Black Bart

1948 "MASTER GUNMAN! LAWLESS LOVER!"
6.2| 1h20m| NR| en
Details

Cheerful outlaw Charlie Boles leaves former partners Lance and Jersey and heads for California, where the Gold Rush is beginning. Soon, a lone gunman in black is robbing Wells Fargo gold shipments. One fateful day, the stage he robs carries old friends Lance and Jersey...and notorious dancer Lola Montez, coming to perform in Sacramento. Black Bart and Lance become rivals for both Lola's favors and Wells Fargo's gold.

Director

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Universal International Pictures

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Reviews

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
JohnHowardReid Copyright 24 March 1948 by Universal Pictures Co., Inc. New York opening at the Winter Garden: 3 May 1948. U.S. release: April 1948. U.K. release through Eros (the film was turned down by Rank): floating from November 1949. Australian release: 12 August 1948. 7,247 feet. 80 minutes. U.K. release title: BLACK BART, HIGHWAYMAN.SYNOPSIS: This film is based on the adventures of Charles E. Bolton, poet-highwayman who committed 28 hold-ups before he was apprehended, and Lola Montez, the internationally famous dancer. That they ever did meet is not impossible but highly improbable, for Lola was touring the U.S. under the direction of P. T. Barnum at the time Black Bart was on the rampage. This is a dashingly-played (particularly by Dan Duryea and lovely Yvonne De Carlo), fast-moving and very exciting melodrama, very competently directed with appealing Technicolor photography. - E.V.D.COMMENT: Quite an entertaining "B", photographed in most attractive Technicolor by Irving Glassberg, this classy Universal entry features an interesting and highly rewarding group of players, led by Yvonne De Carlo, Dan Duryea, Jeffrey Lynn and Percy Kilbride. Very capably directed by George Sherman from a taut, well-constructed and peopled-with-interesting-characters screenplay (to which William Bowers doubtless made a major contribution), Black Bart (despite its off-putting title) rates as a must-see western.
alexandre michel liberman (tmwest) Yvonne de Carlo was a pretty girl, but somehow they gave her roles where she was supposed to be astonishing beautiful making all men fall for her. She wasn't that great, as a matter of fact very few are. "Salome Where She Danced" was one of the worst films I have ever seen and Black Bart saves itself because of a decent script and good actors like Dan Duryea, Jeffrey Lynn and Percy Killbride. Masked main characters at those times (1948) used to be heroes, like the Zorro and the Durango Kid. They wore their masks to defend poor people's rights, or the law. In Black Bart, Duryea's mask is for pure self interest, but in the film he is not quite the bad guy, the spectator will sympathize with him. In those westerns where the outlaw was the hero, he either had to die at the end, or go to jail for a number of years, with his woman waiting for him. That made them different from the standard "good guy happy ending". Conclusion: any western with Dan Duryea, the eternal Waco Johnnie Dean (Winchester 73) is worth seeing, even this average one.
dougdoepke Three tricky outlaws part ways, only to meet up later on opposite sides.Pretty good Western— somewhere between an A-production and a B. It's an unusually distinguished supporting cast from Lovejoy to McIntyre to Kilbride, along with some good scenic outdoor set-ups that keep the eye entertained even when the action slows down. Reviewer lorenellroy is right—the amorality of Lynn and Duryea is unusual for the period, 1948. It's hard at times to know where their loyalties lie, making the script somewhat—and refreshingly-- difficult to predict. Add a luscious De Carlo who looks ravishing in Technicolor, while turning in a surprisingly artful performance.So, with these positives, why doesn't the movie impact more strongly than I believe it does. Now I'm as big a Duryea fan as anyone. In fact that's why I tuned in. But for some reason he looks less motivated than usual, draining Bart of needed character color. There's not the usual relish of his better performances. Add to that the other lead, Jeffrey Lynn, who's just naturally colorless, and there's not the needed drive at the movie's center. At the same time, director Sherman has to work in the romantic angle without sagging the tempo, which he does pretty well. But the staging of the final ambush scene is clumsily done—how could the ambushers miss their shots at such close range as Bart and Lance race for the cabin.Anyway, there's real offbeat potential in the various ambiguities that the script doesn't develop adequately until the end. Nonetheless, the compensations are enough to make this a generally entertaining 80-minutes of cowboy intrigue.
bob the moo Three thieves in the old west decide to split up their money and go their separate ways. However Lance and Jersey try to double-cross Charlie and leave him. Some time later Lance and Jersey come across Charlie, who appears to be doing well as a rancher. However the mysterious Black Bart is robbing Wells Fargo stagecoaches with help from inside information. Things are complicated by the arrival of the beautiful singer Lola Montes who attracts interest from Lance, Charlie and Black Bart himself.This is a standard western that never threatens to replace John Ford's westerns at the top of the list of greatest of all time. However it does have plenty of things that make it entertaining to watch. The story is a mix of mystery with some nice twists before the tragic but witty finale. The film never really sags and manages to mix action with romance with humour with western. It's not the best film ever made but it is a gentle bit of entertainment.Dan Duryea is not great as Charlie - he feels too wooden, and as Black Bart he is totally covered by a mask and can't manage to bring his character to life. Jeffrey Lynn is good as Lance and benefits from having a double act with Percy Kilbride's Jersey. Yvonne DeCarlo is stunning as Lola but she doesn't have much to do and is just part of the studio's habit of adding feisty female roles to westerns of the time.Overall this is nowhere near a classic but it is well shot and is quite fun.