Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Kinley This movie feels like it was made purely to piss off people who want good shows

Kirpianuscus For me, one of the great roles of Al Pacino. and one of the most impressive love story films. for many reasons. in many forms. because it is a film about deep solitude. about escaping from yourself. about hope, in a manner who easyly escapes if you define it as a sport film. one of films reflecting, in inspired manner, the actors behind the roles. and this is one of basic motifs to see it time by time. not for artistic virtues, not for message but for a forme of precious honesty. and it is enough for admire "Bobby Deerfield" as one of admirable films.

dbdumonteil "Bobby Deerfield" enjoys,so to speak ,a very low rating on the site ,which is probably unfair.Pacino's usual characters and Bobby Deerfield are worlds apart.And coming after the brilliant " dog day afternoon" it could only be a let down.I saw the movie when it was released and even at the time it seemed rather obsolete and old-fashioned.Adapted from an Erich Maria Remarque novel,it mixed a Douglas Sirkesque melodrama with French nouvelle vague with a bit of the long Cassavetes-like conversations thrown it. It's European to the core.Besides,the two actresses are Swiss (Keller) and French (Duperey).The former is the only interesting character of the movie but it's an endearing one:a short chat with a nurse tells us about her health ,but it will be an hour and a half before Pacino learns it.Keller's joie de vivre is infectious and sometimes the things soar.But it never really lasts and some scenes are boring.The metaphors are a bit ponderous ,as Keller is off on a balloon trip.The races -Deerfield is a race driver- are dully filmed and won't convince "Grand Prix"'s fans.The best scenes are to be found in the hospital where Deerfield pays a visit to an injured friend,and then the small trip through the splendid landscapes of Switzerland .Although BD cannot match Pollack's best works (they shoot horses don't they?;Jeremiah Johnson;This property is condemned)it's a whole lot better than later mediocre thrillers like "the firm".

Gary-161 Charming, if slightly patronizing 70's drama. Superb direction. Subtle and understated script. Pacino at his most gorgeous. Howlingly funny, despite it's tragic subject matter. A memorable ending, brilliantly realised. I'd forgotten about the "look, it's Bobby Deerfield" scene as well as all that stuff about salami. Pacino's reactions, especially after first dropping off Marthe Keller at her uncles, are perfectly pitched, dead pan gems. Inexplicably maligned by many, this hidden jewel may be due a timely re-assessment, not least because Keller's performance now seems perfectly in tune with the Ritalin generation.

nak15 If you're looking for a film to leave on while you do other things, thisis your film. The costumes are beautiful and the films should be areference point for anyone studying 70s fashion. The shots arewonderful and the cinematography is great. The race scenes arefun to watch and really give the audience a visual feeling of aFormula 1 race. And there are a lot of really good-looking peoplein the film who move across the screen like a mixture of racecarson a track and clouds in the sky. Unfortunately, the story is silly,the dialogue is awful and the characters are irritating andunlikable; one has to hold back the desire to slap the female leadseveral times. Something for the true Pacino devotee. Ultimately Igave it a 5.