Jenna Walter The film may be flawed, but its message is not.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Staci Frederick Blistering performances.

paris_whitney_hilton_nyc Somebody gave me an old VHS tape of this movie that was recorded off a late night TV show . I never cared for most made for TV movies anyway but Bud and Lou kept my interest until the end . I must agree with most of the negative reviewer's comments I read here . Costello comes off looking like a mean-spirited buffoon very early on in the movie when he tells Abbott " Don't ever call me little again " . There is no sense in me rehashing what some of the other reviewer's wrote about the plot . I didn't find Korman or Hackett that awful to play the leading roles as this was after all just a 1978 Made for TV movie . What I didn't like about this film was it leaves you with more questions than answers .Buddy Hackett and Michelle Lee paired together truly look like the Odd Couple . There is no mention of how they met . Bud Abbott ( Harvey Korman ) and Anne Costello ( Michelle Lee ) share many scenes together from beginning to end . Although the movie suggests their relationship was merely platonic , I was lead to believe otherwise . Abbott appears to be a dapper, well dressed ladies man yet he is never seen in the company of any other woman except Anne Costello . I couldn't decide whether Abbott was gay or having an affair with Anne ? There is no mention of Abbott's two wives that were former burlesque dancers from what I understand . Nor is there any mention Costello had three daughters that were born after Lou Jr tragically drowned. Bud Abbott had a few kids that were also omitted along with his two wives . There isn't any mention of the TV series that ran for two years in the early 50's . We see Costello's 1955 Ford Thunderbird being auctioned off along with his home and all his other belongings to pay the IRS for back taxes . I imagine that all happened in the late 1950's although no exact year is ever given . Anne Costello becomes an alcoholic . Her early death at the age of 48 is never mentioned which happened not long after her husband Lou died . No mention is made as to what eventually became of Bud Abbott who lived somewhat longer than Costello . TV movies in general are boring . I didn't expect too much from this film, however I wish they would have given the viewer more facts than filler . .... Luke Warm !

JoeKarlosi Recently my friend and I had been talking about this pretty awful 1978 telemovie about Bud Abbott and Lou Costello. We hadn't seen it in many years but have always recalled how embarrassingly bad it had been and were dying to see it again, mainly for unintentional laughs at the poor quality of it. Well, a few days ago we managed to find an old VHS tape at a still-functional old time video store, and we rented it and went to my place to watch it. It was worse than we remembered, but it did give us some howls due to its incompetence.First off, the casting is just horrendous. Stand-up comedian Buddy Hackett plays the short, roly-poly Costello, and Harvey Korman plays the slender straight man, Bud Abbott. I have always enjoyed Korman in many things (especially on The Carol Burnett Show), and when Hackett was in his element he could be quite humorous (especially in IT'S A MAD, MAD, MAD, MAD WORLD). But little Buddy makes a lousy Costello, and it's obvious he was not much of an actor as he desperately attempts to do classic routines of Lou's, and especially a pathetically off-timed "Who's On First?", with Hackett's garbled marbles-in-his-mouth voice. It's vomitable watching Buddy staring off to the side and reciting this gag as though he is reading from scripted cue cards; just putrid. And Korman is no better.This movie was based on a book by Bob Thomas, supposedly heavily influenced by the memories of A&C's longtime manager, Eddie Sherman (in the film, Eddie is played by Arte Johnson). One of the biggest objections about this movie is that Sherman was at one time fired and later re-hired, and therefore it is said that he had an axe to grind. As a result of personal animosity, it is so claimed, the portrayal of Hackett's Lou Costello here as a nasty, arrogant, sadistic control freak is supposedly way out of line. Indeed, in this film Costello is made out to be quite a monster. But I have to tell you that while it may be somewhat exaggerated, I am of the opinion that the real-life Lou could sometimes be that bad. I base my opinion on the memories of people who worked with him, and especially the directors. Many filmmakers said that Costello could be a little terror, and that he and Abbott would be deliberately difficult on the movie sets. That they gambled all the time, threw their weight around a lot, made unreasonable demands, and that Costello was known to actually steal props from the films they were currently in the middle of working on.But back to this movie. It's boring. It leaves out many details such as the fact that Lou had daughters, not just the one baby boy who tragically drowned just before his first birthday. Also, the fact that Abbott had a family. Korman and Hackett have zero chemistry together and don't do their roles justice. The way the events zip along you would think that the duo's career only lasted a few years; there is no sense of the passage of decades. And there is no time spent with them on their many movies.In the end, my friend and I had a tremendous and hearty laugh at how ineptly the death of Lou Costello is played here. I won't ruin it for you, but we frequently mimic this "death scene" for endless kicks. Not because the passing of a great comic is truly funny; I'm talking about the overly-dramatic and probably exaggerated execution of the moment. Just unintentionally hilarious. It is the incompetence of this badly made film that keeps me from rating this a complete ZERO. It entertains ever so slightly because it is so bad. *1/2 out of ****

frankfob I read the book on which this film is based--"Bud and Lou", by Bob Thomas--when it first came out, and it didn't impress me much. It turned out that Thomas had relied for a lot of his information on Eddie Sherman, Abbott & Costello's longtime manager who had been fired by the duo and obviously had a major ax to grind. That was to be expected, and it's even understandable, but this movie is, if anything, even more one-sided than the book. Its main goal seemed to be to paint the two comics, especially Costello, in as bad a light as possible. Now Lou Costello was no saint; he was known to have a short fuse, he and Abbott fought bitterly on occasion and even went for months at a time without speaking to each other off the set, he gave many of his directors a lot of trouble and he had a habit of "appropriating" furniture and props that he particularly liked from the sets of his pictures. However, if you believe this movie, he was venal, nasty, stubborn, vengeful, temperamental and offensive 24/7. The script bears little resemblance to the real lives of the two comedians (Costello's daughter in particular was so incensed by this movie that she wrote her own book to refute it and the book it was based on); however, even if it was 100% accurate and Costello actually was the ogre the movie paints him to be, the horrendous miscasting of Buddy Hackett and Harvey Korman destroys whatever possibilities the movie might have had. Hackett bears somewhat of a resemblance to Costello, although he's taller and heavier, and Korman is about the right size and build as Abbott, but that's it. Costello was born and raised in northern New Jersey, as was Abbott, and both had the sharp, rapid-fire speech patterns and New York-ish accent typical of that area, though Costello's was more pronounced than Abbott's. Hackett sounds like a Borscht-belt Catskills comic, which is what he is, and Korman sounds like a classically trained stage actor, which is what he is, and neither of them even tries to come close to the way Bud and Lou spoke--Abbott's mile-a-minute carnival barker spiel, Costello's excitable sputtering as he gets more and more confused--which was central to the astonishing verbal byplay between the two and which, although they made it look easy, was actually quite complex, especially in the "Who's On First" routine. In addition, and even more damaging, is the fact that Korman and Hackett have absolutely no chemistry whatsoever, which is painfully obvious by their atrocious rendering of "Who's On First"; it's so embarrassingly, maddeningly inept--Hackett, for reasons known only to himself, speaks even more slowly here than he does in the rest of the movie, when the whole POINT of the routine was Costello getting more and more overwhelmed as the pace got faster and faster--that it should have been completely cut out.The film plays fast and loose with the facts--many bios do, but this one does more than most--and the performances by the other actors are nothing special. Arte Johnson plays Eddie Sherman, but makes no particular impression. Michelle Lee, tall, slender, gorgeous and WASPish, plays Costello's wife Anne, who in reality was short, stocky, swarthy, and in fact looked more like Lou Costello than she did Michelle Lee, and Hackett doesn't connect with her, either. The film makes some curious omissions; it doesn't mention, for example, that both Abbott's and Costello's wives were burlesque dancers, which is where they all met. While a case may possibly be made for leaving that out, less understandable is the fact that, although the film covers the team's career in radio and movies, for some unfathomable reason it completely ignores the fact that they had a hugely successful television series for several years (which is still being shown in reruns today).To sum it all up, if the one-sidedness, inaccuracies and omissions weren't enough to sink this movie, the almost criminal miscasting of the two leads is. This is a stinker of virtually biblical proportions. Avoid it.

david-340 The movie was obviously lovingly done, and the story line superb. When Hackett and Korman are acting "out of character", that is, living Bud and Lou's private lives, the story holds together well. But when they are trying to recreate Abbot and Costello's great routines, things fall apart, particularly a very poorly timed version of "Who's On First". The recent t.v. pic of the Three Stooges stands head and shoulders above this show.