Children of the Revolution

1996 "A red comedy about the ultimate party animals."
6.3| 1h41m| en
Details

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

Director

Producted By

New South Wales Film & Television Office

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Reviews

GetPapa Far from Perfect, Far from Terrible
DipitySkillful an ambitious but ultimately ineffective debut endeavor.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
jrobertfleming Perhaps you're like me. You'd just seen Reds and you want to wash the hopelessness out with some - any - evidence that there is a historical and moral conscience somewhere in the film industry with regard to Stalinism and Soviet Communism. You come across a little-known Australian production called Children of the Revolution which bills itself as a satire of the the western true-believers valorized in Reds; a comedy about a 'useful idiot' so starstruck by Uncle Joe, she flocks to Stalin as a groupie would and ends up pregnant and raising his love child.Now, I, and I'm sure anyone, could imagine about a dozen ways this premise could be developed into a narrative coherent enough to be both cutting and entertaining. What instead ends up on screen is ... hard to explain. It seems like a pre-freshman effort, as if there were some producers with some money to make some movie and they selected the writer-director by opening the window and shouting down to the street, "Hey you! You wanna write and direct a feature film production?" and someone at the bus stop shouted back up, "Sure! I've seen at least a dozen movies!"The movie starts out with the stated premise as a satire, but not very strongly. Then it changes form a half-dozen times as it slogs toward it's conclusion, becoming a romance, then a thriller, then a drama, then a tragedy then a thriller again and so forth. One thing follows the other in sequence only. Characters who have no natural reason to be in the same room with one another develop personal connections and weep together. There's a "race against the clock" thing in there which comes from nowhere and resolves to no consequence. If there's some significant historical event connecting Australia to the Cold War, Children of the Revolution fails to make note of it. The movie is nonetheless set entirely in Australia and has an A-list cast of Australian actors. Taking this into consideration, an explanation for this cinematic abomination reveals itself. Children of the Revolution is the product of public grant money. The actors are fulfilling an obligation to whatever the Australian version of SAG is. We may assume that there was at some point a contest put on by the Australian Film Council, or something like that, and the 'auteur' who wrote and directed this thing was awarded a production grant and given carte blanc to make some kind of movie on the strength of his submission of a ten-minute short.
babyzuul As many of the other reviews suggest, if you have ever been a lefty or if your parents were lefties you will enjoy this film. You really do need to have some familiarity with the vocabulary of socialism in the 1930s and 40s to fully appreciate how good this film is. The German film "Goodbye Lenin!" (2003) touches the same sort of themes.So, anyway, the script well written, literate and just a bit edgy, the way Australian films often are. The back story is wonderful and is ably developed by Sam Neil, Judy Davis and F. Murray Abraham. To my eye the cast has given a back story a wonderful 1940s or 50s feel. Sam Neil is good, as always, and remind me of James Mason. Judy Davis is good the way she is always good and reminded me of Betty Davis. F. Murray Abraham's performance actually reminded me of Claude Raines.This film works on many levels and Richard Roxborough and Rachel Griffiths are very good but I as am more familiar with Russian communist dogma and American films from the 40s and 50s, I am sure I missed a lot when the film turned its attention to contemporary Australian politics and the civil service.I loved the way the "International" was used in the sound tack. Of course it had to be there but I really liked the way it was used here.
rep1 Judy Davis is a young communist in 1950 Australia. She corresponds with Stalin and gets an invitation to Moscow. The trip changes her life (of course) which we get to follow for the next 40 years. You'll be hooked after the first two minutes of this very original film. Great performances (especially from Judy Davis) and unique plot twists made this film worth watching.
ruthgee I had never heard of this film, and so last night I had an unexpected pleasure in watching a clever movie. What a marvellous satire on communism. There were some very funny scenes, especially the dancing trio. Judy Davis was wonderful as the pro communist mother -- what a performance! This movie is a dark Australian comedy and worth seeing.