Catacombs

1988 "Life After Death After Death..."
4.5| 1h24m| R| en
Details

In the 17th century, an order of monks in Italy capture and entomb a demon that has possessed a member of their group. 400 years later, school teacher Elizabeth Magrino visits the monastery in order to do some research. What she and the current monks do not realize is that the evil hiding within the catacombs has unwittingly been released.

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Also starring Jeremy West

Reviews

Exoticalot People are voting emotionally.
GazerRise Fantastic!
HeadlinesExotic Boring
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Woodyanders A demon that's been trapped in a monastery for four hundred years gets unleashed after troubled priest Father John Durham (a fine and likable performance by Timothy Van Patten) and sweet school teacher Elizabeth Magrino (a sound and appealing portrayal by the lovely Laura Schaeffer) arrive at said monastery. Director David Schmoeller, who also co-wrote the smart and involving script with R. Baker Price, relates the engrossing story at a steady pace, does an ace job of crafting a creepy atmosphere rife with dread and unease, stages the shock scenes with flair, handles the religious angle with tact and taste, and makes excellent use of the dusty sprawling abbey location. The monks in the monastery are a colorful and interesting bunch: Ian Abercrombie as the jolly superior Brother Orsini, Jeremy West as the dour and fanatical Brother Marinus, Vernon Dobtcheff as the friendly Brother Timothy, and Feoder Chaliapin as the sickly and dying Father Terrel. Moreover, this movie is notable for an striking sequence in which a statue of Christ comes to malevolent life and kills a priest. The big climactic confrontation between good and evil manages to be pretty thrilling and satisfying without resorting to the usual flashy pyrotechnics. Kudos are also in order for Sergio Salvati's handsome cinematography and Pino Donaggio's beautifully eerie score. A neat little fright film.
Cujo108 Taken off the shelf and retitled "Curse IV: The Ultimate Sacrifice", this was actually made before the second and third entries in the unrelated series. This one deals with a possessed albino who was sealed in the walls of an old monastery 400 years ago. Fast-forward to the present and a young teacher's arrival to the monastery somehow frees the demon from it's prison.I'm a fan of the other three film in the Curse "series", and while I enjoyed this one to an extent, it's easily the weakest of the four. The film boasts an exciting opening sequence, but things get bogged down when we move to the present. Of the cast, Laura Schaefer is certainly attractive, but the only good performance here is that of Jeremy West as the strict Brother Marinus. The atmosphere is solid, Pino Donaggio contributes a typically good score and there's a really effective bit with a possessed statue towards the end. This scene alone is worth seeing the film for.On the other hand, the film would benefit from a different actor in the hero role. The guy they chose annoyed me, and so did the bedridden priest who goes on and on about utter nonsense. His character should have been omitted entirely. I also can't believe that an obvious continuity error was allowed to remain during the scene where Schaefer walks in on the monks having dinner.A mixed bag.
chaosnbeer Catacombs (Curse IV on video) is a boring religious drama that is trying to pass itself off as a horror movie , it pretty much isn't. It involves an albino demon who is the only interesting thing this film offers , oh and Jesus murders a priest for eating a candy bar..that was dandy. This movie pretty much has the look and feel of those cheesy cheap movies that church's and evangelist produce warning people they are sinners. Only 84 minutes it feels like it's 3 hrs , and it also feels like hours are going by without any action at all. I'd avoid this one2/10
Mephisto-21 Originally filmed in 1988 under the title Catacombs but not released until 1993 due to the production company's bankruptcy, Curse IV is a surprisingly entertaining film. Under the direction of frequent Charles Band collaborator David Schmoeller, the film creates a strong feeling of unease early on and keeps the suspense going fairly strong throughout. Feodor Chaliapin is especially memorable as a dying priest. He comes across with just the right amount of sincerity so that one could honestly see him as a man of the cloth. While far from the greatest film to come out of Empire Pictures, Curse IV is still a fun movie that is worth a look sometime.