Cassis

1966
5.7| 0h6m| en
Details

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM

Cast

Director

Producted By

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Lucybespro It is a performances centric movie
Comwayon A Disappointing Continuation
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
madsagittarian This time-lapse film -chronicling the day in the life of a harbour taken from one vantage point- is characteristic of Jonas Mekas' usual diaristic work. We forget that in his longer, more personal pictures, like REMINISCES OF A JOURNEY TO LITHUANIA and HE STANDS IN THE DESERT COUNTING THE SECONDS OF HIS LIFE, they evidence a radical cutting technique, in which images pass fleetingly by, as quick as a thought. Thus, CASSIS is less a chance document than a disciplined rendition of that document. Chiefly, ships in the harbour disappear before we see them leave the frame to go out to sea, or before they dock. Thus CASSIS throws its subject matter into a sort of limbo; one is made to think that nothing else in the world exists but this port. Within its scant running time, CASSIS is certainly exciting to watch, as images come and go like thoughts in a stream of consciousness.