Linbeymusol Wonderful character development!

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

OllieSuave-007 One of my favorite Disney cartoons when I was growing up, as I would always rent this cartoon at the local video store when it was part of a video compilation of cartoon shorts. This short stars Mickey Mouse as the Brave Little Taylor who single handedly takes on a giant when he was invading his peaceful village. It is fun to see Mickey worm himself in and around the giant as he attempts to bring him down. The giant himself is pretty comical looking, but you could tell he is a force to be reckon with as the entire earth trembles as he stomps by. It is also nice to see Mickey in an underdog role without any magic tricks to save the day, instead, relying on his physical self.This cartoon short serves a good message that heroes can come in small packages, and quick wit and thinking can defeat even the strongest or biggest foes.Grade A

Julia Arsenault (ja_kitty_71) This is one of the best (and well-known) Mickey cartoons of all time. And it's also another cartoon where Mickey goes against a giant like in the 1933 short "Giantland" and "Mickey and The Beanstalk" for the 1947 film "Fun and Fancy Free". Also this cartoon is a favorite of mine. The short is based on the fairy-tale by The Grimm Brothers with Mickey as the tailor who killed seven flies "with one blow!" Of course, everyone mistook the flies for seven giants and they thought Mickey is a giant-killer. The short was nominated for an Academy Award for Best Short Subject; but the award went to the short "Ferdinand The Bull." I love the main title theme music. Also I love the scene where everyone spreads the story of Mickey killing seven giants. And the rumor then reaches the ears of the king and his daughter Princess Minnie.

Shawn Watson This time Mickey is starring all on his own, with no back-up. And for a change he's actually got a good story instead of the usual 'disaster' plots. In this cartoon, he plays a tailor who, through a series of misunderstandings, is sent on a mission by the king to take out a giant who is about to pound on their village. Princess Minnie is his reward so obviously he's going to oblige no matter how impossible that mission may be.Shock horror, there are actually some laughs and Mickey manages to hold our attention instead of making us drift away. The gimmicks and imagination are very good and the ending in which the villagers use the sleeping giant as a power source is very clever.Definitely one of the best Mickey shorts.

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.A BRAVE LITTLE TAILOR, mistakenly acclaimed as a great champion, is sent to stop the depredations of a fearsome giant who is terrifying a tiny kingdom.This is one of the truly classic color Mouse films, featuring excellent animation, sly humor & some genuine thrills. This vivid, fast-moving reinterpretation of the Brothers Grimm tale gave Mickey one of his grandest adventures and he obviously relishes his return, albeit briefly, to the top of the Disney heap. Without Donald, Goofy or Pluto to steal the limelight, Mickey proves to be a most dashing hero. Miss Minnie's involvement in the cartoon is mainly to add encouragement to Mickey's resolve and provide a reward for his heroics. Walt Disney supplies Mickey's squeaky voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.