Bury My Heart at Wounded Knee

2007 "The Epic Fall of the American Indian"
7.1| 2h5m| NR| en
Details

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.

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Reviews

ChikPapa Very disappointed :(
SmugKitZine Tied for the best movie I have ever seen
Bardlerx Strictly average movie
CrawlerChunky In truth, there is barely enough story here to make a film.
Julian R. White I've studied the events that lead up to the Wounded knee massacre, and I have to say you have to give a hand to this film. They kept to the books for the most part, and 99% of the film is pretty much exactly what happened in real life. To understand that this happened in the year 1890 sure is disheartening, seeing as when you put it into a broad perspective, that wasn't that long ago. We all take for granted our core values and beliefs, and this film hits close to home. You feel empathy and heartbreak over what only one tribe of American Indians went through, you open your eyes to what happened to all of them as well.
Ric-7 I recently found this movie in searching for Dee Brown's book at the local public library. I recall reading the book when it first came out, decades ago, and I was fascinated--a history book that I could not put down, just like The Exorcist (the book) when I first read it. Dee Brown's book was also a horror story, and the major horror was that it was real.So knowing absolutely nothing about the movie, I borrowed it, thinking that it would be essentially a documentary. Was I wrong! I should have just checked out the book and read it again. Historic atrocities can only be properly dramatized by extraordinarily gifted filmmakers. Anything else is a reduction. But perhaps it is better if someone stumbles upon the Native American genocide done up as a popcorn movie, than never to have any idea at all.The NY Times review complained of some rather obvious analogies to Iraq and Afghanistan. That further illustrates the reduction--would anyone dare use the Holocaust as an analogy for anything else? I don't fault the production, which was polished and accomplished. But HBO should have passed on this.
kimmo-tyyska This horrifying flick seems to do its best in blurring and romanticizing events so much that way things actually happened becomes romanticed and messed. Which is of course the main reason of the movie. Characters doesn't show most anything from real people, the events are of course 'based on actual guideline', but there's just that something(a lot) which doesn't fit in (too much uncorrectness to mention). Somehow, the Indian characters seem more white that they should (as most are played by Indian) and somehow white characters seem more like bureacrates than actual officers and congressmen. And of course in most conversations them (w.a.s.p.) get the last word. And of course them victims (massacred) weren't saints themselves, and of course them religious movement was actually hoax, and of course all of it happened in more romantic times in distant past. And besides of all these things, the film is actually quite boring.Some credit goes to guidelines in the end of the movie, which at least seem to be correct.
fwomp BURY MY HEART AT WOUNDED KNEE is a somber retelling of the events leading up to the massacre at (what is now) the Wounded Knee Memorial. But this isn't a documentary. This is a made-for-TV fictional retelling, and it is the "made-for-TV" bit that makes this important American event lose some of its composure.The entire production flags because of the TV aspect, many of the film shots losing their impact either because of lack of attention to detail or funds (or probably both). Either way this could've been an extreme visual recollection for most viewers but instead it lacks the depth I would've liked to have seen.Regardless, there are some stellar appearances and acting within it. August Schellenberg as Sitting Bull undeniably has the most impact. Recent movie viewers will probably remember him from his portrayal as Powhatan in THE NEW WORLD. The contrast between the character in The New World and here in Wounded Knee shouldn't be lost, either. Without Powhatan and Pocahontas, the white settlers at Jamestown would've perished within the first few winters. And now, in Wounded Knee, it is the white man who destroys what is left of Native American life; a terribly stark (and bloody) reality.The other notables are Adam Beach (FLAGS OF OUR FATHERS) as Charles Eastman, and Aidan Quinn as Senator Henry Dawes. They spend a lot of time together on film and they played against/off each other exceptionally well. Charles being the "new wave" Indian who melds into the white man's way of life until exposed to reservation life at Pine Ridge. Henry Dawes seeing himself as "The Great White Savior Of The Indians" by passing legislation that loops a few nooses around the necks of the Plains Indians' way of life without even realizing it.But other actors have little to offer. Anna Paquin (X-MEN) as Charles' white love interest (and eventual wife) is seen too infrequently so the relationship between the two has little impact. She does a good job of acting but the script stymied any possibility of real success. From here the acting dips into the drab and boring. I have to give mention to Senator Fred Thompson (currently a Republican runner for the U.S. Presidency) who plays President Ulysses S. Grant. We see maybe four frames of film with him in it and then he's gone. This surprised me greatly since it was Grant's administration that doomed Native Americans by rounding them up and placing them on reservations.Despite my misgivings about the script, cinematography and acting, this is a vital story that needs to be told, and it isn't something that is normally taught in grade school or higher. Europeans (us) conquered this land and its people, and pushed them into holding pens where they, to this day, await justice for our multiple treaty violations and massacres of their men, women and children (I will say that the scenes depicting large-caliber rifle bullets ripping through young kids was filmed well and was equally hard to watch).So the story gives this film a higher rating than anything within it, which is unfortunate, as this terrible moment in American history needs to be remembered just as much as Germany needs to remember its holocaust.