Bodies, Rest & Motion

1993 "Nick is leaving. Beth is staying. Carol is waiting. Sid is painting."
5.7| 1h35m| R| en
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Rebelling against his dreary life in a small Arizona town, salesman Nick abandons his girlfriend, Beth, and strikes out onto the highway in search of... something else. Encouraged by her best friend, Carol, Beth reluctantly accepts the romantic attentions of Sid, a local housepainter.

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Fine Line Features

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Reviews

Ameriatch One of the best films i have seen
Bereamic Awesome Movie
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Abasin A very interesting movie with great dialog. I understand this was originally a play be the filming does a great job of removing the limits that plays that become movies often face. This had good set and settings. It's a quite movie so don't watch it if you're tired because it won't keep you perky. But never less I found this to be a very enjoyable film and wanted more. The characters were very well develop and well acted. All the characters demonstrated their strengths and weakness without dialog that assumes the watcher couldn't figure out what was going on and without any major over acting (though the character of Nick was just a bit overdone). The motorcycle twist was cool and subtle, well done.
battlereddy Like many movies, your expectations going in can greatly influence your opinion of a movie. This is one is an exception to my expectations. I really like the main cast - Bridgett Fonda, Tim Roth, Phoebe Cates and Eric Stoltz and went in with pretty high expectations. The movie met my expectations. It was neither disappointing, nor the best movie I'd ever seen, but was very satisfying. If you like the cast, you'll most likely enjoy the movie. It had been quite a while since I had seen Phoebe Cates in anything, so I was glad to see her in this movie. I like Tim Roth and Bridgett Fonda in just about every movie they make. The movie also features Alicia Witt in one of her earlier roles.
old-dude I got pulled in to this one because Bridget Fonda was in it. Also, the score had lots of Gram Parsons. And some good reviews here. It just was not my cup of tea. Some may love it. This movie was making a profound statement about generation X. The problem is that it did not say it enough. The lack of dialog made this movie completely inert. I am sure it's creators meant for that to be part of the point but good gosh. The dialog that was there was good. Just not enough lines. Anyone bother to count them? I pay money to see people talking or visual stimulation or both. This movie had neither. Save your money and go down to the library and watch people who are not speaking just sit there.
mattserendipity A film which manages to perfectly sum up the dilemma encompassed by the so-called Generation X: a generation that has never had it better, and has it all for the taking - if only they could figure out just what 'it' is.Nick (Tim Roth) carries the momentum of this notion, claiming that what he wants "isn't in here, and it isn't out there...", yet he regardless embarks on a voyage to Butte, Montana which is rumoured to be the City of the Future: "I read that a while ago, so the future's probably already there".Much of the film is concentrated on the aftermath of his departure, and in particular his decision to leave his girlfriend Beth (Bridget Fonda)behind in Arizona. Beth now must reach a similar decision in Nick's absence, finally deciding what 'she' wants as opposed to the wants of those around her (namely Nick). Also involved in this tangle of relationships are Nick's ex-lover and Beth's best friend (Phoebe Cates), and a painter (Eric Stoltz) whose introduction to the situation further complicates Beth's thinking.The film, like Glengarry Glenn Ross, is based on a stage play and this is evident in the minimum of locations employed and heavy emphasis on dialogue. However, this is really quite satisfying as characters are allowed to express and develop far much more than is customary in other such, so-called 'soul-searching' films.Stand-out performances from Fonda and Roth, and an intelligent script.