Bird on a Wire

1990 "He’s every woman’s dream and one woman’s nightmare."
6| 1h50m| PG-13| en
Details

An FBI informant has kept his new identity secret for 15 years. Now an old flame has recognised him, and the bad guys are back for revenge.

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Reviews

MamaGravity good back-story, and good acting
Majorthebys Charming and brutal
Comwayon A Disappointing Continuation
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
videorama-759-859391 If you love adventure movies, this is one of the best I've seen. While around the same time as Air America, in 1990, here might of been one for Gibson lovers, that would take second place, if choosing to go and see it. I have to be honest, I really enjoyed this movie. It has a great story background, constant action, but also humour as well, as if on Goldie Hawn's part. At times, it seems she's overacting, and it could just be her character doing it. Mel and her make a great duo. Long haired Gibson, as Rick, who worked for Air America, had discovered he'd be used in some illegal smuggling, has gone under a new identity. Some bad arses, still after him (Carradine and Duke). He used to be the fun of the party in Hawn's life, while being a husband too. Presumed to be dead by Hawn, her absolution is thrown back into doubt, while recognizing Gibson at a gas station. Later that same night, the desperate, pain in the butt, Gibson, and I'm two terming it there, is forced to team up with Hawn and another adventure like olden days, begins. You so much wanna be part of their adventure. Here's one of those smaller mainstream movies, that really surprises you like they did in the nineties. And when the climax scene is set spectacularly in a zoo, with lions running loose whatever, (what a choice) it just another reason. Think of the original climactic setting in Kill Bill 1. This movie is just fun all the way, with funny circumstances, of course taking place during the action. It's what so good about this, it's not just action, but it's comedy, on a even keel I like. Too, we also feel Mel's bullet in the bum. He plays his irresponsible character here well. Carradine as the chief bad guy, also impresses. The only thing that really sucks here, is it strung together title. It's just out of whack, unfitting, no title appeal, as if unthinkingly slapped on, at the last moment.
Michael Neumann Summer crowd-pleasers rarely aspire to anything more than big box office returns, but this feather-brained comedy adventure is appallingly unfunny even by its own bubblegum standards. It's less a film than a two hour package of ads for, among other products: Coca Cola, Evian mineral water, Pennzoil, the Four Seasons hotel chain, the almighty MasterCard and, of course, Mel Gibson's bare bottom, a source of awestruck admiration in at least two scenes and also the subject of one hairy close-up. It could have been worse: when the film isn't glorifying his butt it's praising another, presumably well endowed, feature of his anatomy. Never mind the sad excuse for a story; salespersons Gibson and Hawn are merely paid to meander through a series of routine chases, witless dialogue exchanges, and predictable romantic interludes, unburdened by any semblance of character, and with no chemistry between them in any case. The film is condescending (if not downright insulting) to Orientals, homosexuals, wild animals, women, the homeless, and of course anyone gullible enough to waste money seeing it.
weezeralfalfa Beats me why so many people want to trash this action-packed screwball romantic comedy-chase thriller. Instead of comparing it to other Mel Gibson and Goldie Hawn films, I compare it to basically similar type films, such as "What's Up Doc?", "Smokey and the Bandit", "High Road to China", "The Big Steal"(perhaps the granddaddy of this type of film) and, more recently, some of the Jackie Chan films. The stunts have gotten much wilder and more numerous in recent decades, including in this film. I love both Goldie Hawn and Mel Gibson as actors, and to have them together in this type of film is just great.Gibson gets things started with a scary practical joke on his coworker. Goldie, a divorced lawyer, happens to drive into the gas station where Gibson is working and thinks she recognizes her almost husband of 15 years ago. He seemingly convinces her she is mistaken, being embarrassed about the circumstances of his sudden disappearance. Goldie returns in the evening to spy on him from across the street. Apparently, she intended to follow his car home, but instead witnesses a confrontation with 2 men intent on killing him. The assailants accidentally kill his coworker. Gibson manages to burst out of the garage in a car, but it is soon wrecked. He sees Goldie and pleads that she let him in her car, acknowledging that he is who she thinks he is. As the station explodes in a fireball, they drive off in a hail of bullets, with a murder charge soon to be filed against them. They're off to the races! Sound promising?
Paul Andrews Bird on a Wire starts as successful lawyer Marianne Graves (Goldie Hawn) stops off at a gas station in Detroit & recognises the hired help as Rick Jarmin (Mel Gibson) her old boyfriend who she thought was dead. Rick denies it & she leaves, since Rick has been living in hiding for the past fifteen years under the FBI witness relocation program he wants to move on before Marianne comes back. He talks with corrupt FBI agent Joe Weyburn (Stephen Tobolowsky) who passes his information onto the bad guy who Rick's testimony put behind bars, Eugene Sorensen (David Carradine) & his drug lord boss Albert Diggs (Bill Duke) before wiping his file altogether. Diggs & Sorensen head over to Detroit to kill Rick at the same time Marianne decides to go back & speak with him, Diggs & Sorensen fail to kill Rick & Marianne helps him escape. Everyone from the police to the FBI to Diggs & Sorensen are after them as Rick & Marianne go on the run...Directed by John Badham I thought Bird on a Wire was a fun little action adventure with a nice sense of humour that I rather liked. The script by David Seltzer, Louis Venosta & Eric Lerner plays like a mismatched cop flick along the lines of Gibson's earlier Lethal Weapon (1987) with Rick & Marianne paired as arguing ex-lovers caught up in an action adventure. This is where the film, in my opinion, works very well as I think Gibson & Hawn both have good on screen chemistry & are fun to watch as they trade insults. There are some amusing one-liners, the action scenes are pretty good with some decent vehicular mayhem & fight scenes. The bad guy's aren't great as they don't get much to do & aren't evil enough for my liking, in fact they disappear from the middle third almost entirely. At less than two hours Bird on a Wire never outstays it's welcome, it moves along at a nice pace although the farm scene might have cut down or removed entirely as it serves no real purpose & generally speaking I aways have fun whenever I've seen it.Director Badham does alright, there are some neat action scenes including a cool car chase, a motorbike chase & scene in which a helicopter chases a plane! There's some nice explosions & fights too although you may feel, like me, it was cut down to get a lower rating as some of the dubbing isn't great & it's all but bloodless. I have to say Goldie Hawn really does look rather good in this, I wouldn't be surprised to learn that a body double was used on occasion but she looks pretty sexy in this.Technically the film is well made with high production values although how did Rick & Marianne get from that beam on top of the hotel to the window they let themselves in through? The acting is pretty good & as I said Gibson & Hawn are both very likable in this, Carradine & Duke are wasted in minor bad guy roles & despite near top-billing on the credits Joan Severance gets about 5 minutes screen time.Bird on a Wire is a likable, fun, light hearted, not to violent & entertaining action adventure that I personally liked. All things considered I think you could do a lot worse.