billcr12
Black and White in Color is a French anti war movie, done as a black comedy, which won the Best Foreign Film Academy Award in 1976.World War I is the setting for the French colonists fighting the Germans on the Ivory Coast. The French draft the locals in order to battle the Germans, supplying the natives with guns, uniforms, and other equipment and attempt to train their reluctant soldiers in the ways of war.The result is a combination of keystone cops and a Marx Brothers saga, with everyone running around, clueless. No one really gets hurt as the real fighting is occurring far from Africa. I am reminded of The Mouse That Roared with Peter Sellers for comparison to Black and White in Color. A funny satire with a positive universal message on man's follies, this is worth watching.
Terrell-4
What day should be chosen to attack the Germans just up the river, ponders the French in flea-ridden Ft. Coulais, in the Ivory Coast? "You can't go wrong choosing the Lord's Day," urges one of the two priests, with the other nodding enthusiastically. Please note that elements of the plot are discussed, but nothing that also isn't mentioned on the back-cover of the case and in the accompanying insert Black and White in Color tells the story of a motley group of Frenchmen, including a few shopkeepers, at a colonial outpost in Africa who learn belatedly that World War I is underway. Since a German outpost, with three Germans, is just a few miles away, La Gloire and honor dictate an attack. Of course, the real fighting will be done by hastily recruited natives on both sides. The fort's young teacher, Hubert Fresnoy (Jacques Spieser) had heard that there is a sensible German and says he wants to try to negotiate. With La Gloire, that would be impossible. The shopkeepers demand French honor be sustained with an immediate attack on the Germans with whom they'd been trading (and unknowingly sharing their wives) just days before. And off they go. The shopkeepers, two priests and two wives are carried in palanquins by natives. The hastily recruited and untrained native soldiers are armed with old rifles and some slightly damp powder. They're led by the tired and realistic Sergeant Bosselet (Jean Carmet) only three years from retirement. The teacher reluctantly tags along. And they all -- well, the whites -- stop for a picnic just before the battle starts. War, they appreciate, can be great fun as well as a source of great pride. Unfortunately, the Germans have machine guns. As the native troops stagger back, the whites hastily pack up the food and dishes and head quickly back to the fort. Surrender seems the logical next step to the shopkeepers, even though no one has yet seen a German. But La Gloire prevails: No surrender...as long as the Germans stay away! Now the amusing part really begins. The teacher, who had been ridiculed by the shopkeepers as being all brains and no heart, decides to step in. He convinces the sergeant, who needs all the brains he can find, to back him up as he plans for the defense of Ft. Coulais. Before long we begin to notice that the teacher is not only training the troops, he is turning the fort's colonial society on it's head. The casual corruption of the self-inflating shopkeepers is exposed. Positions of authority are being given to natives. The teacher's mistress, a black woman, accompanies him to another picnic, and this time the wives and shopkeepers find themselves shaking her hand. All good things come to an end, of course, and so does World War I. A British company led by a Sikh captain marches into Ft. Coulais with bagpipes playing to inform them that the German colony is now a British colony. The war is over; the next-door enemy has become an ally. And the teacher, a Socialist, who was well on his way to becoming a benevolent and anti-colonial dictator, is last seen wandering off with his German counterpart, who is also a Socialist. This was director Jean-Paul Annaud's first film. It's a wonderfully sardonic, amusing movie about hubris, patriotism and racism, and surprisingly gentle. Those who believe that "glory" can come without a steep price, who believe war is a great adventure as long as it's experienced at a distance, who believe whites are intrinsically superior, all take their share of ridicule. "White men are stronger than black men. Why?" shouts a priest. "Because they have a better god!" comes the well-rehearsed answer. Of course, in his own language one native says to another, while the white sergeant slaps away an insect, "Didn't I tell you white men attract flies?" In one quick scene a native who had been facing Mecca and praying quickly disappears into his hut and reappears wearing a cross just as the priests arrive.
dbdumonteil
...Nous Ouvre la Barrière La Liberté Guide Nos Pas.....Borrowing from one of the most famous military marches for its original title ("Black and White in color" became the title when it was awarded an AA),"La Victoire En Chantant" remained Annaud's best : bitter and utterly uncompromising qualities .At the time ,he had not been swallowed by the Hollywood machine and he did not need a Brad Pitt to flog his stuff.His actors are not very famous on an international level but all of them are to be commended:Jean Carmet,Jacques Spiesser,Catherine Rouvel or Jacques Dufilho are all excellent thespians .Africa 1915:the French colonizers do not know their country is at war.but a geographer learns the whole story and urges his compatriots to join the fight against those Barbarian Germans .There are Germans in the neighborhood,therefore they have become enemies.So let's enlist the natives and let's wage war through "black" intermediaries.A brilliant metaphor of the absurdity of war,an excellent spoof on jingoist spirit .You should see the heroes having a picnic while their men go to be slaughtered.
Shannon
This movie, "Black and White in Color" tells the story of a French colony in Africa affected by the German threat during WWI. Desperate for manpower, the local French officials recruit unwilling native Africans to fight against a professional German army without any knowledge of modern warfare. This proves to have disastrous consequences.Thanks to the brainchild of a young geographer named Hubert Fresnoy, France is able to defend its African colony against the German threat. The movie is vivid but rather dull in some parts. Gillo Pontecorvo's "The Battle of Algiers" is a much better film despite running slightly longer.
