Alex da Silva
This is a rather long film that is a bit boring. Tyrone Power (De Vargas) has a rivalry with the Spanish Inquisition in the form of John Sutton (De Silva). Both want to see each other dead. The film begins in Spain, moves to Cuba and then ends up in South America as the Cortez Expedition begins its annihilation of the Aztec culture. This, of course, is glazed over as it is Hollywood. Instead, the film curiously ends with the blood-thirsty Spanish pirates marching on to carry out their criminal pillaging of Mexican culture whilst we get an American message of how the good and great are just around the corner. What an offensive load of nonsense! A few reviews have described this as some sort of swashbuckling epic. No, it's not. There is one sword fight at the beginning of the film and that's it. It does contain the funniest moment of the film, however, when Tyrone flicks Sutton's hat off with the tip of his sword. Cool move.The cast are all fine and if Caesar Romero had been given a larger part as the invading leader Cortez, he would have walked away with the film as his star power seems to project itself more than main man Tyrone Power. I'm not sure why they went to the trouble of filming this in colour – it just doesn't seem worth it. The most memorable thing about the film is the smoke bellowing out of a volcano in the background. And there you have it – the background is the best thing about the film. A pretty bogus state of affairs.
Spikeopath
The Spanish inquisition and the invasion of Cortez into Mexico...Henry King style!A film firmly split in two halves, Captain From Castile may over stretch its aims on the page at times, but the sweepingly gorgeous texture is quite something to behold. Tyrone Power takes up the lead role of Pedro De Vargas and firmly cements his star status with a wonderful performance, handsome and brave, he carries the film easily on its joyous course from Spain to Mexico, whilst stoic male support comes from Cesar Romero (Cortez), Lee J. Cobb (Juan Garcia), and John Sutton (Diego De Silva). Head female duty falls to a vibrantly young Jean Peters (in her film debut) as Catana Perez, pretty and beguiling, her gorgeous green eyes shining bright in this Technicolor spectacle, she is the perfect foil to Power's dash and swagger.Production costs are thought to have been over $4 million, yet even though the film sadly lost money, the money spent is still evident at every turn and it proved to be very popular with critics and film lovers alike. Director Henry King wonderfully utilises the panoramic vistas of the Mexican locale and the costumes come right out of the top draw, but one of the most striking things in this magnificent production is the score from Alfred Newman. Stirring and emotionally hard, it has to rank as one of the best scores to have ever been composed. I strongly recommend the isolated score option on the excellent Region 1 DVD. It's a far from perfect film for sure (the no battle pay-off at the finale is a great disappointment), but the harking back to old historical days of yore can induce a tingle on the spine, and in that respect the piece delivers handsomely. Just like its leading man ironically enough. 8/10
Terrell-4
If Captain from Castile is remembered much today it probably is because of one of the most rousing marches a Hollywood composer ever wrote. The "Conquest" theme is heard only three times, and the first two are brief but effective scene setters. We have to wait until the movie is almost over and Hernan Cortez is setting out on his march to the Aztec capital of Tenochititlan for the full treatment. The music, by Alfred Newman, embraces the moment, with hundreds of soldiers, the priests, the natives, the hangers-on spreading out before us, the horizon lightening and a single volcano smoking in the distance. The theme is inspiring, martial, emotional, uplifting and memorable. It's enough to make most movie goers want to sign up and most historians queasy. In less than a generation a civilization of between 2 million and 6 million people was obliterated, ground into quickly fading memories under the heels of soldiers, landowners and priests, with nearly all Aztec records burned, nearly all Aztec structures torn down, and nearly all natives, allies and enemies of the Spanish alike, turned into ignorant serfs under slave conditions that would make most American slave owners either blanche or be envious. But enough about reality, a foolish expectation when Hollywood deals with history. Captain from Castile is a Tyrone Power swashbuckler made under the shrewd eye of Darryl F. Zanuck. Considering that the book by Samuel Shellabarger was a huge best seller, well written and stuffed full of history, the movie seems to me to be almost as dull at times as a Spanish onion, especially during the first half hour. Here, in Spain, we learn about how noble is young Pedro de Varga (Power), how noble his father and mother are, how noble the serving wench Catana (Jean Peters) is, how noble Juan Garcia (Lee J. Cobb) is...and what a piece of self- serving vomit is the local head of the Inquisition, Diego de Silva (John Sutton). Once we're in the prison with Pedro, his family and Juan, where de Silva has put them for heresy, things pick up. After Pedro and Juan escape with Catana's help and when the three reach Cuba, things pick up even more. And after an hour, when we finally reach the coast of Mexico along with Cortez and his raggedy army of about 600 soldiers, the movie actually starts. Pedro may be fleeing the Inquisition, but now he has a chance to prove himself, to help Cortez conquer an empire, to realize his growing love for Catana even though he is of aristocratic birth and she is but a peasant, and finally to ride along side Cortez for the fateful meeting with Moctezuma II. His friend Juan is with him. His new wife Catana, carrying their baby son, is in the crowd, and he has his friend and confessor, the wise and understanding Father Bartolomeo (Thomas Gomez), to nag about human rights. Pedro has survived false accusations, sword thrusts and knife wounds. He has proved his worth to Cortez, has foiled plots and, finally, has been promoted in Cortez' army to captain. The captain from Castile is on his way to being a contented conquerer of the Aztecs. Two first-rate performances are worth mentioning. One is by Lee J. Cobb. After seeing Cobb so powerful in movies like Thieves' Highway, On the Waterfront and Twelve Angry Men, it's a jolt to see him in this earlier costume caper. Still, he manages to give a strong performance, in spite of the tights he has to wear. The other outstanding performance is by Cesar Romero as Cortez. Romero roars through the movie with charisma, high spirits and shrewdness. It's an expert job with no hamminess, and is one of the few performances in the movie that has energy. We pay attention whenever Romero shows up. Captain from Castile is a great example of a big Hollywood spectacle from the Forties, and I don't mean that as a criticism. On many levels it's fun to watch. At the same time, it seems to me to be a film which is too solemn for its own good. For those who enjoy a good historical read, Shellabarger's novel still has its merits. For an engrossing, exciting and often gruesome picaresque novel about the Aztecs just before, during and just after the Spanish conquest, try Gary Jenning's Aztec.
