LastingAware The greatest movie ever!

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Charles Gough Honestly I found this movie to be a very enjoyable experience. The pacing was fantastic, the whole time I wanted a character to do this or that, but they didn't, so I'd get frustrated. But then a half hour later they'd do something twice as satisfying then what I had wanted them to do and with perfect timing. The movie starts off a little slow but let yourself get to know the characters, try to understand their points of view and guess how they became this way. By the end of the film everything is understood and it makes those first few scenes even better now that you understand why the characters where acting the way they were.Elyse Friedman's writing feels genuine. The characters are rich, and the story plays out very well in getting to know those characters. At times you think you have one figured out and then you learn something new that changes who they are in your eyes. I love when a film can do that affectively and this one does. It feels like a character piece, but unlike most who overdo the story, this film is entertaining enough just getting to know the characters.Craig Lucas does a great job directing the camera to support the performances. This film has a genuine indie feel. It's not forced it just fits.The performances are also very appropriate for the feel of the film. Matthew Parry was a fantastic choice for his role. He acts by not overdoing it. He keeps his performance inside and in turn it seems more real on the outside. Ben Foster is perfect. He nails the character in a way that few actors could have pulled it off. He makes me want to meet Jay and have a conversation with him. I want to hang out with him and ask him about his perspectives on life. Lastly but certainly not least, was Ginnifer Goodwin. I want you Ginnifer, I want you so bad. She delivers a performance that is fantastic in its combination of both subtle and not so subtle moments. At times you have to look closely into her eyes to figure out what the character is feeling, other times it's displayed in her every expression and gesture.I really am a tough critic most of the time, but I was just so surprised by this film that it sold me. I love it. I won't recommend it to all my friends because it is a film for people who love film and don't just want to see car chaises and sex scenes.

kennyv11111 I know a nine is going to seem high. But after a slow start, this movie begins to grab at you. There are moments you feel the boundaries of realism have been touched upon, but somehow it all meshes together and becomes the heartfelt story it's meant to be.At times, you might suspect the actors were learning improvisational skills on the job, as they most definitely improved scene after scene. Give this movie the half hour investment of boredom you might endure, and you'll be grateful for the half hour you "suffered" through.Matthew Perry hasn't had the best of luck in reviews of his movies. I think this movie should certainly help to redeem any sagging career thoughts swirling is his head.

tedthespankmonkey Saw the premiere of Birds of America at Sundance this year. I picked this movie not cause it sounded great (of course, the Sundance blurb writer could make a Hilary Duff movie sound like Pi), but because Matthew Perry, Hilary Swank, Lauren Graham, and Ben Foster starred in this movie (and I got tickets to the premiere figuring that they would come).So, here's the basics - two ominous signs of doom keyed me off as an alpha and omega.One - when the Academy Award winning stars (not to mentioned that some of them PRODUCED the movie (Hillary Swank)) don't even show at the premiere - the movie might be a piece of crap.Second, and keeping in line - when the "climax" involves the main character dropping trow and taking a dump on his neighbor's lawn - you know you're not exactly watching Citizen Kane.Yeah, no need to say more. Moving on. (Grade: D-)

wmjaho You might be getting a little tired of movies about dysfunctional families. I know I am. I think I've seen at least three at Sundance this year. But Birds of America manages to break the mold and feel fresh and alive from the outset, delivering a warm, funny, zany, tender and compassionate film that left the audience smiling and satisfied.Morrie (Matthew Perry) is an uptight university professor anxiously seeking tenure, which requires the approval of his department head, who lives next door. Morrie and his wife Betty (Lauren Graham—Gilmore Girls) live in a house he inherited at 18 years old after his mother died and his father committed suicide. As a result, Morrie raised his brother Jay (Ben Foster) and sister Ida (Ginnifer Goodwin), both of which grew into their problems. Ida is substance-abusing and promiscuous, and Jay a deeply gentle and sensitive soul whose actions are almost completely unfettered by advanced thought. They reunite in the family home when Jay gets run over by a car (he was laying in the road) and Morrie, who still feels more parent than brother, asks him to move in for a while. Without asking permission, Jay invites Ida to join them, stressing Morrie and Betty's relationship and jeopardizing his career with their outrageous behavior.Matthew Perry is surprisingly good in his deadpan portrayal of an overwrought brother who cares deeply for his siblings, often at his own expense. Goodwin is a pleasure as well, as the addictive personality with the carefree spirit. But Ben Foster (3:10 to Yuma) is great, and despite having such a naturally funny role, manages to never play Jay for laughs, creating an endearing and memorable character. Growing up without parents, these three have formed an unbreakable bond, with unconditional love and acceptance, and a tenderness and compassion unlike any I can remember in movies. Elyse Friedman has crafted a remarkable script, and Sundance veteran director Craig Lucas (Secret Lives of Dentists, The Dying Gaul) brings it to life with a funny but light-hearted and gentle touch.