Incannerax What a waste of my time!!!

Cathardincu Surprisingly incoherent and boring

Borgarkeri A bit overrated, but still an amazing film

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Horst in Translation ([email protected]) "Blind Vaysha" is an animated 8-minute short film from 2016 that was directed by Theodore Ushev. The latter, a Bulgarian-born filmmaker, is also the one who adapted the original work by Georgi Gospodinov for the screen here. With these names and origins, you certainly would not expect this to be a Canadian movie in the English language. The National Film Board of Canada sure has come a long way if you look at their works from decades ago. But they have always been successful with the Academy, so it is not too surprising that this one here was also nominated for an Oscar. How much you like the animation style is of course always subjective. For me it was good without being great and clearly inferior to "Piper". But in terms of the plot and story, "Blind Vaysha" is far ahead of that one and probably also the rest of the competition. The idea of this disability (that's what it is and what it is rightfully called in the film) is a great one and result in the film oozing creativity. Sadly, I must say I did not like the way the fourth wall was broken at the very end and it went really strongly against the tone and story from everything before that, so I wished this film could have ended after 6 minutes with better closure. I still recommend it though and I also think it's the best from the three nominated animated short films I have seen so far. Lets see if prolific short film maker Ushev finally moves on to full features anytime soon. I think the character of Vaysha certainly would work as well with a 90-minute movie.

Kirpianuscus dark atmosphere. shadows of the Balkanian myths. a simple story. with great impact. a parable. about the absence of present in many lives. and the right animation. because it is part of story in a so perfect manner than becomes itself the skin of the words. a film about the status of silhouette. because the past gives the hope, the future - the fall. between them - no bridge. and the bitter, harsh animation has the status to reflect this hole. doing "Blind Vaysha" a tool of wake up. because the girl is every viewer. memories against plans, projects and illusions, fears and too late. and this does the film a pure masterpiece. its cruel honesty about us. the lost of present . and the need to choose the right eye. a film about a gift. who defines our world so profound.

framptonhollis I just came home from a wonderful screening of the Oscar nominated animated short films this year, and they all truly delighted me. However, this one was certainly the most impressive! The story is unique and powerful, it is both beautiful and surprisingly hopeless-and the simple yet breathtakingly effective way it is told is super refreshing! However, the main thing that this film has going for it is not its story nor its approach to said story, but its ANIMATION and, equally as important, its ATMOSPHERE. This is a creepy and melancholy little film that is beautifully and uniquely animated. This heavily stylized way of animation is perfect for this story and this atmosphere, it captures the darkness of its tone, its surprising sadness.If you have a couple of minutes to spare, there is no better way to spend those minutes than by watching this brief and haunting gem.

boblipton This animated short, nominated for an Oscar in that category, is an interesting affair. It does not seem right to me for this meditation on a girl who sees the future with one eye and the past with the other, to win, but I have old-fashioned tastes.It is a very interesting effort, mostly for the quality of its visuals, which resemble wood-cuts rather than other, more conventional drawings or computer animation. This is clearly intended to offer some visual gloss on the subject, which is about how difficult it is to see only the past and the future, but never to exist in the moment, I have no idea how it does so, but it is a pleasant change from the more usual techniques.