Black Zoo

1963 "Fang and claw killers stalk the city streets!"
5.6| 1h28m| NR| en
Details

Michael Conrad, owner of a group of strange animals, trains his beasts to obey him, unleashing them on anyone who stands in his way. His wife and mute assistant begin to suspect that they too are becoming part of the black zoo.

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Solidrariol Am I Missing Something?
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
BA_Harrison Michael Conrad (Michael Gough) is the tyrannical owner of a successful private zoo that would give today's PETA activists a coronary, with wild cats in cramped cages, and a chimpanzee theatre-the act of Michael's downtrodden wife Edna (Jeanne Cooper)-that sees the chimps dressed in clothes and forced to perform circus tricks, the show culminating with one of the poor primates being rewarded with a cigarette. Amazingly, Conrad is convinced that he is treating the zoo's attractions with love and respect, and even belongs to a cult of animal worshippers who believe in soul transferrence. Clearly off his rocker, the zoo owner uses his obedient beasts to kill anyone that might threaten their way of life, sending a tiger to pounce on a snoopy reporter, a lion to maul a pushy property developer, and getting his gorilla (played unconvincingly by a man in an ape suit) to bash in the skull of Jenny Brooks, an entertainment agent who offers a circus job to her friend Edna. When Edna learns of Jenny's death and finally realises the true extent of Conrad's cruelty, she decides to skedaddle, convincing Conrad's mute son Carl (Rod Lauren) to join her. Of course, Conrad isn't about to let that happen if he can help it...To put it simply, Michael Gough makes this film. The actor goes so over the top in his performance as the bitch-slapping, lion-hugging maniac that he takes the film into camp territory, making it a whole lot of fun despite the somewhat trite set-up. Gough chews up the scenery and spits it out with relish, his hammy histrionics hugely entertaining, with his meal-time altercation with Edna being particularly memorable, the argument resulting in a hilarious spot of casserole hurling!Other highlights include Conrad inviting his big cats into his study where he entertains them with his organ (oo-err!), the zoo owner dealing with a sadistic employee by feeding him to a lion, and the eerie night-time funeral of Conrad's beloved tiger Baron.7.5/10, rounded up to 8 for the completely pointless but welcome inclusion of three pretty young art students who come to the zoo to draw the animals.
mark.waltz This outstanding horror film is a delightful surprise among the new wave of horror that went beyond spooky creatures of the night or even the warming of what nuclear power could do. Michael Gough, a forgotten successor to Karloff, Lugosi and his contemporary Vincent Price, is well regarded by cult fans, but overshadowed by even Christopher Lee and Peter Cushing. Here, he's a zoo keeper obsessed with the love of his fur lined family. Anybody who will dare hurt them will pay...dearly.Gough is married here to future soap diva, Jeanne Cooper, and she plays a younger version of her "Young and Restless" character Katharine Chancellor. She's just as troubled and drunk as Kay was in her first years, and like Kay, you can't help but want to protect her. Gough is abusive to her, but there's more to him than meets the eye. Keep your handkerchiefs out to wipe off the drool over the mute but hunky assistant, Reed Lauren, Gough's much abused caretaker.Veteran actor Jerome Cowan gets the first eyeful of Gough's vengeance by trying to force him to sell him the zoo land, giving Gough a memorable line as he explains why Cowan must pay. The photography is colorful and editing brisk, with genuine thrills and a bit of supernatural innuendo as well. Everything about this film is very unique, and it is a fascinating discovery. Veteran actress Virginia Grey has a great cameo as a friend of Cooper's who tries to tempt her away (which results in a delightfully silly exit), and her "Y&R" co-star Jerry Douglas has a small part as well.
Ted Newsom This was actually the first time George Barrow himself worked for Herman Cohen. The first time out, KONGA, Barrows sent his ape suit over to London. When it returned the worse for wear, he decided he'd never do it again. BLACK ZOO was shot in Hollywood. For producer Cohen to have arranged for a foreign actor to come to Hollywood and take a job that could have been done by any number if US actors must've been quite an argument to both SAG and the Imigration Department. "Sirs, you must understand, my script calls for the zoo keeper to be the maddest, most outlandish, least subtle character ever to grace the movie screen. We just don't have an actor anywhere in the country who can do this. There is no one n the world who can out-mug Mr. Gough. I know, I've used him twice, and every time he gets bigger and badder."
BaronBl00d Welcome to the Michael Gough School of Dramatic Acting where subtlety is as foreign as class is for Roseanne Barr. Gough teams up with producer Herman Cohen for one more time(previously making Horrors of the Black Museum and Konga together). The result is a fun if not flawed film. Gough plays Michael Conrad the owner of Conrad's Animal Kingdom and one man accustomed to getting his way in life. Seems to also have quite a good relationship with his zoo pals, especially the big cats: a lion, a lioness, a pair of cheetahs, a tiger, a black panther, and also a fake looking gorilla(George Barrows AGAIN!). Gough plays organ music to his animal friends in his living room, belongs to a cult group of animal worshipers, and uses his friends to kill any personages that get in his way. To say Gough overacts is an incredible understatement. He bellows his lines with ferocity in scenes that do not need such vigour, but he is always fun to watch. The film is really very interesting as the cats are real and they have been trained very nicely. The acting, aside from Gough, is uniformly good with a nice performance turned in by Rod Lauren(The Crawling Hand) as a mute assistant forced to aid Gough. Jeane Cooper is lovely and does well as Gough's wife, and the character acting of Elisha Cook, Ed Platt, Virginia Grey, and Jerome Cowan all enhance the film. Make no mistake though, even though he wildly overacts, Gough is the film's main attraction. You have to look a ways to find a more over-the-top performance and a bigger slice of ham! The film also boats a wonderful scene where a tiger gets buried. Amidst the swirling fogs and moody backdrops, Gough, with mute assistant and wife, gives a eulogy before all the big cats. Effectively eerie.