GamerTab That was an excellent one.

Humbersi The first must-see film of the year.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

utgard14 The Kennel Murder Case was the highlight of the Philo Vance movie series. This film is a remake of that, updated to fit World War II with an espionage theme. James Stephenson makes a poor Philo Vance. He talks through his nose the whole time, which I found annoying. Supporting cast isn't bad. Includes great character actors Edward Brophy and Henry O'Neill. There is one scene where Brophy is supposed to knock open a door. He bumps into it with his shoulder twice with no result. Then he kicks it and his foot awkwardly knocks out a part of the door without actually kicking it open. Whether this was intentional or not I do not know but it sure looked like a goof. A cheapie like this wouldn't have done multiple takes if they could help it. Margot Stevenson plays the part Mary Astor played in the original. She speaks breathlessly and acts weakly. The best thing about the film for me are the Warner sets and backlot. It's a watchable film. Not a patch on the original and very flawed, but passable.

MartinHafer This is a very cheaply made and predictable programmer--predictable since its plot is taken, almost verbatim, from two earlier films. It was literally like splicing two old movie together to make a new film!The first 15 minutes of the film is lifted right out of PRIVATE DETECTIVE 62 (1933--starring William Powell), though the hero was stealing information from a French safe in the original film and in CALLING PHILO VANCE it involved stealing from an Austrian one. In both, he was working for the state department (though they denied this) and in both cases he was deported back to the US--only to have the boat's captain be told to return the man just as they are pulling into New York harbor--at which point the man jumps overboard and the rest of the film begins. It's so exact that they are practically the same film in the first reel.Following this narrow escape, the plot is THE KENNEL MURDER CASE (also starring Powell). I am sure of this because I just saw both 1930s films in the last month. In fact, in many places it was word-for-word the same--so much so that I couldn't stand watching the film again--especially because James Stevenson on his best day doesn't even come close to the charm and style of William Powell's version of Philo Vance. It's like having Lee Majors play the lead in High Noon instead of Gary Cooper (this DID happen) or Timothy Dalton play "Rhett Butler" instead of Clark Gable (this, sadly, also DID happen)!! So, unless you've never seen the near-perfect KENNEL MURDER CASE (which earned a well-deserved 9 from me), don't even bother with this by-the-numbers re-make. It just isn't worth your time. And, for that matter, PRIVATE DETECTIVE 62 is also quite superior to CALLING PHILO VANCE. In fact, just WHO is this James Stevenson and why is he stealing from William Powell?!

tedg Spoilers herein.There are two kinds of films: those that simply talk to you, and those that have an engaging conversation of some type. There are an amazing number and variety of the second type, with the prototype being the detective story. In its pure form it is an intimate wrestling match for control over what happens next in your imagination. This is interesting because it is something in between. The detective story is very clever in the situation it presents. But it is not given as a game, instead all we can do and watch as the story surprises us with its various confabulations. Its titillating being on the edge.Ted's Evaluation -- 3 of 3: Worth watching.

Arthur Hausner This remake of Kennel Murder Case, The (1933) has some good points, but James Stephenson is not one of them. He plays it too impersonal for my taste and pales by comparison with William Powell, who played Vance in the original. But the screenplay, which was updated for the war that loomed on the horizon, was nicely developed, concerning plans for a warplane. The setting was switched to the State Department, with Vance an employed investigator instead of a private eye. I really enjoyed how he used diagrams to explain the movement of the people involved in the murder of the warplane designer, so that in the end, the actions of all were clear. The film also had the advantage of having Edward Brophy in the Sergeant Heath role (here he's called Ryan), bringing comedy without the stupidity of the Heath character. It was rather fun to watch.