Libramedi Intense, gripping, stylish and poignant

AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

dougdoepke As a poor Mexican-American boy, Muni labors to get a night-school law degree, but can't make a professional living in such a poor neighborhood. Ambitious and tough, he works his way into heading a gambling casino. Though a financial success, he loses his way in a white- dominated social world.It's 1934 and the notorious Hollywood Production Code has just kicked in. Few studios were more affected than Warner Bros., the home of the uncompromising gangster films of Cagney, Robinson, and Muni. There are elements of the typical rags-to-riches gangster theme in this movie, but the tone and content have altered from the pre-Code product. Note the complete absence of gunplay, dead bodies, brutality, and other staples of such pre-Code classics as Public Enemy (1931), Little Caesar (1931), and Scarface (1932).Technically, this is not a gangster movie-- Muni may be shady, yet he's no criminal. But that too, I believe, results from trying to get right with the new Code. Note how business rivals try to buy out Palette's casino instead of just muscling-in in classic gangster fashion. And though the girls sport some pretty revealing gowns, Muni refuses Davis's overtures, while remaining unclear on his relationship with Lindsey. Such compromises likely result from the producers not wanting sexual relationships to cross racial lines. Contrast this with the strong hints of incest, no less, in the free-wheeling Scarface.In short, the movie has the trappings of a gangster film, yet departs in ways that I think are traceable to the newly installed Code. Among others, the new strictures were supposed to end public enthrallment with the underworld by deglamorizing it. Thus, Bordertown lacks many of the risky elements that made Warner Bros. such a riveting and dynamic studio during its classical period.Now, this is not to say the movie is without interest or entertainment value. It took some guts to make Muni's central character a Mexican-American and cast him in a sympathetic light. In fact, the only thoroughly dislikable character is Lindsey's snobbish white boyfriend (Manville). At the same time, I agree with others who think Muni's performance is too florid, along with an accent that sort of comes and goes. He looks the part, but never gets past the impersonation stage. On the other hand, Davis's one scene of nervous frustration while alone in a room is a little gem of mounting hysteria, and makes me appreciate how well she emoted with her expressive eyes. However, it's Margaret Lindsay who walks off with the movie, at least in my view. Her devious upper-class lady is compellingly natural and unaffected, an interesting contrast to Muni's undiluted staginess.Anyway, the movie may be a come-down from Warner's pre-Code product, but still includes a couple of good twists (e.g. the first courtroom scene). It's also worth a look-see for anyone interested in the evolution of the gangster movie.

sol1218 (There are Spoilers) Having studied for five years to get his law degree self-confident in his ability in to practice law Johnny Ramirez, Paul Muni, gets the shock of his short professional career as a small time lawyer when he ends up belting defense lawyer Brook Manville, Gavin Gordon, on his first case. Manville's client he filthy rich and beautifully bread Dale Elwell, Margaret Lindsey, was charged with drunk driving in her demolishing Johnny's friend's Manuel Deago, Arthur Stone, pick-up truck. Made to look like a fool by Manville, with his staling and double-talk tactics, Johnny realized, after clobbering the snide and condescending Manville, that law wasn't his cup of tea and checked out of town,L.A, looking for a new profession. It didn't take long for Johnny to find employment at the Silver Slipper Casino on the Mexican/US border as a bouncer and later manager of the gambling establishment.Feeling that he's worth a lot more then what his boss Charlie Roak, Eugene Palette, is paying him Johnny ends up owning 25% of the gambling joint with Charlie more then willing to give it to him. As things turn out Charlie's scheming wife Marie, Bette Davis, sees in Johnny a meal ticket and tries to make a play for him. Not falling for Marie's poor little girl, who's needs a lot of lovin', act Johnny is very keen to Marie and refuses to betray his partner Charlie in having an illicit affair with her. It may also be that Johnny wasn't all that attracted to Marie in how cheaply she handled herself as well as how unstable she was.One evening at the Silver Slipper when Charlie is dead drunk Marie drives him homes and in a flash see the golden opportunity that she's been looking for. Locking the drunk and unconscious Charlie in the garage Marie leaves the motor running which results in,from carbon monoxide poisoning, Charlie's untimely death but in reality cold blooded murder on Marie's part! With Johnny now in complete charge the Silver Slipper really takes off and eventually expands into the new and high class La Rueda nightclub. On opening night at the La Rueda Dale just happens to show up and Johnny being secretly in love with her starts to make a play for Dale. This all doesn't go too well with the jealous and spiteful Marie who, in a fit of total madness, tries to pin her husband Charlie's death on Johnny not as an accident, as the local court declared, but murder! A murder that Marie, not Johnny, committed!***SPOILERS*** Johnny was in for the fight of him life in defending himself against Marie's charges but in the end it was her not Johnny who cracked under the pressure. Completely failing apart on the witness stand Marie ended up looking like she was hit by four ten ton trucks, from different directions, as she was trying to cross a busy intersection! Now a free man and wanting to marry his one and only love Dale Johnny gets the surprise of his life. Not only isn't the blue-blooded Dale Elwell interested in the non Waspy Mexican/American johnny Ramariz she also feels that he's in no way good enough for her and the crowd that she hangs with! Finally seeing the light, this after another major shock hits him, Johnny goes back home to L.A to practice law for his own people, Mexican/Americans, who both appreciates both him and the services that he, sometimes free of charge, provides for them.

st-shot Paul Muni and Bette Davis overact monstrously while lacklustre studio hack Archie Mayo seems distracted and oblivious in this racially provocative film that derives its "bittersweet ending" by condoning segregationist attitudes. Heavy handed and poorly constructed the film collapses under its own weight within the first fifteen minutes with an out of control courtroom scene that it never recovers from as Mr. Muni begins to chew up scenery by the yard hollering and howling away in an almost incoherent fashion.Johnny Ramirez is a Mexican American from the other side of the tracks who through determination and grit attains a law degree from a store front night school. In his first big case involving an auto accident he displays only ineptitude and is quickly made to look the fool by his well heeled opponents and an impatient judge who recommends he be disbarred. Devastated by the setback an angry Johnny takes on a job at a gambling joint where he is befriended by the owner Charlie Roark (Eugene Palette) who likes his style. The owner cuts him in on the place but problems arise with Mrs. Roark (Davis) who also wants a piece of Johnny. She kills Charlie, implicates Johnny and slowly goes mad before he is acquitted and free to be with a high society Wasp who coldly explains to him that they are from "different tribes, savage" and it will never work. When she flees to escape his rage she is run over and killed by a car. Ramirez sells the casino and moves back to his poor neighborhood rationalizing that its best to stay with your own.In addition to this appalling denouement Bordertown has a series of bad performances to compliment the overall ugliness of the story. Unfair as his plight might be, Muni's Ramirez is so abrasive and arrogant it becomes hard to show sympathy for such a bull headed blunderer. Davis is no better as the less than loyal wife matching the same adolescent emotions of Muni. Her Lady Macbeth mad scenes give no indication that she was about to become the best film actress of her era. Margaret Lindsay as Muni's American Dream is cold, remote and flat.Bad as Bordertown is (and it is very) it remains an interesting indicator of the times and acceptable attitudes. The rest is just a mishmash of bad acting and uninspired direction.

theowinthrop It is interesting to see how a reputation that was once high can tumble to later generations - somewhat unfairly. Paul Muni was not a poor actor. In his best work (SCARFACE, JUAREZ, LIFE OF LOUIS PASTEUR, WE ARE NOT ALONE) his work remains quite substantial in it's effectiveness - he was no mean actor. But when he got hammy....then the knives are our for him. One example is Joseph Elsner (Chopin's music teacher and friend in A SONG TO REMEMBER). Another is Johnny Ramirez in BORDERTOWN.One can make an excuse for Muni playing a Mexican hero like Benito Juarez. In the 1930s Warner Baxter played the Cisco Kid and Joaichim Murietta and Wallace Beery was a memorable Pancho Villa. But these figures were presented as heroes - there was a degree of sympathy in these personalities. There was supposed to be similar sympathy for Ramirez, but Muni really blew it apart in the opening of the film.Johnny has just become a lawyer - and has just hung his license up. He gets a client (Manuel Diego - Arthur Stone) whose truck was destroyed in a car accident caused by a limousine driven by a drunken socialite (Dale Elwell - Margaret Lindsey). Johnny willingly takes the case, but he is a terrible lawyer (and, to tell the truth, anyone seeing this performance would think Muni is a terrible actor - the scene in the court is the worst overacting). Johnny not only loses to the professional competence of Elwell's attorney, but the disgusted judge tells him that he is going to request that the state bar association take back Johnny's license. He is disbarred and humiliated. But he subsequently starts working for Charlie Roarke (Eugene Palette), a jolly and good natured man who has a roadhouse with gambling.The plot is that Roarke's wife Marie (Bette Davis) meets Johnny, and falls for him (not hard - he's a romantic Mexican, and look at jolly but short, fat, and old Chalie). But Johnny is not interested. He's loyal to Charlie, and he's met Dale again. At first she makes fun of the ex-lawyer, but she starts enjoying "slumming" with him. But he's more serious.Marie suddenly gets the idea of getting rid of Charlie. When they return home from a party, he's totally drunk. They are in the garage of their home, and she realizes that if she leaves the gasoline motor on and closes the door on Charlie - well, it's goodbye Charlie! So it works out, and now she thinks that Johnny will be easy to get. But he's not...and in a moment of anger she confesses the murder and says that Johnny was her co-conspirator.You may sense several points here: 1935 was the year Thelma Todd died in a still mysterious death connected to her having carbon monoxide poisoning in her closed car garage like Palette did. I don't know which of the two events proceeded the other. Secondly, the situation between Davis and Muni is a model for the similar relationship of Ida Lupino and George Raft in THEY DRIVE BY NIGHT. In fact the death of Palette is a model for the same death for Alan Hale Sr. in the latter film. And the denouement in the trial court is identical too.SPOILERS COMING UP! Both Davis and Lupino suffer mental collapses on the witness stands, revealing their own guilt but accidentally saving Muni and Raft. Raft is able to pick up the pieces with Ann Sheridan in THEY DRIVE BY NIGHT. Muni is less lucky. Running from him when he reveals his desire to marry her, Lindsay is run down and killed by a car. The effect is overdone by Muni looking so horrified one wonders if he is actually witnessing the sinking of the Titanic! Or maybe he was thinking about his really bad performance in this film.