Flyerplesys Perfectly adorable

Macerat It's Difficult NOT To Enjoy This Movie

DubyaHan The movie is wildly uneven but lively and timely - in its own surreal way

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

MartinHafer "Broadway" is a very unusual film. While it is a very early talky and is dated in some ways, in others it's amazingly advanced...especially with the truly spectacular camera-work. For the artistry alone, it's well worth seeing!The opening credits are shocking and very interesting...and you know you're in for a special film. Using a model of Broadway, a man dressed up like a demon roams the streets and the titles then appear over it! For a model scene, it was very, very well done. Also well done are scenes using cranes, amazing dissolves and a roving camera- - something rarely seen even in films of the 30s! Also amazing are the costumes....especially the one with the skyscraper hats!As for the story, a mobster named Crandall owns the theater in which the film is set. He's involved in bootlegging and early on in the picture, he murders his competition. As he and his sidekick are dragging the body outside, Billie and Roy see them...and are told the guy was drunk and they are 'helping him'. This story is unquestioned...but when Scar is found dead nearby, Roy realizes what has happened. As for Billie, she obviously has feelings for Crandall, and he's been heaping his attention on her, and she lies for the guy when asked about this later. So what's going to become of Billie and Roy? And, what of the murder? Will it go unpunished?This film is unusual because although you see lots of costumes and dancers, it's not a musical until the very end--which is, incidentally, in Two-color Technicolor...and it's very degraded (looking mostly black and orangy-red). The copy I saw on YouTube sure could stand restoration.As far as the overall film goes, it was BRILLIANT for 1929....and still holds up pretty well today.

mabrams673 The Film Forum in NYC screened the sound version of this film on July 24,2012. The Technicolor last reel of course is lost but the rest of the film was complete and ran about 108 minutes. Will not give away the plot but is worth viewing just to see the innovative use of a giant camera crane to film the Night-Club scenes. Really amazing for a film made in 1929. I must say that the acting is really not that great for a film listed as a Universal "Super Production" in the opening credits.Glenn Tryon is passable playing the role of the comedian but you have to wonder how much better the film would have been if Lee Tracy, who played the same role in the Broadway Musical that the film was based on had appeared in the film also.

bbmtwist Broadway now exists in two versions - the 88 minute visual silent with Hungarian subtitles and the 105 minute soundtrack only of the talking version (inflated for production numbers).I was most impressed with the cinematography (Hal Mohr) in the scenes that could be filmed silently with soundtrack added later. The tracking and crane shots are amazing for any period, but especially for an early talkie; about an hour into the silent print, a morning after shot reveals the enormous night club set being cleaned by custodians with an almost surrealistically mobile camera. In contrast the scenes including dialogue are filmed rather conventionally with a non-moving camera.The night club set is a stunner - looks like it took up an entire sound stage - kudos to Art Director Charles D. Hall. There are only a handful of other sets, mostly small backstage interiors.The plot is very simplistic. I won't reveal any details as I don't want to provide spoilers. However, I can reveal this. There are two parallel plot lines - one involving a hoofer and his romance with one of the chorus girls, and the other a reel one murder involving management and bootlegging that relies on feelings of guilt and paranoia to bring the guilty party to heel.Glenn Tryon is a lousy singer, but Evelyn Brent's superb performance as Pearl carries the film.As a piece of cinematic history, it's a treasure to find. Now if the talking version pictorial elements surface, we'll be able to really compare the two.

FerdinandVonGalitzien After 75 years considered lost, "Broadway" directed by Herr Paul Fejos was found in Hungary, in a very well preserved copy with Hungarian titles but that European language is not a problem for this German Count because he remembers very well those Austro-Hungarian old times. This remarkable discovery gives silent fans the chance to watch the virtuosity of camera work of a director not very well known. His obscurity is a complete disgrace because Herr Fejos'surviving silents are absolutely fascinating."Broadway" tells the story of underworld criminals who run the "Paradise Club". In between musical numbers we have crimes and intrigues involving showgirls and special investigators. Passion, strange business and love affairs are all part of the mix too."Broadway" shows characters caught up in dual roles and the turmoil in which feelings come out into the open, the sort of conflicts that Herr Fejos was so fond of.The most remarkable aspect of this film is the extraordinary camera work, especially Herr Fejos' use of an enormous and amazing camera crane which he himself designed and which scrutinizes every corner of the "Paradise Club", giving a frenzied rhythm to the film with those incredible camera movements. It also highlights with many details and angles, the beautiful and astounding sets that are the backgrounds for the fuss, happy and dangerous night life in the Broadway streets. The second notable aspect of this modern silent film is that it was made before the superb "Lonesome" (1929) and, like that film, it is part of the transition period between silent films and talkies. "Broadway" was an early musical available in both formats, silent and talkie and what's more, the silent version found in Hungary is a complete copy that includes at the end of the film "Technicolor" footage ( faded after so many years ) of the final musical scene number and this so startled this German Count that his monocle popped out from his aristocratic eyes more than once.And now, if you'll allow me, I must temporarily take my leave because this German Count must leave vaudeville behind and attend the opera.Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/