Bloody Flesh

1983 "The only thing she craved was blood"
6.3| 1h26m| en
Details

August 6, 1956 during the military dictatorship of Rojas Pinilla. A military convoy loaded with dynamite explodes in the center of Cali, destroying a good part of the traditional buildings of the city and exposing the roots of some houses that for years had kept the secret stories of their inhabitants.

Director

Producted By

Compañía para el Fomento Cinematográfico - FOCINE

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Reviews

Matrixston Wow! Such a good movie.
Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.
Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Rory O'Bryen An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy. Opening with a series of cross-cuts showing, alternately, a dying grandmother, and a group of graverobbbers in the countryside of the Cauca region, the film (as suggested by these images) delves deep into the 'other scene' of political life and into the dark quasi- supernatural forces driving it. Whether Mayolo's 'tropical Gothic' works is another matter, and whether it is Gothic or indeed baroque is a question that the spectator might wish to ask him/herself. Some of the performances are strong (particularly Mayolo's own cameo as the family chauffeur-cum 'pájaro'), others, however, are fairly weak - in particular that of Andrés Alfonso and Enrique, the Communist uncle, whose performances waver between the wooden and the melodramatic. The whirring, moaning soundtrack nicely conveys the sense of historical repetition.
andrew_pudin this is an excellent movie from mr. mayolo. this movie gives to the public the chance of understanding many things cause it´s very dark and surreal. awesome fotography and art direction supported by good performances. this film touches many witch-craft stories from colombian beliefs. watch it sober and carefully cause, believe me, you´ll get high on this one.