Camille Rewinds

2012
6.2| 1h55m| en
Details

Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

ManiakJiggy This is How Movies Should Be Made
Lucybespro It is a performances centric movie
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
writers_reign Noemie Lvovsky is a fully paid-up member of what is, for me, a very elite group who cannot be feted highly enough; French female directors, virtually all of whom - Danielle Thompson, Eleanore Faucher, Alexander Leclerc also write or co-write their own screenplays plus some - Nicole Garcia, Agnes Joui, Valerie Lemercier, Valeria Bruni Tedeschi - are actually triple threats inasmuch as they are happy to direct themselves acting in self- penned screenplays, whilst still others like Tony Marshall, Ann Fontaine, Marion Vernoux, have been and/or are still acting for other directors. I should perhaps add that all of the above are content to turn out 'mainstream' films leaving the 'intellectual' fodder to the likes of Marguerite Duras, Clair Denis and other poster girls of the Academic-Pseud axis. Camille Redouble marks the first time Lvovsky has directed herself in her own screenplay - though she has, of course, acted in screenplays she has co-written with Valeria Bruni Tedeschi - and it is a tour de force. There's nothing exactly new about Time Travel in film but Lvovsky employs it in a definite positive way so that whilst she is unable to change the past and prevent her mothers' untimely and unexpected heart attack she is able to say important things to her mother. A very worthy addition to the ranks of the triple-threat French female.
Chris L The first hour of the movie is pretty enjoyable, and even though the time travel theme has been over used, this melancholic story, to which anyone can relate to, is still touching.Unfortunately, the second hour is much less glorious. The script badly flounders and doesn't manage to find a much needed second wind. The situations are under exploited, the characters don't evolve, there are no stakes or consequences, and the plot's final outcome suggests that everything is fate-related: what is then the point of the movie if nothing could have been altered ?The disappointment is proportional to the high expectations caused by the raving critics.
newtt11 Caught this film at the Sitges Film Festival, and wasn't sure what to expect. It sounded like a more serious version of 'Peggy Sue got Married' from the description, and I didn't really have any expectations for it, but I was kind of blown away a little.Although mostly a comedy, with light-hearted/comic situations as Camille returns to her teenage years, this film treated the conundrums/ paradoxes of time travel in quite a serious way at times and was actually quite thought provoking. And a tragic scenario involving Camille and her mother is set up incredibly well, so when it arrives it is just absolutely heartbreaking. Seriously, take tissues.The director/actress really gives a fantastic performance - convincing as both the bitter, washed up Camille in the future and a mix between this and the wide-eyed teenager she becomes in the past. She does a great job of juggling the comedy and dramatic moments, as both actress and director. I'm surprised never to have heard of her before, but I'm sure after this film she will receive more exposure. She also had a colourful,interesting visual style going on, not least in the extremely cool backwards slow-motion opening credits.
Nathan L "Camille redouble" is quite characteristic of the current french cinema evolution : there have always been comedies, though the new ones are more energetic, colorful, while still keeping some seriousness .Indeed, this movie is about Camille, a 40-something years old woman struggling in her present life, who has the chance to visit her teenage past. She's trying not to re do the same errors,saying to her parents how much she loves them, trying to bar her future boyfriend to approach her... though it appears that all these attempts are not functioning well. And it reminds us that there is no way trying to change the past, we just have to live with it...This movie is very interesting, in its approach of some major elements of everyone's life : death, friendship, love. Usually, for a deep analysis of the latter themes you would see a grim movie(at least in France), but with this one, you will come out of the theater thinking and yet with a smile on your face.