BroadcastChic
Excellent, a Must See
GarnettTeenage
The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
Wyatt
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
ianlouisiana
She certainly seems to be enjoying herself to be fair.
Mr Hope,taking a page from R.Hudson's superior "Man's Favourite sport", is an "expert" waiting to be found out.
He pretends what we Brits back in the day called "An old Africa hand" on the strength of a memoir written by his uncle,and is tasked to recover a NASA satellite that has gone off piste and landed in the African jungle.
The Russians are also looking for it,this time a foretaste of a R.Hudson film 20 - odd years later.
But the Russians are genuine experts.
So much for plot.
Like most of Mr Hope's films,"Call me Bwana" is merely a vehicle for his gagging routines.
That will either encourage you or turn you off.
It has a lot of 1963 mildly political jokes (remember "The First Family" record Album?) that may mistify anyone coming across it today.
Miss Eckberg doesn't have much trouble stealing the film,Mr Hope looks a little bit tired of it all.
The Africans pretty much outsmart everybody which was novel for its time.
I saw this at the "Odeon" Kemp Town before it became a more niche venue.
Nowhere near so bad is it's made out to be without challenging "Some like it hot" in the 60's comedy stakes.
vincentlynch-moonoi
To me, "Call Me Bwana" was the beginning of the serious slide in Bob Hope's film career, with the nadir being "Boy Did I Get A Wrong Number". Seeing these films, it's easy to forget that back in the 1940s and 1950s, Bob Hope put out some pretty decent films that were genuinely funny. Of course, we all think of the Road pictures with Bing, but there were plenty of other Hope treats over the years. So what happened? I think 2 things. First, Bob's best type of role was when he played a bit of a sap who rarely got the girl. It just worked. But as we moved into the 1960s, Hope seemed to get the idea -- perhaps part of a middle age itch -- that in films he ought to be more of an adult lover (in this film with Anita Eckberg). Well, I'm not saying it didn't work, but it didn't work well. The second issue was that Bob stopped acting and began delivering much of his dialog as he did one-liners.Beyond those problems, this film looks like a "throw-away". Let's produce a cheap film and rely simply on the names Bob Hope and Anita Eckberg. Let's not film a film about Africa in Africa, let's just do it with cheap sets on a film stage in England. If 20th Century Fox could make a film about Africa in 1939 that actually looked like it took place in Africa ("Stanley And Livingstone" with Spencer Tracy), couldn't United Artists do a little better with a film in the more modern era two and a half decades later? You can't say it was because Spencer Tracy was a bigger star, because in the world of comedy, few were bigger than Bob Hope. Yes, there was some stock footage that looked like Africa, but any of the scenes with the main actors were clearly on cheap sets. Audiences expect more.Hope was 60 years old when this picture was made. Maybe it was time to settle down and concentrate on television. Because, quite frankly, this film just isn't very funny.You've actually got a fairly decent cast here. Who was bigger than Hope? Eckerg was hot (!) in more ways than one. Edie Adams was quite talented (although probably more suited to television). And throw in an extended cameo by Arnold Palmer (maybe the most interesting part of the picture), and you've got possibilities...that were, unfortunately squandered. The "chase" scene is just plain dumb and looks so fake it's pathetic.All I can tell you is this. Every year or so I pull down the DVDs of the old Road pictures and savor them once again. I was pleased to be able to see this film 55 years after it was made, but only because was on cable, and I'll buy a DVD of it to pull off the shelf. Just not worth any investment of cash...unless you're a die hard Bob Hope fan. But, at least it's better than "Boy Did I Get A Wrong Number"!
ksf-2
Lots of one-liners by Bob Hope, in this film produced by Albert Broccoli, who did all the early James Bond movies. Acc to IMDb, this was the second film produced by Eon productions. The credits don't list who does the voices for John Kennedy or Kruschev at the opening, but clearly its a reflection of the politics of the day. The basic premise is that one of our space ships has gone astray, and landed in Africa. To save face, the U.S. must be the first to find it, so they hire African expert Matthew Merriwether (Bob Hope). Co-stars Anita Ekberg, Edie Adams, and Lionel Jeffries round out the cast. Viewers will recognize Jeffries, who played the grandfather in Chitty Chitty Bang Bang. This film is very similar to Hope's "Road" movies with Bing, but moves slower. The good thing is... NO SONGS! and a five minute bit with a 30-something Arnold Palmer. Palmer had just won the 1961 And 1962 British Open. I can see why Broccoli wanted to do this project... lots of spies, intrigue, and exotic "foreign" locations, just like a James Bond flick. A fun way to kill some time. Not as bad as some others have thought....it's a lightweight Bob Hope comedy, after all.
bkoganbing
Someone forgot to tell old ski nose that non-authentic African locations just weren't going to cut it any more. Not after King Solomon's Mines and The African Queen right up to Howard Hawks's acclaimed Hatari. What was good for the Road to Zanizibar wasn't going to cut it any more with a Sixties audience.Call Me Bwana other than establishing background shots got no closer to Africa than London where the film was made. The plot such as it is has Hope as a Robert Ruark type author who has used his uncle's African diary as material for some successful books. This in fact was the same plot device that was used in the very funny Man's Favorite Sport where Rock Hudson was a fishing expert.But all Rock was asked to do was enter and win a fishing tournament. In Call Me Bwana, the Kennedy administration wants to have the CIA hire Bob Hope to lead an expedition to recover a lost satellite before the Russians get it. The Russians in turn are sending Gina Lollabrigida in a ridiculous blond wig to help their man in Africa, Lionel Jeffries.I do realize this is a comedy, but are we to believe that the Central Intelligence Agency didn't do some background check on Hope and found his credentials weren't all that good? Lord, they were non-existent. Helping Hope in his quest is CIA agent Edie Adams who I'm sure was personally hired at the agency by Allen Dulles.Hiring Edie, I'm sure was either an act of charity or it's possible that Lionel Jeffries's part was originally meant for her late husband Ernie Kovacs. If the latter was the case it's a good thing Ernie checked out when he did. There's a whole sequence when in the jungle Hope finds a golf course with Arnold Palmer playing on it. It's about 10 minutes and what might have been funny in a surreal road picture lays a Vermont volleyball of an egg in Call Me Bwana. The golf allows Hope however to get his obligatory Crosby jokes in the script.The real problem is that by 1963 the American public had increased its knowledge of Africa. Sub Sahara Africa was in the news then, the Congo was in civil war, apartheid was being challenged in the Union of South Africa, there were wars against the Portugese in Angola and Mozambigue, and both Northern and Southern Rhodesia were in turmoil. Bob Hope was way behind the times in trying to sell Call Me Bwana.Anita Ekberg was a most beautiful and fetching Russian spy. But she's Russian in the tradition of Janet Leigh in Jet Pilot rather than Greta Garbo in Ninotchka. Of course the charm of Bob Hope forces her to defect as per the American script has. I often wonder though did the Russians make films where charming spies get Americans to defect to them?Call Me Bwana was doomed from the start in its release. What was funny in 1943 couldn't be sold in 1963.
