BootDigest Such a frustrating disappointment

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Janis One of the most extraordinary films you will see this year. Take that as you want.

Leofwine_draca A gory Italian horror made on a shoestring budget at the fag-end of the genre's popularity, BLOOD DELIRIUM is an often disturbing look at psychological terror and madness that recalls Joe D'Amato's BLUE HOLOCAUST amongst other films. Although much of the graphic violence is implied rather than explicitly shown, this is still an exceptionally sleazy film that mixes in themes of dementia, sexual perversion, necrophilia and sadism into one unwholesome brew. Drawing on the acting talents of two acting stalwarts better known for their contributions to the Euro-action genre, director Sergio Bergonzelli rises above his material by creating a complex and intelligent story only occasionally let down by unwanted cheesy supernatural effects which dispel the realism that the film strives to create elsewhere. The version of this film I watched was a poor dupe of the Greek original and somehow the bad quality of the film added to the effect, giving it a dirty feel all round.The best thing about this film is the sleazy atmosphere of perversion and death which favourably recalls such Gothic classics from the golden age of Italian horror as Freda's THE TERRIBLE DR. HICHCOCK. Bergonzelli does well with his story, keeping it afresh with a steady pace (despite not much in the way of action happening) and inventive camera-work. The film mixes together such diverse elements as doppelgangers, ghosts, and supernatural intervention; physical horror, with maggoty skulls and bodies being hacked up and disposed of in an acid bath; mock heroics toward the end of the production, and a sub-plot involving the use of blood as paint which seems to recall 1965's COLOR ME BLOOD RED. The ending is way over the top and comes straight out of left field, but is oddly appropriate for such a weird, disjointed production.John Phillip Law (NO TIME TO DIE) takes the lead as the troubled artist with a Van Gogh obsession who finds his imagination sorely diminished after the death of his wife, and must contend with madness and psychopathy from both outside and in. However, he is upstaged here by the great Gordon Mitchell (THE GIANT OF METROPOLIS) in his last major film appearance as the sleazy and sexually perverted butler, Herman. Mitchell gives it his all as the insane but faithful butler without going over the top, giving a scarily convincing portrayal of an unhinged mind and stealing his scenes every time - a really good performance and, I'm inclined to say, one of his best ever. Along with the sleazy gore scenes, the film packed in tons of female nudity (the opening sequence has a woman wandering around topless for about fifteen minutes) to "up" the exploitation content and the end result is an unfairly neglected slice of Italian madness that ranks up there with some of the best of the country's horror output - a puzzle then, as to why this has been forgotten when much trashier fare is still lauded to this day.

trashgang First of all, this flick is extremely hard to find, so I had to search real hard around the globe to track it down until I did in a full uncut version with irremovable Greek subtitles. And it was a VHS copy, luckily not to much damaged and English spoken. After five minutes it was already clear that this was an Italian production. But surely not one of those giallo productions. The style of filming was typical, the shots, the sound, the dubbing. You are immediately involved in the movie, a bit Gothic in the beginning with the ghost appearing in the castle. Also the unnecessary nudity in the beginning, not that we mind, had nothing to do with the flick but is/was typical Italian style. The movie itself is about a painter losing his wife and becoming mad when he sees another girl that looks really the same like his dead wife. But he goes nuts and his , let's call him the butler , is insane too. After the painter his wife died and laying in her coffin the butler starts making love to her, necrophilia. So this flick becomes weirder and weirder, they capture some girls, hang them upside down, slice their throat and use the red stuff to paint. And the butler cuts the bodies in pieces after you guess, misused their bodies. It still gets weirder so one to watch, if, as said in the beginning you are able to catch a copy.

Coventry Possibly the rarest Italian horror film out there and most definitely also one of the absolute weirdest productions ever to be released, "Blood Delirium" is NOT a giallo-mystery, NOT a zombie-flick and surely NOT a brainless slasher rip-off! This is something new and entirely different from Italy; a brutal horror story that successfully blends together harrowing drama elements with artsy themes and repulsively perverted footage. John Philip Law, the former action stud from "Barbarella" and "Danger: Diabolik", stars as a slightly deranged painter who lives in an isolated ramshackle castle and he firmly believes he's the reincarnation of Vincent Van Gogh. When his beloved wife Christine dies, he suddenly loses all his artistic inspiration but remains in the castle with the necrophiliac butler Herman. The painter eventually falls back in love with Sybille, who's the mirror image of his departed wife, but his inspiration doesn't really return until he discovers the blood of young murdered girls as the ideal shade of red paint. "Blood Delirium" is quite a disturbing film, especially since the sequences involving necrophilia & misogyny are illustrated like it's the most common thing in the world. For example, when the painter is still mourning for his deceased wife, the crazy butler (perfect role for exploitation-veteran Gordon Mitchell) crawls on top of her corpse and starts caressing it. Later in the film, the two men also dig up severely decomposed corpses, assault defenseless girls and carelessly dismember their limbs to make painting. Their actions are a lot more unsettling to behold, because they don't look or behave like your average homicidal maniac or demented serial rapists. "Blood Delirium" literally oozes with dark and bitter atmospheres, as it deals with complex characters and their even sicker world perspectives. It's not just another silly and gory 80's flick, but a devastating depiction of man's darkest mind-corners. The are loads of resemblances between Sergio Bergonzelli's script and Vincent Van Gogh's actual tragic life, which is a truly brilliant and original concept for a horror film. Bergonzelli clearly didn't have a large budget to work with, but the film nevertheless looks stylish and competent. The photography is rather monotonous, but this suits the overall tone of the film and especially the melancholic music tunes are terrific. "Blood Delirium" is an extremely difficult film to find, and I don't understand why. I'm sure this would be an authentic Italian cult treasure, if only it could reach a slightly wider audience on DVD. Catch it if you can!

HumanoidOfFlesh I can't believe that Sergio Bergonzelli's "Blood Delirium" has such low rating.I guess that some people can't even recognize a good movie."Blood Delirium"/"Delirio di Sangue" deals with dark love and obsession.It's creepy,sleazy and gruesome-it has scenes of necrophilia,dismemberment and several rather repulsive images.The film is well-acted and stylish.In the broad form "Blood Delirium" is another Italian shocker that sometimes seems to aspire to be a drama-what sets it apart is the overbearing perversion.The film is extremely hard to find,so if you get the chance grab the copy and treasure it.8 out of 10!