Carry on Follow That Camel

1967
6| 1h35m| en
Details

Bertram Oliphant 'Bo' West wants to clear his unjustly smeared reputation, so he joins the Foreign Legion—with Simpson his manservant in tow. But the fort they get posted to is full of eccentric legionnaires, and there's trouble brewing with the locals too. Unbeknown to Bo, his lady love has followed him in disguise.

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Pacionsbo Absolutely Fantastic
Breakinger A Brilliant Conflict
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
w22nuschler This movie starts with Jim Dale playing cricket on the property of his girlfriend, played by the beautiful Angela Douglas. He is ousted for cheating and he and his helper Simpson played by Peter Buytterworth enter the French Foreign Legion. Joan Sims plays a brunette in this one and the owner of a bar. They meet Phil Silvers who plays Sergeant Nocker. He helps get them into the legion. I don't know why people pick on Phil in this film. I think he does a wonderful job. He has always kept me laughing with his style. Charles Hawtrey and Kenneth Williams play soldiers in the legion. Bernard Bresselaw might have his best part in the Carry On films, playing the evil Shiek. Angela goes after Jim after he was cleared from wrong doing. There are scenes of men taking advantage of her on her trip, with some funny one liners from her. She finally arrives and is kidnapped by the sheik. Anita Harris plays a very sexy belly dancer who also helps kidnap Jim and Phil for the sheik. Simpson helps them out and Phil escapes to bring in the legion. They find Jim and Simpson left for dead. They find the sheik and they find Angela. She is in a harem outfit, but covered by veils, ugh! They rescue her and they all go home. This was another great Carry On. Angela Douglas is adorable. Jim Dale is so likable. Add Bernard Bresselaw and Phil Silvers and you have a winner, a solid 10 out of 10.
m_pratt Follow that camel is a barrel of laughs from beginning to end. Its a great feast of historical carry on humour.Phil Silvers is fantastic and its a shame it was his only Carry on appearance.Jim Dale and Peter Butterworth are as magical as ever. Hawtrey is funny as is Williams. The sequence with Angela Douglas making her journey and having sex with different people is similar to Emmannuelle. Joan Sims is Slightley wasted as Zig Zag she has little to do. Bernie is having the time of his life as Abdull Abdull.Anita Harris is very good as Corktip. The plot of the story is as follows. Bertram Oliphant West Jim Dale and his valet Simpson Peter Butterworth are off to join the foreign legion. Meanwhile Lady Jane Ponosby Angela Douglas is trying to find them. She is taken by Abdull Abdull to the oasis. And sergeant Knocker Phil silvers and Oliphant are taken as well after being tricked to Corktips house thinking it is their lucky night!!. However they are captured and taken to the oasis. I don't want to spoil too much of the film. There is no Sid James in this film but its still good. Its one of the best Historical Carry ons. 10/10.
Libretio FOLLOW THAT CAMEL Aspect ratio: 1.66:1Sound format: MonoWhen his reputation is compromised during a routine game of cricket, an English nobleman (Jim Dale) joins the French Foreign Legion and gets mixed up with a lecherous sergeant (Phil Silvers) and an Arab uprising.The first of two entries not to use "Carry On" in its title due to political fall-out from a change of distributor, this lumpy concoction features Silvers in a role originally intended for Sid James (producers had even considered Woody Allen, hoping an American star would help them crack the elusive US market), and while Silvers holds his own amongst an impressive ensemble cast, he seems out of place in a movie steeped in British traditions and sensibilities. Like everyone else, however, he's constantly upstaged by Kenneth Williams as the nostril-flaring German commandant at the Saharan garrison where Dale is stationed with his faithful valet (Peter Butterworth), though by this stage in the "Carry On" series, Williams' dominance of proceedings had become pretty much par for the course. Talbot Rothwell's script is long on plot and short on gags, though a couple of fruity nuggets hit the target (when heroine Angela Douglas proposes venturing onto the streets of a Middle Eastern village after dark, dismissing the possibility of being kidnapped and ravished among the sand dunes by a rampant tribesman, Williams reminds her of an old Arab proverb: "There's many a good fiddle played on an old dune!"). The screenplay also pokes fun at upper-class British twittery (Dale is quite superb as the clueless aristo, completely at odds with his surroundings), which minimises any offence caused by some broad Arab stereotypes, and Bernard Bresslaw hams it up as a villainous bedouin whose only allegiance is to the mythical 'Mustafa Leek'! For some strange reason, the magnificent Joan Sims is wasted as the owner of a small cafe where much of the film's action unfolds.Filmed in the wilds of Camber Sands, Sussex (!), the movie's low budget production values are bolstered by an ultra-professional production team (cinematographer Alan Hume would later work on a number of British-lensed blockbusters, including the Bond movies), but while Gerald Thomas' direction is as efficient as ever, the film is amusing rather than laugh-out-loud funny (one gets the impression Rothwell's heart wasn't in it). For the first and only time in "Carry On" history, Silvers gets top billing over all the other actors (producer Peter Rogers always claimed the "Carry On" title was bigger than any of its stars), which must have galled some of the regular players. In fact, the principals were all wary of Silvers' presence, and Williams was particularly vocal in his opposition to the US stars' use of written prompts, causing tension on the set. To his credit, once Silvers became aware of this problem, he abandoned the prompts and memorised his dialogue, earning him the respect of his co-stars, including Williams. Though fun in its own way, the movie pales in comparison with the following "Carry On" entry, DON'T LOSE YOUR HEAD (1967), an uproarious parody of the French Revolution.NB. Though often billed as 'Carry On Follow That Camel' and 'Carry On Don't Lose Your Head', neither film has ever been screened under those titles.
LibertadBGreen Anita Harris stars in this Phil Silvers burlesque, as a belly dancer named "Corktip" who does a complete belly dance cameo and spends significant portions of the rest of the movie in an orange, hiphugging, midriff-baring harem outfit. A must see for fans of the belly dance/harem girl fantasy!