Celia
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Movie Critic
A handsome Ron Foster is about the only fun thing in this film.The ending is given away at the very beginning by the narrator so forget any suspense. "This was the last crime Scott Harper (Ron Foster) would investigate where did he go wrong...." What a fizzle that is.It is a typical B production crime cop turns bad plot. I am not sure why it is labeled noir it seems a typical crime movie to me---noir I expect the unexpected. This thing was boiler plate.Poor Harper is beset by the worst luck imaginable and makes so many dumb decisions. This movie is for the uninformed audiences. I am sure even in 1960 Mexico had extradition treaties with the US...Harper should have known he could be tailed by the rental car and dumped it off someplace other than the airport like maybe another rental car agency then a taxi..... Or he could have rented it in a different name I mean they were on the lam. Also this guy was a detective for 7 years he would know the ins and outs of the system.Of course this being Hollywood crime doesn't pay--DULL.It is entertaining if you have absolutely nothing else.I give it 2 stars.DO NOT RECOMMEND
Michael_Elliott
Cage of Evil (1960) ** (out of 4) Routine and rather lifeless crime picture has Detective Scott Harper (Ben Foster) getting assigned to a diamond heist, which left one man dead. The detective starts to investigate showgirl Holly Taylor (Patricia Blair) who has a connection the big crime boss but soon the two fall in love and the detective decides to go bad and get the diamonds for himself. CAGE OF EVIL features just about every cliché you can imagine from the crime genre and by the time it's over you'll be slightly entertained but there's still no question that you've seen this type of thing so many times before and this here doesn't add anything new. I mentioned being slightly entertained and the main reason for this is that the detective is simply so stupid and makes so many stupid mistakes that you really can't help but be entertained by how many dumb things he does. I mean, it's easy to believe that he'd turn bad after being passed over on a promotion but at the same time he just makes one mistake after another. A detective should know how to work around the system but this guy makes such boneheaded mistakes that even a newborn baby wouldn't do something of the things he does. Another problem is that director Edward L. Cahn really doesn't bother building up any real drama or suspense. The entire film comes off rather flat and it appears that the director was just wanting to get everything on film, on budget and he didn't stretch to try and do anything special. The story itself is pretty familiar stuff but the final ten minutes do start to pick up and lead to a nice ending. CAGE OF EVIL really isn't recommended to anyone except for those who must see every crime pic from this era.
secondtake
Cage of Evil (1960)This totally defines the B-movie, or the average B-movie. We sometimes think of great B-movies (like "Detour" or "Naked Kiss") and see how a small budget only encouraged breaking rules, or ignoring them, and finding a new kind of intensity that worked on its own terms. Well, in "Cage of Evil" the acting, writing, directing and filming are firmly compromised without finding that special territory of audaciousness, or raw violence, or innuendo, or simple believability that makes these things special.That said, this isn't half bad. I mean, it's like seeing an episode of Law and Order or some show you already like, and it's interesting and often captivating, and there are little moments of surprise and sympathy, and you finish it thinking it was pretty decent. The lead is a cop, a detective named Scott Harper, and it turns out he's corrupt, and at risk are a cache of rough diamonds. The interactions between the cop and his boss, and his colleagues, is believable if slightly stiff, but in particular, as Harper (played by Ron Foster) goes from one side to the other, we come to see his duplicity from the inside. He's really good.There are so many well worn clichés here you might flinch, but they're good ones (convertibles at night, night club dames, suspicious mobsters, cops on the prowl) and it's edited fast enough to survive its glitches. Of course, for the diamond heist to succeed it helps to have a cop on the inside, casual and confident, and a dame to fall in love with him. Foster is a regular in films directed by Edward L. Cahn, who is a standard for B-movies (made for small time Robert E. Kent Productions under a variety of names). In a way this is the equivalent of a television series with less frequency--meaning they were made to formula, and fairly cheaply. By 1960 old Hollywood was thoroughly dead, and television thoroughly alive, and this was one of the ways it kept going. There's enough going on in movies like this to keep a second feature audience, and to play on television itself shortly after.But I enjoyed it partly because it takes itself very seriously. There isn't that corny or airy edge to some television, even crime dramas, at the same time. This is a late comer to the crime/noir cycle of the previous 20 years. Never mind the canned overdub narration. Sit through some scenes that talk too much. You might find the rest of it pretty decent.
rduchmann
Disgruntled cop Ron Foster, passed over for promotion one time too many, is seduced by B-girl Patricia Blair into a diamond theft scheme. And then things go downhill! Considering the general run of director Cahn's many B-pix of the 1950s and early 1960s, this one is rather above average. The look is more standard b/w TV of the late 50s than film noir, but the two leads are very good and put some life into it. There is more outdoor shooting than usual, and the ending adheres to the Production Code of the day.
