CrawlerChunky In truth, there is barely enough story here to make a film.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Raymond Sierra The film may be flawed, but its message is not.

The_Boxing_Cat Jealous greedy filmmaker who wants to say that tobacco is killing everyone in North Carolina. However, I cannot help but feel that if his grandfather had succeeded with his tobacco endeavors, he would be saying how wonderful the tobacco industry is. He claims a movie staring Gary Cooper is about his Great grandfather and how he was cheated by a more powerful tobacco man. It's more likely his great grandfather was just a terrible businessman. Pathetic whiner who is ungrateful and RUDE! He makes fun of his subjects and seems to have a "Jesus complex". Terrible film, I want to be clear- this is not a documentary, just a one sided indulgent story of a wannabe filmmaker.

framptonhollis "Bright Leaves" is one of the absolute greatest documentary films of all time. It has made it to my top 10 favorite films list because of how much it, simply, amazed me!The film revolves around the tobacco industry, the film industry, the McElwee family history, and many interesting characters we meet throughout the film. These characters have many interesting stories to tell, whether they're tragic or funny.There's McElwee's film expert cousin, his hard to connect with 12 year old son, a couple trying to quit their smoking habits, and so on. These characters (I know they're real people, I'll call them characters anyway) are really what makes "Bright Leaves" so special, along with the, at times quite clever and funny, narration by the filmmaker, and the greatly interesting, highly personal presentation of it all.Going into it, I expected this to be more of a pro-tobacco industry film, however, the film really does show the true negativity that smoking causes. We see the bad affects it has on health and the troubling process of trying to quit.For those looking for a BBC-style documentary on the history of the tobacco industry, will not find much enjoyment here. However, if you like McElwee's style and would enjoy a quirky, funny, and, sometimes, almost heartbreaking, portrait of the McElwee family history, you should definitely check this one out! It's absolutely spectacular (and highly underrated) documentary film!

dirosent McElwee's witty and poignant voice-over makes this a beautiful piece about his family's history and the tobacco culture of North Carolina. I'm not quite sure what the previous reviewer is talking about. McElwee carefully and tastefully interviews his subjects and it is clear that he is not in any way being contemptuous or mocking them, rather it seems that the people he interviews are very much like he -- from the same place and background, and in my humble opinion, he shows them in a very sympathetic light. If you can find this film, you should definitely watch it. I have to admit that I am biased because I love his documentaries. If you like any of his films, you'll enjoy this one.

Ralph Michael Stein Documentarian Ross McElwee in "Bright Leaves" offers his second paean to the South as he continues exploring his family lineage and Southern heritage. In "Sherman's March" McElwee wryly counterpoised the South that fell to the Union general's forces to the world of that era's descendants. He sculpted an original and fascinating snapshot of the American South."Bright Leaves" is more personal than the earlier film. The title comes from two sources. The first is the shimmeringly green tobacco plant native to North Carolina, America's largest producer of that evil weed. It also is the title, slightly different as "Bright Leaf," of an old, excellent, not often seen film starring Gary Cooper and Patricia O'Neal. It's an undeservedly obscure movie.McElwee got it in his mind that "Bright Leaf" (based on a novel) was based on the life of the director's forbear, his great-grandfather, a man who supposedly was duped and cheated out of a tobacco fortune by the famous Duke family after many years of protracted litigation. As Ross McElwee originally saw it, but for the nefarious acts of the Dukes, which allegedly included paying off judges, he would today be enjoying the splendor of antebellum mansion living and the accumulation of riches earned by cigarettes.But as McElwee explores the story behind his great-grandfather's slow rise to inventiveness and steady descent to bankruptcy, he also recognizes the enormous pathology that smoking unleashed not only in the U.S. but in all countries where North Carolina's prized tobacco is avidly and compulsively consumed. No Michael Moore, his social consciousness is sincere but restrained, tempered by his North Carolina childhood.McElwee uses interviews with family members, childhood acquaintances and many others to depict the centrality of tobacco farming in the state of his birth. A short motel room talk with Patricia O'Neal makes the cineaste wish she didn't have a hurried schedule and could have been questioned at length.A transplanted Southerner, McElwee has lived in the North for a long time. His wife sets him off on this investigation saying he'd been away too long from the South. He involves his son at different stages of the filming, which took five years, so we see the kid change from a post-toddler to a teen apparently more interested in the technology of film-making than in his dad's heritage.There are some very funny scenes here. The best is when a white-haired, elderly "rabid film theorist" with a rich European accent, in North Carolina to lecture, straps McElwee into a wheelchair and takes him five times around the block while spouting academic argot about making movies.McElwee learns a great deal about tobacco raising as well as what probably is the truth about his great-grandpa. No shocking revelations but minor disappointments emerge.What McElwee has done a second time, perhaps not fully consciously, is to support the theory of Southern Exceptionalism, a favorite of one school of history. The main exposition of that school is that the South's history and heritage is not only unique, it stamps those born there with a special pride and association with love of land not common in other parts of the U.S. Midwesterners who sojourn to great cities may or may not retain fond memories of their childhood but only Southerners remain psychologically and emotionally wedded, almost always, to their native states. It doesn't much matter whether they stay or leave, the early associations remain vivid and also shape character and beliefs in ways that separate Southerners from their fellow Americans (not always, by the way, for the best).As an anti-smoking film, "Bright Leaves" is more gentle than most. It's obvious that most of the people filmed here know how deadly smoking is but their almost languid acceptance of a likely future neoplastic assault does make one think about free choice and the limits of regulation. An almost blasé attitude towards cancer by some of the interviewees is quietly chilling.A fine documentary.9/10