2hotFeature one of my absolute favorites!

Phonearl Good start, but then it gets ruined

Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

mark.waltz Poor Georgette Harvey, the singer and actress who played the supporting role of Maria in both the original "Porgy" and its musical version, "Porgy and Bess". She made only a handful of films which document her acting on screen, unlike her stage work which is lost forever. In this way below Z grade exploitation film, she plays an evil mammy obsessed with revenge, directed to overact and thus be preserved as long as this film survives as a representation of one of the most sinister of black stereotypes. Coming off feisty but kindly in the first reel, she quickly turns, taking the light skinned young woman (Olive Borden) she claims to be her daughter back to her home to avenge the death of her father whom she claims was Borden's father. Of course, she's got all the facts wrong, and looks on with sinister intent as Borden falls in love with the white Reed Howes who works for wealthy plantation owner Francis Joyner whom Harvey blames for lynching her dead husband. The revenge includes the use of black magic, aka "voodoo", and that leads to a ceremony where Joyner's niece (Molly O'Day) is kidnapped and prepped to be a sacrifice.I give this more than a "bomb" rating simply because it made me laugh (even though I felt guilty about laughing) at how ridiculous the whole story it was. I am way beyond judging films for long gone viewpoints of blacks and other minorities in films, even though this is obviously considered way beyond offensive today. I consider this a truly lousy film in the sense that the dialog is outlandish, the plot contrived, and any realistic motivations guiding the characters completely absent. Borden and O'Day, completely forgotten today, were once major young ingenues in early talkies, and other than one scene where O'Day makes her concerns known about welcoming Borden into the family known to her uncle, there is really no dynamic for intrigue concerning their characters. There's really a lack of a showdown between Harvey and Joyner, only the slightest resolution of their conflict, and never believable. Some stereotypical "Uncle Tom" type characters try to lighten down the presentation of blacks as evil devil worshipers, but even their patronizing behavior towards Joyner (pretty much made out to be almost saintly) is a bit disconcerting as well. This is the type of film I would consider like the presentation of "Glen or Glenda" as seen by a Paramount executive in "Ed Wood": the type of a film made and sent to someone in the hierarchy seemingly as a joke.

kidboots Marshall Neilan was the "wiz kid" and "boy wonder" director of the 1920s. Even though he had been directing films since 1913 he was "officially" discovered by Mary Pickford and given his chance to direct her in "Rebecca of Sunnybrook Farm" (1917). Then he was on his way. He loved good times and plenty of them and also like some other members of the film community he made an enemy of Louis B Mayer. High living caught up with Neilan and by the end of the 20s he was reduced to doing some uncredited directing in "Tanned Legs". Neilan only made a couple more films after Chloe although just before he died he won high praise for his role in "A Face in the Crowd" (1957).Sadly, it was Olive Borden's last film. She had been considered one of the most beautiful actresses of the 20s, but she was also a victim of high living, though in Chloe, she still retained some of her beauty.Chloe is coming back to her childhood home. Her "mammy" Mandy, is using voodoo to wreak vengeance on the rich family because she thinks the colonel killed her husband. Chloe can't reconcile to the fact that she may have "coloured" blood in her. After words with Jim, who says she will never find a "white" man to love her (he secretly loves her himself) Chloe falls into a crocodile infested swamp and is rescued by Wade Carson (Reed Howes). He also falls for her and she returns his love because he is the "white" man she has always dreamed about.When the colonel goes to Mandy's cabin to confront her about some voodoo charms and a missing photo he finds a child's dress and shoes that belonged to his little daughter. She drowned in the river 15 years before and her body has never been found. After a few doubts it is proved that Chloe is the colonel's daughter and the way is clear for her to marry Wade. Chloe is the most racist person in the film. Even though she was raised and loved by Mandy, the black priestess, she has no reciprocal feelings for her - only feelings of fear and loathing. She seems to dislike Jim because he feels comfortable around the black people. He is quite the nicest person in the film, having risked his life for her several times but she doesn't have any friendly feelings for him. She is horrible.This film does not resemble "White Zombie" in the least, except for the voodoo references - it has more in common with "Pinky" (1949).Reed Howes, who had a long career (1923-1964) mostly uncredited parts - plays Wade Carson. Molly O'Day sister of the better known Sally O'Neil, had her best role as Curley Boyle in "The Patent Leather Kid" (1927). She plays Joyce, the Colonel's daughter.I can't recommend this film.

Michael_Elliott Chloe, Love Is Calling You (1934)BOMB (out of 4) Incredibly bad film and I'm really not sure what the hell it was suppose to be about. Chloe (Olive Borden), a mixed race girl, returns to the swamp with a voodoo priestess who might be her mother. The voodoo priestess then wants to use Chloe to kill the man who lynched her father. The side plot deals with Chloe not knowing if she should be black or white or something like that. The biggest issue with the film is that it's confusing as hell and nothing ever really happens. Everything leads up to a voodoo sacrifice, which is just downright silly. This didn't ever make it into theaters back in the day. Instead the producers would go around to black neighborhoods and show it. This was apparently done because it was a "black film" but perhaps they just didn't want people seeing something this bad.

mike1964 Awful, just awful story about a young white woman raised by a black voodoo woman. If the NAACP ever saw this they would throw a fit. There are white actors playing black with virtually no make-up. The actress playing Chloe is having a terrible life until she finds out she is really white. Story is basically a rich old southern gentlemen lost his daughter when she was just a child. An old black woman lost her own daughter and kidnapped Chloe and raised her as her own. There is love interest and plotted revenge by the black voodoo woman, but in the end the father and daughter are reunited. No matter what the VHS advertisements say, this is not a lost classic nor even remotely close to a horror movie. Do not watch it.