Bossa Nova

2000 "The difference between "amor" and "love"."
6.3| 1h35m| en
Details

Bossa Nova is a romantic comedy that enfolds many love convergences and divergences, in today’s Rio de Janeiro. It’s in the city’s “useless landscape” that the lonely hearts of nine characters will cross destinies and they’ll discover new passions. The meeting place for these journeys is a charming English teacher, Mary Ann Simpson, former airline stewardess, who’s been living in Rio for two years, since she became a widow, and the newly separated Pedro Paulo. They approach each other without a hint that their lives will be linked by many characters and incidents.

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Reviews

KnotMissPriceless Why so much hype?
Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
radium-5 I just recommended Bossa Nova to a friend. I have to agree with other user comments that there is not a deep plot, however this is a movie for all your senses. If you like Bossa Nova music, you won't be disappointed. One of my favorite albums of all time is Getz/ Gilberto. This movie satisfies the ears with Girl from Ipanema and Corcovado, both found on the Getz/Gilberto album. Other Bossa Nova favorites in this movie are Wave and One Note Samba. If you like the Portuguese language, again you won't be disappointed. I was very curious about Amy Irving and her ability to speak this foreign language. Was she dubbed or did she learn it? She sounded authentic. Bossa Nova is also a feast for the eyes. Much like Enchanted April is a virtual trip to Italy, this movie takes you to Brazil. If you have been waiting to go to Rio but won't be going any time soon, this is your chance to get a virtual Rio experience. This movie was for me about the atmosphere of the place, not the typical movie experience. Bossa Nova is definitely worth seeing from your couch or comfy chair!
eddieknocker Don't get me wrong - "City of God" is a cracking film. This film is for when you want a rest from the wave of ultra violent films that have streamed out of Brasil in the last few years. This is a lovely,light romantic comedy with elements of farce and fantasy. It was the directors intention to show a picture postcard version of Rio. And he succeeds wonderfully. This film probably resonates more with me than most because I met and married a Brazilian in Rio and we shared a first kiss in front of the Copacabana Palace Hotel (were you spying on us Mister Barreto?) And I would just like to point out that I am not middle-aged and still know how to have a good time so ignore all the comments saying this film is for the oldies - since when did romance have an age limit?!
kgibbs131 I've had this video in my armoire for many months and finally got around to watching it last night. What a complete delight it was! Quirky, interesting, sweet-natured. As a middle-aged single I particularly enjoyed the romantic plot strand involving two people of my vintage. Amy Irving is incandescent as always. This movie has a wonderfully European (okay, Brazilian) feel and sensibility. Not the usual canned Hollywood fare.
Bil-3 Warning: All cynics should avoid this movie like the plague!!! Full of contrivances and cliches, ridden with all the typical plot elements of any kind of ensemble romance piece, this film on the outset seems like nothing new. But there's just something about it I couldn't let go of-maybe it was the beautiful Rio de Janeiro backdrop that this film is set against. Maybe it's the opportunity to see Amy Irving once again in all her glory. I don't know which, but the lady should definitely be in more movies, especially in ones where her husband directs her and therefore gives her the best role and makes her the most sympathetic in the film. Irving stars as Mary Ann Simpson, an English teacher in Rio who teaches classes by night and private students by day. Across the hall from her classes is the shop of an elderly tailor, whose lawyer son Pedro Paulo (Antônio Fagundes) is helping his father get out of an alimony fix that involves a much younger wife. One night Pedro Paulo runs into our heroine on the elevator, and love at first sight is born. Right away he forgets about Tania, the ex-wife (Débora Bloch) he was having trouble letting go of, and goes after this mysterious new woman in his life. Along the sidelines there are plots that involve Irving's student Nadine (Drica Moraes) and her online romance with a SoHo artist `Gary', and another regarding the lawyer's intern Sharon (Giovana Antonelli) and her romance with both her boss' brother Roberto and the famous soccer player Acacio (Alexandre Borges), who also happens to be taking private English lessons from Mary Ann. All these lines cross and meet and even out in perfect form, and yet somehow at its most typical the film manages to be at its most enjoyable, possibly because Barreto has such a good time entertaining his audience that one can't help but dive right in. Worth a good look.

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