The Couchpotatoes
7,6 ratings. Really? I read all the reviews and I wonder what I missed? It must be in the second half of the movie than because in the first half of the movie there was nothing to see besides unnecessary cursing, unnecessary cheap violence, pretty bad acting, and a story that is going nowhere and that is beyond boring. Since I have the honor to be the first one to write a bad review I wonder if I have no taste at all and all the others have good taste, or is it me that has good taste and all the other reviewers are just wrong. I will never know the answer and I honestly don't care. I watched seventy minutes of Breathless, had to fight not to fall asleep, and I couldn't bring myself up to suffer another hour. So I just gave up watching this and did something useful instead of further wasting my time with this movie.
sh-bh2009
Let me start by saying that this piece of art took me by surprise. I didn't feel that I was watching a movie, Instead the acting was so realistic that I felt I was part of it. Please watch this movie and feel the greatness of Asian Cinema. It is also a tearjerker!!!! This can be a very sad film as well. I doubt if I've ever watched this without a few tears in my eyes at certain points. PS: I would like to recommend this to every movie buff who admire Asian Cinema."In this life, it's not what you hope for, it's not what you deserve -- it's what you take." Thank you
DICK STEEL
Unfortunately some technical issues marred the supposedly powerful introduction where violence get unleashed by all characters on screen both physically and verbally. Clearly played from a DVD screener with the "Showbox" watermark, the audio was left silent for the good part of some verbal barrage, which to the prudish might seem like music to their ears.If there's one thing I learnt / have reinforced after the movie, is how ubiquitous the Korean swear word which sounds phonetically like "shee-bal" can actually be. It's more versatile than the English language's F-word, and the Korean one can be used to describe a whole host of bodily parts both male and female, with colourful adjectives strung together as well. Either that, or the person subtitling the show has some really colourful imagination to tag some appropriate swear words of his/her own liking, in order to spice up the dialogue for non-Korean speaking audiences.Breathless is almost like a one-man effort, with Yang Ik-June wearing a number of hats in producing, writing, directing and starring in the lead role of Song-hoon, a violent gangster who doesn't have to think twice when deciding to lay hands on his victims, and insulting them concurrently with his foul mouth. He's a debt collector in a small outfit which he co-founded, but finds more pleasure in being a field agent, bringing along underlings whom he can abuse as well, and show the ropes to, in teaching the essence of collecting money, and to show no mercy to those who cannot pay up.Most of the violence happen off screen, though the aftermath is seldom shielded in order to elicit a response from the audience. It actually makes for a great 3D movie with objects flying all around and at the screen, from furniture, to fists, and even spit, and I enjoyed the many unintentionally comedic moments that Ik-June effortlessly paints into his narrative despite the very negative elements of violence and language that pepper throughout, and almost every character was left tainted by dishing out, or be at the receiving end of bad signs or an uncouth mouth.I suppose the question here is, and the issue that Ik-June could have wanted to address, is that of violence, and domestic violence even, if a circumstances of a tragedy would lead to impressionistic youths turning to violence as a means of release and addressing their emotions. Or more directly, if being brought up in a violent environment would lead to the nurturing of violent tempers, given the lack of proper role models, and being unable to break out from the vicious circle as that painted in the film.Breathless may seem a little too long as it had attempted to give each character equal opportunity to shine, from the schoolgirl that Song-hoon befriends, to his boss, a young boy whom he takes as his own, and his mother, coupled with a protégé in the making. It's quite the complete story serving as a cautionary tale and a statement of the never-ending cycle, but would have benefited from tightening up the pace a little and could have gone under 2 hours. That said however, it did result in enough apathy given toward the characters here, given the anti-heroic stance they're all under, and you'll buy into its story of redemption toward the last act, and the fortification of the positive relationships that Song-hoon had, through his own violent ways, brought together.
