Breakinger A Brilliant Conflict

Fairaher The film makes a home in your brain and the only cure is to see it again.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

triesen This movie is a waste of money and time. I spent $45 for a VHS copy on Amazon - yikes. With the exception of the talented actor Marton Csokas this flick has horrible acting, directing, editing, etc. In the beginning credits Marton is listed at #2 yet is hardly in it - too bad his talents were wasted. Being the main character's brother 'Darko's character could have been explored more in depth. This is an old story of girl meets boy each from a different 'world', cultures clash, dad has an unhealthy obsession with his daughter, mother is weak and afraid of her husband, husband is paranoid, racist and tyrannical. Everyone does not know the difference between love and lust - well so what else is new?

George Parker "Broken English" is about a Croatian woman who lives with her old world parents in New Zealand and falls in love with a Maori man which, of course, causes problems while she acts as though she had no clue that would happen. Duh. Though it manages a modicum of entertainment, this film seems to know where it wants to go but has to pound square characters through round holes to make the plot work. In the process there are too many tongue clucking moments where the film's credibility is breached such as when a modern Maori man fights and chants like an ancient Maori warrior or a woman swims with dolphins which, as we learn, they only do with pregnant women...yeah, right. The characters in "Broken English" are in serious need of some conflict resolution...something which no one seeks as it would destroy the contrived drama. "Once Were Warriors" this film is not. However, it is an okay watch for those into Kiwi flicks with time on their hands. (C+)

s1eve A disappointing film to say the least. Characters were stereotypically portrayed. Doesn't surprise me if this was directed by a Englishman who wanted to update Griffith's Broken Blossom. Avoid.

Philby-3 Nina, young, beautiful and sexy, driven out from war-torn Croatia, has emigrated with her family to Auckland, New Zealand. Why New Zealand? Well it seems Mum was born there (there is an old established "Dalmatian" community in the region famously associated with the wine industry). Dad has quickly found work as a building contractor and seems to be doing well. Ironically, having been driven out of his own country by Serbian ethnic cleansing, he finds NZ's mild multi-racial society impossible to tolerate, at least when his gorgeous daughter falls seriously in lust with Eddie, a handsome Maori, in the kitchen of the Chinese restaurant where they both work. Being a fairly typical NZ movie, the theme is played for comedy rather than tragedy, though there is plenty of tension. An erotic scene early on dissolves into a minor domestic mishap. Cars get their windows smashed but no-one gets their head smashed in. The real tragedy is back home in Croatia via home videos from remaining relatives. The young couple progress from 90% lust /10% affection to about 50/50, though it's a rocky road. Dad however just can't adjust. Civil enough with his Tongan ("coconut") neighbours, the idea of his little girl having it off with any Maori sends him ballistic (it could have been worse - the lover might have been Serbian). With his knucklehead son, he attempts to break them up, with predictable lack of success. It's a great sketch of a tough, admirable (in some ways) but unadaptable man. Why is he like that? At the end we're none the wiser. Nor do we get to understand Mum's position, which seems to be total submission. She may be NZ born but she isn't a typical post 1960 NZ wife. There's a mildly amusing sub-plot regarding an immigration scam run by Nina and Eddies's employer, with the characters involved verging on caricature. But the main theme is that youth will do what it's going to do (sex, mostly) for good or ill and the oldies might as well stand clear. A nicely made and well paced light piece from the producers of the rather more serious "Once Were Warriors."