Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

Asad Almond A clunky actioner with a handful of cool moments.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Red-125 Carla's Song (1996) was directed by Ken Loach. The time is Glasgow, 1987. Robert Carlyle portrays George Lennox, a decent enough guy who drives a bus. He meets and falls in love with Carla (Oyanka Cabezas), a beautiful young woman eking out an existence as a street busker.George (and we) learn quickly that Carla has had horrible experiences because of the Contra war in her native Nicaragua. Hoping to help Carla find the answers to vital questions, George brings her back to Nicaragua to find her former lover, who was wounded and captured, and who may be dead.This is the first movie I've ever seen that depicts the Contra war for exactly what it was--a U.S.-driven attempt to crush the Nicaraguan revolution. It wasn't subtle at the time, and it isn't subtle in the film. The CIA and the White House considered Nicaragua "The threat of a good example," and they used force to re-establish U.S. dominance.I was in Nicaragua--although not in the war zone--in January, 1988, just months after the events in the film were taking place. Loach got it right--the enthusiasm of the people, their hopes for a better future, and their attempts to survive continual attacks from the U.S.-trained and U.S.-supplied Contras.The drama of Carla's life--past, present, and (we assume) future--is the link that holds the film together. Nicaragua was--and is--filled with women like Carla. There are ten thousand movies that someone could make to tell their stories. Ken Loach has made this film about Carla, and he has done a service to all Nicaraguans and to us.Notes: We saw the film on DVD. It would work better on a large screen, but I don't know if it is ever shown at festivals or even at Nicaraguan solidarity events.The Glasgow dialect is almost incomprehensible to our ears in this movie. It was much easier to understand the Nicaraguan Spanish!Personal note: one of my friends, Anita Setright, plays the part of a member of the U.S. solidarity organization Witness for Peace. Anita is a U.S. citizen who drove an ambulance in the war zone during the Contra war. She never knew whether the road in front of the vehicle contained a land mine. She is one of the bravest people I know.

valis1949 In CARLA'S SONG, Ken Loach focuses his brand of UK social realism on The Contras and Sandinistas. The film recounts the story of a Scottish bus driver, played by Robert Carlyle, who falls in love with a beautiful woman from Nicaragua. She has been physically and psychically wounded in the revolutionary conflict of that country, and they both journey to Nicaragua in an attempt put her life back together. At face value, this seems like a weak or far fetched premise for a film, yet CARLA'S SONG demonstrates a very real and intense chemistry between the two lovers. Robert Carlyle is most convincing with his extemporaneous ad libs and off-hand comments, and they really added a sincere warmth to his character. However, subtitles were desperately needed for the Spanish speaking parts of the film, and a large chunk of the Scottish dialog was nearly uninterpretable. Overall, CARLA'S SONG renders an accurate portrait of 1980's working poor in Scotland, and a realistic view of the Sandinista Freedom Fighters as seen through the prism of a world class love affair.

cmorales I am Nicaraguan by birth, but stayed away from politics while I lived in that country, although my family and myself experienced the anxiety, and sometimes the horror, of living under a totalitarian regime, even one supported by the US, such as the Somoza dynasty. Although I left for the USA three years before the final triumph of the Sandinista revolution, I visited the country many times during the Sandinistas' 10-year rule, and saw first-hand the good and bad sides of the revolution, as well as the economic hardships caused by President Reagan's (though Olly North and the CIA) support of the counter-revolutionary thugs called "contras", who decimated a whole generation of young people in that unfortunate country.I watched this movie last night and was impressed by how true to life Ken Loach managed to keep it. Although to some people it might appear as propaganda, my own experience tells me that everything that was depicted in the film (as far as the situation in Nicaragua in 1987 is concerned) was very realistic. The enthusiasm, especially among the poor and young for the revolution was true, I saw it with my own eyes. The fervor of the literacy campaign volunteers was admirable, even though some of them were targeted as "strategic" targets by the contra forces. Also targeted for destruction were health centers (which had never before existed in many remote villages), grain silos, tobacco sheds, etc., in the areas bordering Honduras, which is where Carla's family lives. The nighttime contra raid was very realistic, I must say, even though I myself never had to live through one. But I knew people who did. The cruelty of the contras depicted in the movie was well documented by American and other media at the time.Oyanka Cabezas' portrayal of the young woman is remarkable, and Robert Carlyle's young bus driver is spot-on. The role of Scott Glen as a reformed CIA agent, although good, is the only one I could find fault with for being a little political and perhaps preachy, but I think his comments were based on facts.In summary, I enjoyed the film very much. You don't have to be political to appreciate injustice, poverty, love and human decency. These human vices and virtues are all very well portrayed in this story. Kudos to all involved in its making.

taproot Oyanka Cabezas' character was never in doubt as the film unwound; she was completely believable. Indeed the film took us on a journey from a care-fee bus driver in Glascow (Robert Carlyle - "The Full Monty") to the CIA-operated civil war in Nicaragua where Cabezas seeks her former lover who has been brutalized by the CONTRAS. Loach did a masterful job capturing the atmosphere of that bleak episode. He allows us to catch a glimpse of what changes would or may occur in humans if given the opportunity to escape poverty and ignorance. But the forces that would maintain the staus quo are far too powerful to allow the Nicaraguans to reach that goal. If only we could understand Carlyle's English; the easiest for me to comprehend what he was saying was when he was speaking with Cabezas, whose English was halting, yet understandable. If only Carlyle did not drive that bus in Nicaragua - - - somehow I knew that was meant to be.