TrueJoshNight Truly Dreadful Film

Matialth Good concept, poorly executed.

Sexyloutak Absolutely the worst movie.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Woodyanders Weary loner veteran professional thief Ernie Mullins (Burt Reynolds at his most relaxed and engaging) teaches eager beaver small-time novice Mike Lafebb (a fine and likable performance by Casey Siemaszko) the tricks of the trade by having Mike assist him on a series of heists. Director Bill Forsyth, working from a smart and witty script by John Sayles, brings a real sweet idiosyncratic charm and a good-natured sensibility to the premise. Moreover, Forsyth wisely eschews broad humor in favor of a more gentle and low-key approach that still gets laughs as well as adds a winningly natural and unforced warmth to the often delightfully quirky proceedings. The mentor/student relationship between the two sympathetic central characters gives this picture genuine heart, depth, and poignancy, with Reynolds doing ace work as a seasoned older man with a limp, bad knees, and a strong personal code of ethics about what he does for a living. The skillful and precise capers are a total joy to watch. The excellent acting by the super cast keeps the movie humming: Reynolds and Siemaszko display a loose and pleasant chemistry in the leads, with sturdy support from Sheila Kennedy as ditsy prostitute Carrie, Lorraine Toussaint as worldly hooker Delphine, Maury Chaykin as shrewd lawyer Vincent Tucci, and Stephen Tobolowsky as a slippery district attorney. Both Michael Coulter's crisp widescreen cinematography and Michael Gibbs' harmonic score are up to speed. A lovely little gem.

Michael Neumann Burt Reynolds broke out of his leading man pigeonhole to attempt, for once, a more believable role, playing a middle-aged, low-rent burglar who enlists the help of a dumb but loyal grease monkey and then proceeds to give him lessons in both larceny and life. There are a few heists along the way, but this is more a character study than a caper film, and it works in large part because of the rapport and timing between Reynolds and his blue collar sidekick Casey Siemaszko. Both characters are losers, and it might be argued that losers make more engaging heroes, perhaps because they're easier to identify with. In the spirit of earlier Bill Forsythe films it's a slim but disarming comedy, with an extra measure of depth in the canny screenplay by John Sayles, as always the working man's champion, who along the way makes some minor but interesting points about the haves and the have-nots.

tarpollen What makes this buddy crime comedy work rests essentially on it's sympathetic characters. Delivered here in traditional veteran/rookie fashion,the story paces along steadily as young and endearingly misguided Mike (Siemaszko) is given life lessons in the art of safe cracking by world-weary professional Earl (Reynolds). The chemistry between the two leads allows for cleverly-conceived comedic scenes to shine forth beautifully. From the moment of their initial accidental meet-up, you are instantly hooked. The film's best quality though is it's ironic approach to burglary, for Earl talks of "The Job" as though it were a viable career option! This is Sayles' savvy screenplay technique undoubtedly shining through. Guided by Forsyth's refined direction, this comedy never veers into slapstick, distinguishing it from the later inferior 'Safe Men'. It never strives to be what it isn't, and so it rarely disappoints. A similarly-styled, yet darker film worthy of viewing is Saul Rubinek's 'Jerry and Tom'.Rating: 3 1/2 out of 5 stars

spfi Many critics hailed this as Burt Reynold's comeback, but audiences (including myself) didn't. While the first 12 minutes were ok, the story drags on and on. In particular, the previews make you believe its a comedy. So how hard does the writer of this movie try in making us laugh? When are character Mike (Casey Siemaszko)is in bed with a hooker she recites a poem she wrote directed toward his balls! (HA HA) Bad humor and bad writing.