manarmichaelalhamid
Going into this movie my exceptions were honestly low, However I found later in the movie that it was not the case at all. You don't hear much about Carlito's Way due to the fact its one of Al Pacino's underrated films. I loved this movie and I felt like it told the story of Carlito who was trying to put his past to a close. I personally believe that this movie should be next to some of Al Pacino's greater hits. However, I do have to say the ending of this movie was upsetting due to the unanswered questions and potential.
IMDBcooper1971
This quote from the film's third act could easily be the tagline for Carlito's Way, one of my favourite films and even a possible contender for my top 10 of all time. It tells the story of Carlito Brigante, a former criminal on early release, and his attempts to leave his past life, despite pretty much everyone around him dragging him back.It's only natural to draw comparisons between this and Scarface, both are crime movies directed by Brian DePalma and starring Al Pacino and in some ways the automatic comparison might be what has hindered this films popularity. Scarface is the more iconic and quotable film (and rightly so) but for my money Carlito's Way is the better film overall; a more mature and contemplative piece. There's a scene in a diner about mid-way through the movie in which Carlito tells Gail"This counsellor in Lewisburg, Mr. Seawald, once said to me: "Charlie, you run out of steam. You can't sprint all the way. You gotta stop sometime. You can't buck it forever. It catches up to you. It gets you. You don't get reformed, you just run out of wind.""This felt almost like a direct acknowledgement of Scarface and how this film would differ from it; Tony Montana in Scarface is clearly a character who tried to sprint all the way and ultimately paid for it. Carlito's lived to be older than Montana, he's more world-weary and experienced. In some ways Carlito's Way benefits from the fact Scarface came before it. Montana was petulant, he lived fast and died young. Now DePalma and Pacino present us with a different story, one that takes its time and carries the weight of experience and of maturity.There's several instances where Carlito shrugs off something that would've outraged Montano. Clearly Carlito's the more relaxed of the two, more comfortable in his own skin and less likely to cause a stir when it's unnecessary. Carlito seems tired of who he was in his youth and so he tries to do something different.The main problem with this plan, and the main conflict of the film, is that his departure from who he used to be is far from a clean break. He takes what he tells himself is a temporary job, running a nightclub populated by criminals, many of whom knew him when he was younger or are familiar with his legend. In other words: bad influences. Carlito makes the potentially fatal mistake of trying to be both a semi-gangster and a reformed citizen simultaneously and the end result was always going to be problematic.This very interesting dimension of DePalma's film is brought to the forefront by the character of Benny Blanco, an up-and-coming criminal who Carlito takes a strong dislike to despite the fact a friend tells him "It doesn't make sense you should hate this guy because this guy is you twenty years ago." He's essentially the physical manifestation of Carlito's younger self. When Carlito compromises on his no-crime promise and runs the nightclub, Benny is often lurking in the background. He represents Carlito's old life and Carlito now represents the new life he wants, it's only natural conflict should arise between the two. This external conflict between them matches the internal conflict between the two forces inside Carlito. Because he doesn't completely eradicate his younger avatar and instead keeps him around, the past (Benny) ultimately throws the future (Carlito) into severe jeopardy. When Carlito throws Benny out of the club, the two stand illuminated by red light. Blanco's whole face is covered in it; he's fully a gangster, totally at ease with what he is with no internal struggle to rectify. Carlito only has red light on one half of his face, divided exactly in the middle. He's not quite a gangster anymore but he can't quite fully leave it behind. It's this internal struggle that causes so many problems for him.There's also themes about growing older and hopes being dashed. There's a great scene where Carlito goes to see his former girlfriend who he still has feelings for. She tells him she's a dancer, yet, when he goes to see her perform, it turns out she's a stripper. Pacino plays it brilliantly, keyword: nuance. Up until that moment he had thought Gail had achieved her lifelong dream and yet instead he sees it's simply a pale imitation (a storyline that parallels his own). He has his shirt buttoned up to the top but when he enters the club and sees what kind of place it is he unbuttons his top button, adjusting his expectations (as well as demonstrating how easily he can oscillate between the two worlds when really he should stick to one). It's a film about the perceived necessity of compromise but also the dark ramifications of it.The dialogue, and Pacino's delivery, can feel a little cheesy occasionally but, if you let yourself enjoy the film and be invested in the characters, that won't be a problem.Slow in parts, but never boring, when the action scenes arrive they're some of the best you'll see in film (Particularly the chase sequence). DePalma uses long shots for the chase scenes rather than the more traditional quick, excessive jump cuts and the end result proves to be very effective, giving a real sense of peril. IMDb only allows 1,000 words so I can only briefly praise Sean Penn's fantastically seedy character and the excellent soundtrack.Overall, it's an interesting story, exploring a dimension of criminal life that's rarely been explored (and rarer still been explored this effectively). The tragedy of this film is that Carlito just can't shake off his former life, his compromises end with him getting in his own way, which makes for a more human story, even a more relatable one. One of Pacino's best films and the best DePalma film I've seen so far. Great for fans of cinema, directing and characterization.9/10
jessicaandrosa
from start to finish this movie is absolutely ridiculous. love al pacino, i love gangster flicks, this is not a decent representation of either. i cannot believe this movie gets such great reviews!!! 75 % of the scenes seem like satire they are so corny. the acting in this film is a giant fart sniff and the best part is............ the opening credits give the whole damn thing away! half way thru the movie you realize whats going on unless you resemble any of the idiots in the cast. garbage, poopoo. apparently, they won't let me submit this review unless i add a few more lines about how craptastic this waste of time donkey balls movie is. so, here you go, the main lady was terrible! watch the bathroom scene. anywhoozle.....this movie blows, don't listen to all the corn balls. made for TV garbanzo beans.
