Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

MartinHafer This film was included in the three DVD set "Saved From the Flames"--a collection of mostly ephemeral movies that have managed to avoid turning to powder, catching fire or melting--something that usually happened with the nitrate film stock used up through the 1950s.This is one of a ton of cartoons the Fleischer Brothers made starring Ko-Ko the Clown--their star before they began to specialize in Betty Boop and Popeye cartoons. Like the typical Ko-Ko film, it includes live action and cartoon--with Koko and other characters jumping in and out of the ink well. Quite enjoyable today but also not particularly good or bad compared to other Ko-Ko films.By the way, this film and many of the other Ko-Ko films I've seen had sound effects and music added later. During the sound era, many silent cartoons like this one had this done in order to satisfy the increasing demand for sound.

tavm I watched this Max Fleischer/Out of the Inkwell short starring Koko the Clown on the "Saved from the Flames" DVD collection. In this one, Max has Koko literally wired to do his will. Then, using an ink machine, Koko draws a chicken and a woman but the machine erases them both before he eats and kisses them, respectively. So he then goes to a factory and has a large soldier built that looks like Max inhabit his drawn-on-the-outside but photographed-on-the-inside house hoping to control him. But this "Max" then draws-via stop-motion-various soldiers to go after his creation...And so on, pretty amusing and the synchronization of the music and voices are almost perfect. Well worth a look for anyone curious about these silent films that happen to still exist despite the nitrate materials that the movies were printed on then.

JoeytheBrit This was the first Koko the Clown cartoon I had seen, and I was mightily impressed. The Fleischers had a fairly wild imagination and put it to good use in films such as these in which Max Fleischer interacts with his creation. Their relationship seems to be an adversarial one, for no sooner has Max drawn Koko than he is tormenting him by wiring him to an electrical cable and zapping him with a few volts to make him run. The tables turn, however, when Koko stumbles upon the titular cartoon factory, and it's at this point that things start to get a little surreal. Koko uses the machine to create a toy soldier real-life version of Max and a house - so that, in effect, the cartoons are creating the real world. Koko bombards the toy soldier Max with cartoon cannonballs that become real when they hit their target, and Max responds by drawing an army of cartoon soldiers. The film grows increasingly insane - and more enjoyable - as it moves along, and leaves you wanting more because you feel as if these guys would never run out of wild ideas.The version I saw was on a Retour de Flamme DVD and featured a synchronised soundtrack.

ccthemovieman-1 This is another wild Koko The Clown silent cartoon from the genius of Max and Dave Fleischer. It's pretty good when you can still look innovative with animation almost 85 years later! This 1924 effort still is impressive.I really liked Koko running the cartoon machine in which a landscape would be continuously drawn at the top of the page as the machine moved left to right. In fact, most of this cartoon had some very good artwork and, to me at least, I like to see Max's drawing done in higher speed. He's a real artist and you can see a lot of it here in this nine-minute short.Mixed in, as is normal, is some real-life footage. In this cartoon, we get a toy soldier to turns real and begins to draw clones of himself on the walls of a house. The soldiers then attack Koko, who later fights back with a cannon that is drawn but has real-life artillery. As I said, these old silent cartoons were pretty clever.With no music or voices, I guess you had to make up for it with some great visuals to keep the audience attentive. The Fleischer brothers usually succeeded in keeping peoples' interest in their work.