Blunt Force Trauma

2015 "In the world of underground dueling, the only rule is to survive."
4.6| 1h32m| en
Details

Follows the journey of John and Colt, gunfighters and sometime lovers, on parallel but very different journeys through an underground dueling culture.

Director

Producted By

Voltage Pictures

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Reviews

CommentsXp Best movie ever!
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.
Seth_Rogue_One When it started I was wondering a bit why it was rated so low, because I thought it was watchable at least.But when the second half started that became painfully obvious.The movie starts out as sort of a illegal street-fighting movie but with armored vest shooting at each other instead of boxing and kicking each other.And it builds itself up to make you think that it's gonna get more and more intense as it goes on, so the second half is so anticlimactic it's not even funny.It turns into some wannabe philosophical wonderings drama movie instead, and it has one of the most abrupt endings I've seen in a long while which literally made me ask 'seriously?' out loud to the TV-screen.And in the end I have no idea what the movie was trying to say or why it was even made in the first place.So yeah definitely not recommended, to the Mickey Rourke fans I'd like to point out that he doesn't show up until the last 9 minutes.
Sherazade This was an entertaining tale about underworld gun-dueling in South America but by the time Mickey Rourke showed up, I'd already forgotten that he was even supposed to be in the film. The film starts abruptly and ends abruptly but I suspect that was all intentional. If you're not invested in one or more of the characters and their stories you could easily get lost in the narrative or get disinterested altogether. That said it was a decent watch, slow-paced at times but well worth the time spent on it. The beautiful Freida Pinto held her own as the leading lady and Ryan Kwanten was effective (though looked somewhat bored) in his role as her leading man. Blink and you'll miss two hot dirty cops get their ultimate comeuppance in the very entertaining first quarter of the film.
anne-ominous No spoilers. Just an old reference.When I was younger, there was a thing called a "shaggy dog story".This movie has A LOT going for it. It has good character development, for example.Good basic plot.Good (although each mostly simple) complications to the plot.Some elements of the action were never adequately explained.But in the long run: too many things were not explained in the context. Many things seemed to happen with no rational motivation behind them.They all did lead to the end... but not in any logical manner.So, then comes the climax..."Shaggy dog story".
A_Different_Drummer The concept was wonderful.A strange combination of Hard Times and Quick and the Dead, with a touch of Mad Max ... hard to mess up.But mess up they did.There are two schools of film criticism. The "auteur" school insists that, before taking pen to paper, you understand everything about the director and writer, to better appreciate what was intended.The second school does not care what was intended, just what shows up on screen.Using the yardstick from the second school, I see a film that almost goes out of its way to detract from its own power, to minimize its own kick, to alienate the audience at every opportunity.The dialog is wretched. The direction so bad as to be perverse and peevish. Ironically Ryan Kwantan and the stunning Freida Pinto are well cast, and in the proper circumstances could have delivered the goods. But like sacrificial pawns in a chess game, their efforts are hampered at every turn.The sound director in particular should be ashamed. The director chose for unknown reasons to have the characters speak softly all the time, possibly to generate "realism." All this generates is a headache, especially since the soundman allowed every possible noise to block out what the characters were actually saying.This reviewer almost never looks at a film and wonders aloud how much better it would have been if the Hollywood machine had gotten hold of it...? This one is the exception to the rule.