Bimmer

2003
7.1| 1h50m| en
Details

A black BMW, a symbol of luxury, is racing along the night streets of Moscow in the 90s. Bad luck turns four friends into criminals and they have no way back. Only the black “bimmer” is reliable in this life without rules, taking the friends farther and farther from Moscow, into the crazy and ruthless wilderness of Russian roads… None of them wanted to kill. None of them wanted to die. But they will have to face their destiny in the end.

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Reviews

Evengyny Thanks for the memories!
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Tgrain It is unusual that a first time director knocks it out of the park for their first feature film, especially below the age of 30 and fresh out of film school, but Buslov did it with "Boomer" (that is the correct way to pronounce it, not Bummer or Bimmer). The story is pretty strong, it has substance and body unlike many other crime films. There is no attempt at comedy here, no desire to laugh at the expense of victims or the bad guys, nor is there action just for the sake of action. Boomer reaches into the criminal dilemma, as said by one of the criminals in rebuke to a woman who accuses him of being a bad person: It's life that's this way. The characters are real and their journeys are credible. Their environment is also effectively put across: Russia's confused 90's landscape with the criminal world on the one side, and the "suckers", the populace on the other which is suffering from poverty and alcoholism. The cinematography by Daniel Gurevich is excellent: sadly he was to die before the film was released, together with talented Russian actor Sergei Bodrov (Brother, Brother 2) who had also seen rough cuts of Boomer and had been supportive. The music is likewise effective, blending Russian folk themes with pop music. The cell phone ringtone ended up being such a hit that composer Sergei Shnurov ended up netting $1MM in royalties from it alone (comparable to the film's initial box office performance). To me, this is how crime films should be done - more focus on the human condition, with action as an accompaniment, not the goal.
summit3000 Among the host of modern time Russian-made "gangster" movies (think Brat/Brother, Brigada, Antikiller, Zhmurki, etc.) this is by far the most realistic one.Brigada was very much a fiction movie, and so were both parts of Brother. Antikiller was middle of the road, and Zhmurki was just a parody on them all.One of the previous reviewers wrote that Bumer shows the life in today's Russia. This is not true. Bumer shows life as it was in the early to mid- 1990's (and that was, in fact, the film makers' stated intent).The "bratki" (gangsters), the "razborki" (inter-gang negotiations), the language, the extortions, the crooked cops, the truck drivers, the roads, the godforsaken village, the robbery - all are very realistic.The only downside of the film, to my taste, was a bit too many moralizing scenes. But I still rate it as 10 out of 10.
mindoza an empty movie with neither a good plot, nor action. haven't heard much good music either. a few minutes with fancy cars, but no impressive driving. a film about four russian 'mafia' guys without beginning and ending and it is impossible to write comments on literally nothing.2/10 for some nice shots of winter. not worth watching
Morfeus Ivanovich This is a brilliant Russian movie. Great and very realistic plot (lots of cursing, deaths), awesome music (both Ruissan hip-hop and Mahler), good actors(including the star from "Brigada". But the best thing is that this movie realistically displays modern Russia - crooked cops, gangs on every corner, a step to anarchy...

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