BlazeLime Strong and Moving!

SpuffyWeb Sadly Over-hyped

Sexylocher Masterful Movie

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Jackson Booth-Millard I read more about this Egyptian film after finding it in the book 1001 Movies You Must See Before You Die, it was selected as the Egyptian entry for the Best Foreign Language Film at the Oscars, but it did not make the final nominations, so I was more intrigued to watch it. Basically newsstand owner Madbouli (Hassan el Baroudi) takes pity on physically challenged peddler Qinawi (Youssef Chahine, also directing). He is given a job selling newspapers in the Cairo train station, but he is shunned by all the women there because of his mild handicap, although he has little trouble walking. Qinawi becomes obsessed with beautiful cold drink vendor Hannuma (Hind Rostom), but she is already engaged to husky luggage porter Abu Siri (Farid Shawqi), who is trying to organise a protest with his fellow workers against exploiting and abusive treatment from the manager. Hannuma treats Qinawi sympathetically, and makes a joke about a possible relationship, this prompts him to propose to her. He has fantasies about a home and family with her, but Hannuma rejects him, and Qinawi's obsession with her turns into madness. Qinawi reads a story in the newspapers about an unsolved murder, he is inspired to buy a knife and plots to kill Hannuma. Local policemen are trying to catch Hannuma and the other women illegally selling drinks, she asks Qinawi to take and hide her incriminating drink bucket. Qinawi seeks to lure her into a warehouse to pick up the bucket, but instead she asks a friend to get it instead. In the darkness, Qinawi is unaware that a different woman comes into the warehouse, he stabs her repeatedly, hides the body in a wooden crate. Qinawi gets Abu Siri to put the crate aboard a train, but the woman inside it is not dead, she is found, and the station is alerted. The workers Abu Siri tried to form a union with at first try to blame the attempted murder on him, but the would-be victim identifies the assailant. Meanwhile, unaware of her near-death escape, Hannuma goes to the warehouse to get her bucket. Qinawi chases her through the rail yard and catches her, he holds a knife to her head to keep a crowd of people away. The newsstand owner tells Qinawi that he will be allowed to marry Hannuma, he coaxes him into putting on what he thinks is a wedding garment. Qinawi then realizes he has been put into a straitjacket, he struggles, but is taken away by the authorities. It is the story of a disabled man with a deluded affection is driven to insanity, I thought it was going to a simple sad tale of a love story that can never be, but it turned dark, and the use of the location was great, I really liked it, a most interesting drama. Very good!

dbdumonteil This Egyptian movie is a miracle in itself.It can appeal to anyone in the world and is as good as any great work of any country.All takes place in a station with a frustrated paper boy,living his life vicariously through pin ups photographs ,the central character .Round him, lots of secondary characters revolve .He seems an outcast ,without any friend,and despised by all the girls around.The work sometimes recalls Jean Renoir's "La Bete Humaine" ,but with more attention to detail.This is a microcosm which the director films with virtuosity (the editing is stunning ) and his story has a ring of sincerity.Chahine once told he put a lot of himself in his pitiful hero.The movie does not fall easily into a genre:it is a documentary about a station with street hawkers -Hanuma almost got run over while trying to escape from the Police;it is also a political movie ,some of the workers feeling they need an union;it's also a sentimental movie ,a young couple about to be parted -strangely the young girl reappears at the very end of the movie ;it's a thriller ,the scenes in the warehouse compares favorably with Hitchcock and all best film noir directors ;it's finally a movie which almost verges on fantasy and horror ,with a final as impressive as those of "sunset boulevard" or "whatever happened to Baby Jane?" There's even an embryonic woman's lib! Let's underline the importance of the wide screen ,which makes the director look like an entomologist watching an ant hill with a magnifying glass:"Bab El Hadid" ,it's all this and more.

chaos-rampant I don't really agree with certain circles who claim Cairo Station "one of the greatest films ever made" but it's a neat little film. It has that very basic, almost primitive, shooting style and editing which in some ways reminds of me Greek romance melodramas from the same time yet the perverse content sets it worlds apart from that kind of populist cinema which I suspect was as popular with lower/middle-class audiences in Egypt as it was in Greece. I liked that Chahine makes the titular railway station a stage for contrast between the old and the new. Between fashionable swinging Egyptians and the traditional Muslim conservatives. Between a lady president dressed in a modern pantsuit and destitute girls selling soda to the passengers. Between the old feudal faction of porters and the new one trying to assert its working rights by forming a union. This sociopolitical contrast touching on contemporary changes in Egyptian society (which, other than what the movie presents, I know nothing about but seem to be almost identical with the anxieties that surfaced in Greek screwball comedies of the same time) reflected in the movie itself, out of a typical melodrama of thwarted love Chahine dragging a dark noirish thriller with psychosexual undertones and an almost slasher-like turn in the third act replete with knife-wielding crazies chasing beautiful women that predates Psycho by a good two years. In borrowing the generic aspects of a programme picture for his character-driven piece and portraying his mentally imbalanced protagonist with sympathy and humanity, Chahine made a movie more wholesome than its 73 minute duration would suggest.

DICK STEEL I believe Cairo Station marks my very first experience in watching an Egyptian movie (those television soap operas over the RTM channels when I was younger, don't exactly count). And having the opportunity to watch one made by an acclaimed Egyptian filmmaker, was nothing less than a bonus. What provided the icing on the cake, was that it was shown in 35mm print, and that is precisely the attraction of the World Cinema Series.I was under the uninformed impression that older, black and white movies, will likely to be paced too slow for my liking, or have stories that are quite bland by today's standards. I was so wrong, and Cairo Station absolutely threw those notions out of my mental window the minute I experienced the first few minutes of it. It has an extremely strong story, sophisticated in that it managed to span multiple threads and had ensemble characters, having so much paced so nicely within its 74 minute runtime, and having them all come together neatly for the finale.Having the events take place within a single day, it centers around 3 lead characters - Kenawi the newpaper boy (played by the director himself), who walks with a limp and gets discriminate against by the working folks at the train station (hence the English title), Hanuma the sultry, sexy soft drink seller (played by Hind Rostrom) and her beau Abu Sri (Farid Shawqi), a porter at the station who's galvanizing his fellow workers to form a union to fight for better wages and welfare. There you have the female lead in a familiar seductress role, an anti-hero, and the hero himself, caught in a love triangle, which starts to turn Kenawi's jealousy and having his love spurned, into a dangerous obsession.Sounds like a Hitchcock-ian thriller? You bet! It's a dark movie indeed, one which explores the trappings of a misguided soul and his fetish and fantasies of beautiful pin up models, and because of his inability to express himself properly, gets frustrated and even with his relatively low IQ, starts to scheme to get his desires met. But it's not always all about Kenawi, as having the premise set in one of the busiest train stations, it allows for a number of avenues to introduce simple side stories to enrich the main narrative - every anonymous face in the station, definitely has a story to tell.And what exactly was in the film that had made audiences back then upset? Well, I could offer a few suggestions, but by today's standards, it has seemed that it's already quite common, be it the water soaked clothing that accentuates a woman's curves, or a folio consisting of various scantily clad pin up models, or the many cleavage bearing shots, or perhaps some dancing and flirting amongst a train full of man, giving them that seductive wink? One wonders, but as with most situations, anyone seemed to have been crossing the boundaries, pushing the envelopes, or revolutionizing the way stories are told, would have met with either accolades for doing so, or unfortunate condemnation like what this film received during its very first screening.But on hindsight, as always, this movie is nothing short of being remarkable. And having already watched it, I will be watching it again when the film screens once more to the general public on October 5th. Mark your calendars, and experience a world class production that has withstood the test of time - 50 years and counting, is no mean feat!