Softwing Most undeservingly overhyped movie of all time??

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

blanche-2 Robert Montgomery is helping a free-thinking artist, played by Ann Harding, write "Biography of a Bachelor Girl," a 1935 film.Harding plays a famous artist, Marion Forsythe, who's been around (as bluntly as it could be said after the code went into effect), and Montgomery is Richard Kurt, a magazine editor, who wants her to write her biography. She has painted the portraits and heaven knows what else of some of the most famous people in the world.Marion agrees, but an old beau of hers, Bunny (Edward Everett Horton) shows up and tries to discourage her from publishing her story. He is a chapter, and he's running for the Senate and presently engaged to the daughter of an influential publisher. This could ruin him.Nice story with a fine performance by Harding, and a departure from the films of hers I've seen. She is usually a very serious, proper woman. Here she is flirtatious, comfortable, and disarming. Every man she meets succumbs to her gentle charm. This includes Kurt, whose name she never remembers and who is becoming increasingly frustrated, particularly when she begins to second-guess the biography.Edward Everett Horton is very funny as Bunny (whom she doesn't remember when she first meets him), and Montgomery is good as Kurt. He, like Melvin Douglas and some other actors, was much better than his material and really didn't have a chance to show what he could do until, at his insistence, he did "Night Must Fall." Later on, he became a successful director.Worth seeing for Harding's performance.

kidboots Ann Harding was like a rainbow in the early sound days - she was a Broadway star who came to Hollywood and just wowed everyone with her unique talent, not to mention her silvery blonde hair and her sultry honeyed voice which always seemed to indicate that she would be just as happy having a beer with the boys as residing in the most exclusive penthouse. Unfortunately she had her share of "stinkers", films in which she portrayed women too noble for any mere mortal and with her wicked sense of humor kept on a short leash (ie "Gallant Lady" (1933)) and audiences soon tired of her. Every so often she came up trumps ie "The Lady Consents" (1936) and "Love From a Stranger" (1937) but definitely not this movie taken from the 1932 Broadway play "Biography" which showcased a glowing Ina Claire.It starts out in an interesting "I want to see more" type of way. Marion Forsythe (Harding), a glamorous artist is the woman all America is talking about - her affairs in Europe have become legend. Steely editor Richard Kurt (Robert Montgomery) is determined that his magazine will be the one to publish her scandalous biography - if he can convince her to. Meanwhile, her first "beau from Knoxville" is now a jittery would be Senator, Leander Nolan (Edward Everett Horton) who is eager to see that the biography is never published, fearing it would stymie his political career as well as his coming marriage to Slade (lovely Una Merkel who unfortunately has to keep her usual quick witted personality under a bush for this movie). Behind Kurt's business like persona are memories of a harsh childhood and a resentment toward the rich and flighty of society but Marion soon shows him she is a regular gal!!This is when the movie starts to unravel. Richard takes Marion to his mountain cabin so they can work in peace and they instantly fall afoul of the suspicious locals who look aghast at her "bohemian" ways (all except nice Donald Meek) and they are then invaded by Nolan, Slade and her father. The ending has Nolan confessing to Marion that he doesn't love Slade but has always carried a torch for her, with Marion managing to convince him that Slade is really his ideal match. Apparently the movie had originally been intended to star Marion Davies and I think she would have been great. You couldn't get two stars more dis-similar and I think Ann was just too sincere and "earth bound" to be believable as the frivolous Bohemian who is quick to put her past behind her and settle down with solemn Richard.

whpratt1 Ann Harding plays the role of Marion Forsythe who is an artist and looks absolutely beautiful in her role. Marion wears very little makeup and at times looks likes a ghost. Robert Montgomery,(RIchard Kurt) seeks out Marion and tries to get a biography of her along with many other men who have had relationships with her in the past. Edward Everett Horton, (Leander Nolan) claims to have been romantically involved with her and Edward Arnold, (Mre. Feydak) gives a great supporting role. There is plenty of funny scenes and lots of slapstick comedy which went along with most films from 1935. This is truly a great film Classic of Ann Hareding who was a great film star along with all the other actors in this great film Classic. Enjoy.

marcslope She's nearly forgotten today, but Ann Harding was a true cinema aristocrat in the '30s, a movie star who didn't look like one (she wore practically no makeup) but was lovely all the same. She didn't act like one, either. Here, she's a free- thinking artist (referred to by other characters as "Bohemian," and it's clearly an insult) whose projected tell-all autobio is going to put an old flame's political career in jeopardy, and she's so obviously more intelligent than any of her co- players that you can't take your eyes off her. Calm, ladylike, and vaguely amused by her surroundings, she's a lot like her contemporary Irene Dunne, but less forced. The movie, from a smart S.N. Behrman stage comedy, is a civilized affair where characters bat around words like "propinquity" without flinching and the slowish pacing feels right. Perfect it's not, particularly in the male casting: Robert Montgomery, as her perpetually dissatisfied editor, doesn't stint on the character's unlikability, which leaves one rooting only halfheartedly for their romance to alight. And Edward Everett Horton, as her compromised ex-beau, isn't believable for a moment, being so obviously... Edward Everett Horton. On the other hand, Edward Arnold, the screen's best Evil Plutocrat of the '30s, is here a quiet, sympathetic spurned beau, and completely charming. It's a pleasant journey back to a time where the general public was more sophisticated, though without Ms. Harding's presence, it wouldn't add up to nearly as much.