outrage

2014 "Who is the worst among them?"
6.7| 1h52m| R| en
Details

As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.

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Reviews

Hellen I like the storyline of this show,it attract me so much
Redwarmin This movie is the proof that the world is becoming a sick and dumb place
Breakinger A Brilliant Conflict
Catangro After playing with our expectations, this turns out to be a very different sort of film.
Sankari_Suomi Sanno-kai has vanquished Murase-gumi. Kato is secretly in league with Hanabishi-kai. Ishihara causes resentment among the dankai no seidai. Kataoka has a plan. Otomo wants revenge. Kimura forges an unexpected alliance. Fuse is playing the long game. The Korean fixer takes a risk. Nishino remains loyal. Nakata is unstable. Shiroyama and Gomi are still the same. A yakuza honours the jingi code.Is Shigeta a liability? Who killed Shima and Ono? What is the meaning of the tattoo on the back of the prostitute in the white dressing gown? Is it possible to murder someone with a baseball-throwing machine?I rate Autoreiji: Biyondo at 26.64 on the Haglee Scale, which works out as a violent 8/10 on IMDB.
maverickhamillfan The dialogues written for the main character Ottomo(Takeshi Kitano) was better than most movies similar in genre to ''Beyond Outrage'' (2012). It was fluently portrayed by Takeshi Kitano, who is usually known as a comedian and his co-stars. The action in the movie was also more than decent, the highlight being when Otomo empties a gun on Kataoka at point- blank range, killing him and not attending his funeral.
karmaswimswami "Beyond Outrage" is the sequel to star and auteur Takeshi Kitano's epic of rival yakuza gangs "Outrage." This film is thrillingly lensed in the way that erstwhile widescreen masters such as Kurosawa and Nyquist used the full frame, and done so with a quintessentially oligochromatic Japanese patina. The story has grandeur of conception, keeps you rapt, and slickly amps up the badness of some very bad guys. The violence has larger quantum numbers than the comic book idioms of Tarantino, but is deployed with panache and grace. Among the film's climaxes is vanguard violence that will permanently prefigure how you regard baseball! Here's hoping "Outrage" becomes a trilogy.
willson_x A lot of people seem to be hesitant to put that this is one of the all time great sequels to a movie, ever. It's up there with the Lord Of The Rings, the Toy Story, the Godfather, whatever you consider the best (Alien?) trilogy. What it is, is that it's the perfect sequel to the first film and its complex, meaty character/story web. It compliments it and enhances it in every way, it's not just "Annuva' sequel". It's *BETTER* -Guarantee included.The story starts like if you're reading the be-all-end-all of crime dramas in bed, and you've turned the page, fueled with adrenaline and no thought for your sleep pattern. OK, so Takeshi Kitano's character died in the last film, right? He's on the cover of the damn box, but let's pretend you can't put 1+1 together: he's dead, the gangsters lost their boss, tensions are high... unfortunately they stay high the whole movie, unfortunately for them, trapped inside the screen. Fortunately for us, the nail biting tension is strung high, like a tightrope, and we are being tickled along. The emptiness of the camera is like the sinking hole below you as you cross this suspended wire. Look, do you want me to say any more? Just go see the movie, if you haven't seen the 1st installment, go see that. You will watch the next one straight away. There is no third chunk to call it a trilogy, so you'll have to make do. Now go watch it before the magic of word of mouth fades off and you watch the next bullshit Hollywood film starring Emma Watson or some pretentious looker that acts as well as a zombie, freshly resurrected from a Haitian cemetery by Baron Samedi. Keep it vanguard, people.