Buena Vista Social Club

1999 "In Havana, music isn't a pastime, it's a way of life."
7.6| 1h45m| G| en
Details

In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.

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Reviews

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
chaos-rampant Most documentaries these days are nothing more than masked narratives, some semblance of reality (often largely fictitious) structured as a story meant to grip. They grip and hold on to. This is not that type, although it's loosely a story. It's more properly a frame, a portal; into the lives of ageing Cuban musicians brought out of retirement and obscurity for one last round, recast as memory of a time and place.Like their music, the film is not about spine-tingling rhythms or crescendos. It is mostly a colorful lull with the sweet pull of a hot summer night. A pull into anecdotes about life in old Cuba and snapshots of the present one. We never get to know any of the players well enough, but we spend with them time enough to soak up the atmosphere of being there.Being there is what the movie is all about. The wise choice of digital video abets this, the palpable immediacy. Wenders' camera tricks are superfluous then, because the material doesn't need any mediating. The only thing required of the camera here is to transport us.And it does. Watching this, I felt like it was the first time I was seeing New York (when eventually the band flies there for one night of apotheosis at the Carnegie Hall). We walk the streets, also back in Cuba. Glimpses of life abound, some spontaneous others not so much. Wonderful architecture, colonial remnants wasting away with the last signs of a revolution heading south. A building sign reads "KARL MA X", the R missing and no one bothered to replace it. But we so rarely get to see these things in movies, that it's a breath of fresh air. But in order for the film to breathe into you, you need to have devoted part of yourself and have an affinity for untravellled cinematic space. For the place, despite the narrative. We get plenty of that here.
Robert_Woodward I was recently lucky enough to be dragged along to a one-off re-screening of Wim Wenders' film about the eponymous musical institution in Cuba. I say dragged since I had beforehand formed the opinion that there was not much to like in Cuban music, but I came away with a very different view.At the heart of the film is a simple structure whereby each member of the revived and reunited Cuban band are interviewed about their lives and the part that they play musically. The live performances that open the film are given an extended and exhilarating showing at the climax. This format is very successful in picking out the subtleties and stories behind each voice and instrument in the band and by the film's finale I found that I could hear more clearly and read much more into each part being performed. The layers of the film thus illuminate the layers in the music and before the film was through it struck me as truly awe-inspiring to hear so many virtuoso performances weaving in and out of the overall sound.The film is also startling for its then-innovative use of hand-held cameras to shoot footage of performances, recording sessions and interviews. The camera rarely feels like an intruder and some very amusing scenes are captured on film (the guys playing dominos was a favourite moment for me).Anyone with an interest in music needs to see this film.
tcubric I would like to start off by saying how angry and distressed i was to read the foul narrow minded commentary by whichever person wrote the review stating that it is the worst documentary and a complete hash in fact i don't blame him/her that much because we are all in titled to our own opinions but IMDb should not have put that as the main page of this movie's commentary. The person who wrote this commentary is obviously incapable of watching and giving credit to anything apart from big budget Hollywood American stereotype films. therefore do not take it as a exact review.Unless you are not a musician it is quite hard to not like this movie. why? because (i have actually forgotten all of their names so if you bare with me)these ageing Cubans don't read music they don't have the best instruments, all except one have not had a musical education they don't have the money to muck around with these things they have been gifted with the basic. An instrument and they go on from there so having taken all of this into account they produce an emotional salsa with beautiful lyrics and sound ,not frankly giving a damn about their badly made instruments they embraced what they had and sheer determination and musical talent and a drop of luck brought them to the prestigious Carnegie hall in new york. most of them hadn't even stepped a foot out of heir own town let alone a different country.And to see their faces when the crowd started applauding is unbelievable you can read their minds they just can not believe that they are there. so as they are walking round New York streets admiring each figure in every glass window they seem like children lost in Disney land but once they have been given their microphone or piano or guitar they come to their own and you give them fully credited respect and they look in control.By America cutting them off from advanced technology of the day all of there cars in the streets are some old Reno's and Beatles paint drying of the city walls bumpy roads the burning sun the public bus made out of old cars and trucks painted pink and their simple humble homes beautiful men and women. and children who are still children not dressing over their age or acting like twenty year old women its almost impossible to not fall under charm of the Cuban people.Yes this documentary was filmed badly with rubbish cameras but doesn't that add to the whole thing? i think so. So if you have actually kept on reading to this point you must have at least some interest in the film then give it a go if you are different and not American glazed then i guarantee you will love it. it is by far the best documentary i have ever seen.
oddgirlin I just read a really negative review and I do not agree. Whatever intention the producer had to bring these wonderful artists together, who cares. This film is incredibly inspiring. And it's not due to the film director or the producer who brought these people together. It is all the artist's individual stories and their love for their craft and their passion for life that makes this movie a wonderful experience! Oh, and let's not forget the music! It's amazing. Really! This movie is a collectable. Especially if you love this type of music. You have to add it to your library. Wow...I'm floored...it was awesome. In the beginning it'll take some time to stick with it, but the payoff at the end is wonderful!