Mjeteconer Just perfect...

CommentsXp Best movie ever!

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

redrobin62-321-207311 Maybe it's the way J-Horror was written back in those days - slow, moody, atmospheric, overly dramatic, etc. Sort of reminiscent of a Hollywood horror, circa 1935 or so. The action moves so slowly that you can practically hear the director shouting just off set, "More passion! Look more scared! Tremble your hands! Walk slower! Give a wide-eyed gaze as if Godzilla was trampling your poppy field!" Pretty cheesy stuff.The reason I'm willing to overlook the melodrama is, to be fair, back in the day for instance, all zombies walked liked they were constipated. Now, in todays' movies, they can give Usain Bolt a run for his money. In that sense I'm willing to go easy on the film's lethargic development. Some of the writing was just poor, though. Why would you go yelling blindly into an unknown house knowing that the slit-mouthed woman can hear you as well as the girl you're looking for? Why, in the midst of the search, suddenly stop to tell your history of the slit-mouthed woman? Shouldn't you check the house quickly to see if the little girl is bleeding to death or something? 911 (or 999 in some countries) is your friend. Don't be afraid to call them for help.

asian-cineblog After penning Noroi: The Curse, one of the scariest J-horror movies of the last decade, Kôji Shiraishi decided, two years later, to focus on the Japanese urban myth of the slit mouth lady, which has been known in Japan for several generations. The legend has survived and has spread as any other urban myth, with the story of a woman asking the ones who cross her path if she is pretty and consequently showing them the hideous scar on her face and thus either killing them or disfiguring their face in a similar way. Among other terrifying (and sometimes hilarious) details, the slit-mouthed woman is supposed to carry with her a pair of scissors as her weapon, being able to run up to 100 km/h and having a bizarre interest in special Japanese candies. Interestingly enough, the director has however decided to distance from the urban myth, although one character refers the fact that the rumors of the slit mouth lady have been heard for decades. The appearance of the evil entity is, as always, explained on the basis of a cruel vengeful spirit that comes back for revenge, as it became a cliché in the J-horror panorama for the last few years. The plot lacks consistency, and even though the history of the slit-mouthed woman is well explained and detailed during the movie, bottom line, her initial appearance appears to be left to interpretation although a few possibilities may come to mind – the result of an earthquake and the opening of her own tomb, the result of a critical mass of believers sharing the rumors of the story of an evil entity, or simply the fact that her appearance may seem to symbolize an explanation for adult's cruelty towards children.Unfortunately during the movie, events simply seem to carelessly pile up, with a few scenes being particularly dumb to say the least. No effort is put into creating an atmosphere of intrigue. The repressed memories of professor Matsuzaki simply came back off a sudden when he visited his old home. No crescendos were registered, no increasing tension or hype were observed before each appearance of the slit mouth lady. Something could have been said regarding the abusive treatment and negligence towards children during the film, as well as the consequences of violence and these abuses. Unfortunately, the number of abusive or neglecting mothers would just serve as a way to keep the evil spirit coming back. In fact, violence is somehow excused in these cases as a result of insanity or an abrupt change of the familiar background.Apart from the female teacher, the remaining characters were particularly uninteresting. The majority of the scenes lacked credibility, the abductions were always particularly random, and no patterns were observed with the slit-mouthed woman usually coming out of nowhere. Contrarily to what is usually common, the present ghost entity exhibited a physical body. For some reason however, the characters would not be able to fight back, being hilariously knocked down unconscious after being slapped by the slit mouth lady herself. Which is usually used to explore supernatural powers, was in this case a sequence of characters staring at the ghost, gasping, screaming and crawling, as the slit-mouthed woman, wearing heels, would continually kick each one of them.The making-of suggested Kôji Shiraishi didn't put a particular effort or thought into the plot, with the movie being shot in a considerably short period of time. Probably as a result, the film seems to lack consistency and interest for the most part, with a few elements of interest being nonetheless terribly explored.Asian-cineblog.blogspot.com

Paul Magne Haakonsen "The Slithmouthed Woman" was a nice new approach to Asian horror. It stands out from the endless sea of Asian horror movies that have ghost women in white dresses with black hair covering their eyes, and 90% of the movie shot in near complete darkness. "The Slithmouthed Woman" was quite the opposite, and that was a nice change of pace.The story in "The Slithmouthed Woman" is about a woman with a mangled face (her mouth is slashed open) going around abducting and killing people. Just before she appears and drags you off, people will hear her saying "Am I pretty?" Now, being shot almost in nothing but daylight, "The Slithmouthed Woman" was really a nice change, because you got to see everything that was going on, and not kept in the dark by the lack of lighting. Plus, the movie here was more of a psychological horror movie, than it was a visual horror movie. Sure, the make-up and effects on the woman was really great, I just personally would have liked to see more of that mangled face. But still, done with moderation, it worked out well enough.The acting in the movie was alright as well, I don't recall having seen the people here in other movies before, and still the people put on great enough performances.However, "The Slithmouthed Woman" is a very predictable movie and you know how it will end early on in the movie. And also the story takes forever to go anywhere, and that was a notch down in the entertainment value. Had they opted to go with a more adrenaline-filled approach and more action, the movie had worked out all the better.The idea and concept behind the story was really unique and well thought through, it just could have used another set of eyes on it to offer a different approach to the direction in which the movie went. But still, it wasn't a bad movie, not at all. If you like Asian horror movies and want to see something that isn't a mainstream ghost horror movie, like most of the Asian horror movies have a tendency to be, then "The Slithmouthed Woman" is well worth checking out.

gothic_a666 This movie mixes elements from the Western tradition of Slasher movies along with a peculiar kind of creepiness so typical to Asian horror. An interesting combination that should have been much more successful. Unfortunately 'Kuchisake-onna' is overall mediocre and downward pedestrian at times. It fails whenever it adheres to clichés such as making sure that everyone confronting the villain in the grand finale is without weapons of any kind but there are a few redeeming points. The positive parts include the child abuse angle that pervades and drives the plot, the fact that the villain does not only lurk in dark shadowy places but actually acts in broad daylight and a possession story that is original.With so much going on for it, it is a true shame that the movie manages to fall into tired recipes that do away with so much potential. After all, in a story in which the villain targets children is open to horror as perceived from their point of view. That approach would have elevated it from the usual supernatural thriller to something more unique. And the movie itself seems to be aware of this on occasion.With some psychological bits and a decent slasher angle this is a movie that fans of the genre will probably find worth watching but it does have a limited appeal without being part of the elite in the competitive world of J-horror.