Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

ReaderKenka Let's be realistic.

Dorathen Better Late Then Never

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

joeyalves Having been born and raised in Rio and visited many other parts of Brazil and abroad, I have to recognize that the film is not completely accurate, but still very touching. Let's start with the inaccuracies: yes, teens and children are still murdered in the city slums, but it has more to do with drug dealing wars. Those absurd stories of having kids (and sometimes adults) kidnapped to have their organs extracted and sold in the black market are as untrue as it could be. However, crooks and con men and women like the ones presented there, trying to make some easy money from whatever they can find, is more than real. Another inaccuracy is the huge number of illiterate people who need Dora's help for writing their letters. Actually, nowadays and since a long time ago, you can hardly find real illiterate people in Rio. There are bunches of people who commit hundreds of grammar and spelling mistakes, but they're perfectly able to express their ideas on paper. Inaccurate facts apart, it is one of the most beautiful stories of love and friendship that has ever been set on screen. And the best of all is that, to become nominee for the Academy Award, it didn't need CGI, the appealing cliché of violence and sex, which is almost always expected from Brazilian movies. Dora's suffered and empty heart and unorthodox honesty input by a whole life of deceptions, changes as she spends time with little Josue and she finds space to become a much better person. It's been almost twenty years since I first watched Central Station, but I still can clearly remember leaving the theater surrounded by hordes of women crying and men pretending not to. Frankly speaking, for a very long time, I refused to watch the Italian "Life is beautiful" by super-talented writer, director and actor Roberto Begnini just because it had defeated "Central Station" in the Academy Award, nevertheless when my prejudice was finally gone, I had to recognize a respectful rival. What didn't make any sense was Gwyneth Paltrow's artificial and almost amateur acting in "Shakespeare in Love" having defeated Fernanda Montenegro who really rocked, as usual. So, if you want to enjoy a touching and realistic film which will probably have you in tears, give it a try and take a couple hours to watch this masterpiece of the Brazilian movie industry.

Rich Wright Sometimes, a film doesn't have to do very much to be special. From the surface, this is just a basic road movie of a lonely woman escorting a young boy who's just lost his mother in a car accident, to his dad's house across Brazil. She takes pity on him after he is forced out onto the street, and despite initial distrust between both parties (with good reason... she nearly sells him to organ farmers) they forge a grudging alliance which increases the closer they reach their destination. These are not perfect people... they lie and steal with abandon, and little remorse. But that is what makes them so relatable, and even the smallest role is filled by someone who has noticeable quirks. In other words, don't expect any cardboard cut-out characters here.It's also a great travelogue for Brazil, as we get to see all the beauty and ugliness that makes the country one of the most cosmopolitan around. It makes a nice change for a film to be shot there, without one scene set on a sun-kissed beach. With the twin events of The World Cup and The Olympics on the horizon though, it'll be interesting to see if most of the poverty and crime present here has been eradicated over 16 years. My guess is no. Tourists, hang onto your cameras. Back to the present... this is a wonderful film, full of depth and insight, which will resonate long after its over. Odds-on for a placing in my top 10 of the year come December 31st. 8/10

Bhagavathy Padmanabhan I am from India. I always used to think India and Brazil have great connection at least when the world calls these countries as "BRIC" economy and countries to watch out for. Well after seeing Central Station , I saw that Brazil is full of life - just like India - same dense population , same cut-throat living competition , every day existence driving goodness out of even among good people. I also saw that the Brazilian people were deeply religious as shown in movie and everywhere there were pictures of Mother - Mary. And all this when interwoven with the reality that the director Walter tried to paint , I liked the whole lot. I think the plot was good and touching but I do not think it was over stepped on sentimentality. It was just the correct doze. Fernanda Montenegro was a treat to watch. while story , the plot of a con-woman ( not intrinsically) interwoven with an young boy made orphan by a sudden twist of fate is good to watch with great scenarios of Brazil - I really fell in love with the background location - I felt that the movie moved a little slow. But then the director was in control and he delivered. This is a movie that one must watch at least once in life time. what type of genre is this movie ?. - It's about life - every day existence in every part of the world and not just Brazil. It can happen in US too - only that Hollywood do not have the courage to make these type of movies.... My rating - 8 /10. Reduced only for slowness

sl-pierce Walter Salles reveals a dramatic and sentimental journey with Central do Brasil, sure to capture the attention and sympathy of any fortunate viewer. The film tells the story of two characters, Dora, a retired schoolteacher who writes letters for the illiterate public in the train station, and Josué, a young boy in search of his estranged father. When their paths cross following the accidental death of Josué's mother, they are forced to form an unlikely bond as they travel across Brasil in search of Josué's father. The cinematography is breathtaking, revealing the true beauty and wonder that resides within the Brazilian borders. Likewise, I believe the relationship that develops between Dora and Josué to be just as beautiful, portraying two people who want nothing to do with one another, yet, who need each other in order to discover the truths of life's journey. Moreover, the various people and situations they encounter on their search for Jesús, Josué's father, add a rich eclecticism to the film. There is a deep symbolism present as well, which upon recognition causes the viewer to truly ponder its implications. However, even without the realization of deep allegory, I still believe this film can be considered a gem among others.