Laikals
The greatest movie ever made..!
Cleveronix
A different way of telling a story
Aubrey Hackett
While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Married Baby
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
mark.waltz
It's only an hour, so it's a painless distraction, and at least, there are some nice outdoor shots for once rather than the claustrophobic photography of many of the other entries. After nine years and twelve films, it goes out with a bit of a whimper, but will be back for TV, the continuing place for many a famous movie detective. This entry is just another variation of older plots, with Chester Morris once again in the wrong place at the wrong time and once again the main suspect in murder. Obviously on those nine years and twelve films, inspector Richard Lane hasn't learned a darn thing. Maylia is a pretty, but bland, heroine. Two years would go by before Boston Blackie made his small screen debut, with Kent Taylor taking over. Seeing Morris and George E. Stone in Asian disguise isn't as offensive looking as an earlier really bad minstrel show look, but it's a close second.
csteidler
The final chapter in the Boston Blackie saga starts off briskly and without surprises: Blackie drops off his laundry just moments before the laundry proprietor is discovered murdered; Inspector Farraday arrives on the scene to investigate and quickly deduces that Blackie is involved; Blackie chuckles along with Farraday but realizes he is going to have to find the real killer to clear himself. –That's all in the first five minutes, of course. The rest of the action includes stolen jewels, phony Chinatown underworld tours, and a couple of large piles of tea. It's all quite enjoyable
not the best in the series, but an adequate if unspectacular finale.Chester Morris is as steady as ever as Blackie--smart, smooth and snappy. Richard Lane's Inspector Farraday is still (Wile E. Coyote-like) confident in the face of all previous experience that he will sooner or later make something stick to Blackie. The only real sign that the series was ending was the absence of George E. Stone as the Runt; Sid Tomack is passable in the role but not really a replacement. The film's most shocking moment comes when Frank Sully's Detective Matthews has perhaps his first bright idea in fourteen films—noting that the gunshots just heard from inside the movie theater could not have been part of the movie playing, because it's a movie about Robin Hood! (And here he points out the movie poster for The Prince of Thieves; also coming soon to that theater, I noticed, was The Mating of Millie—nice advertising for a couple of 1949 Columbia features that I suppose I will have to put on my long list
.)One great moment: The Chinese "gamblers" dropping their act and resuming their real game when the door closes on the peeking tourists—"All right, fellas," one says, "let's pick up the bridge game where we left off."It would have been a huge surprise if Blackie and the Runt had not disguised themselves as Chinese in at least one scene
.Overall, it's a fair mystery with a few unique moments: a solid finish to the series.
Michael_Elliott
Boston Blackie's Chinese Venture (1949) * 1/2 (out of 4) The final film in Columbia's Boston Blackie series once again features Chester Morris in the role of the former thief always having to work himself out of trouble. This time out he gets caught up in the murder of a Chinese man so he has to investigate, which leads to Chinatown and an illegal gambling plot. This was the final in the series and it's also the weakest as the film really doesn't contain any excitement or laughs, which were two things even the weaker films had. Even Morris comes off very tired looking in this film and Richard Lane too seems bored. Sid Tomack takes over the role of The Runt and is horrid in doing so. He's very obnoxious and doesn't contain any of the charm or wit of George E. Stone.
MartinHafer
As usual, Blackie and Runt (oddly, NOT played by George E. Stone in this film) are at the wrong place at the wrong time and are accused of murder. However, as the film progressed, it was obvious that some deeper conspiracy was afoot. Stupidly, this conspiracy became unbelievably complicated--far more than common sense would dictate and you're left wondering why the thieves went to so much trouble. After all, after stealing diamonds and re-cutting them, why have all the complicated business involving the tour guide, the theater and the lady?! Also, the stunt doubles towards the end for the fight scene were just awful--making it pretty obvious that they were NOT the star fighting with a criminal.While this movie is far from great, considering that it is much more original than many of the previous films in the series, it's a pretty good movie. Up until then, Chester Morris had played the title character in more than a dozen films in less than a decade and the scripts had become very repetitive and formulaic. Unfortunately, it still has Inspector Farraday AGAIN blaming Blackie for a crime--even though Blackie ALWAYS finds the real criminals by the end of EVERY film. But, apart from that, the film's change in locale (to Chinatown) is a welcome relief--thank goodness for SOME originality! What you think about this and other Blackie films probably does depend on how many you've seen. If you've only seen a few, this one is probably one of the lesser efforts but after seeing more than a couple, this is quite different.By the way, in a very small scene you have a police lab scientist talking to Farraday about an analysis he did on a package of tea leaves. This lab man was very funny--too bad he was only briefly in the film, as he was sarcastic and offered a nice respite from the usual material.