Geoffrey DeLeons
Although this movie lacked any sort of plot, and was forever flitting from one insignificant scene to the next, I was willing to watch it because of the fine acting performance by Minnie Driver and that there seemed to be a story shaping-up between her character and that of Chris O'Donnell's. When he left Bene sitting for almost the entire time of his party, opting to dance with her glamorous friend, instead, I should have been warned.When this cad (Jack) actually tried and succeeded in getting Bene to dance as she was about to leave, I should have realized the black nature of this script and screenplay. When Jack has coitus with the glamorous friend (played by Saffron Burroughs) and gets her pregnant (he is told), he decides to tell Bene, whom he has, by then, some real affection for. As he is getting off the bus or trolley to meet her, tell her and break her heart, I turned the movie off and threw it out. A film really has to offend me for me to score fewer than 7 stars. No real plot and an apparent delight in hurting those vulnerable means a cinematic failure to me, even with Minnie Driver's memorable character and performance. The fact that Circle of Friends was based on a novel is no excuse. Another one should have been used. A fresh and compelling screenplay could have been developed, loosely using the characters of Bene and Jack. Certainly, this movie was talent wasted.
roghache
This rating reflects my ambivalent feelings about the movie...I seem to recall the novel (which I read some years ago) as having a little more depth than the sexual experiences (or lack thereof) of its three heroines. The film comes off as a bit of a soap opera, 1950's Irish style. Although I'm not Catholic myself, my main problem with the movie (and Maeve Binchy's novels, to some extent) is the constant irritating depiction of the Catholic church as an oppressive institution that exists more or less for the primary purpose of sexually repressing its adherents. Also, the producers should have done some very basic research into Catholic traditions. As another reviewer also noted, it is extremely obvious (and not only to Catholics) that the opening religious ceremony in the film is not the three girls' Confirmation at all but their First Communion. The movie thus lost credibility to me from the outset.The movie tells the story of three Irish friends who are embarking upon their college days...Benny, a rather biggish (supposedly) self conscious girl, Eve, a quiet orphan raised by nuns, and Nan, a lovely would be sophisticate who sets her cap for the young Protestant country squire, Simon. For business purposes, Benny's father is encouraging his shop employee, Sean, to court his daughter. However, Benny has fallen in love with a handsome college classmate and rugby star named Jack. Meanwhile, Nan and Simon are conducting a clandestine affair in Eve's cottage. After Nan discovers that she is pregnant, Simon indicates that he has no intention of marrying a girl of her social / financial status and suggests an abortion. To get out of her pickle, Nan then proceeds to seduce Jack and attempt to pass her baby off as his child. Read the above... doesn't it all sound like a soap? Who's sleeping with who? Anyway, carrying on...Minnie Driver gives a marvelous, sympathetic portrayal of Benny, a young girl insecure over her appearance, caught up in her first love and awakening desires, pursued by an unwelcome suitor, trapped with familial obligations following her father's sudden death, and ultimately betrayed by her boyfriend and one of her best friends. She's beautiful at the dance when she first reveals her vulnerability to Jack. I agree with those who claim that Benny is not sufficiently large for the role, not 'big as a rhinoceros' at all...attractive figure, just pudgy face...but that's a minor detail. Chris O'Donnell is perfect as her dashing young love, convincing in his devastated reaction to the news of Nan's pregnancy and choosing to unhappily but nobly do the right thing, marry the girl. He's much more sympathetic in the movie, where he has only a one night moment of madness with Nan, than in the novel, where it's more of an affair. Eve seems well cast, but Sean's pilfering, lecherous, peeping tom character is definitely overdone, almost a caricature, as others have also noted. Nan's character is well captured here, as the viewer (this one, at least) has sympathy for her genuine sense of giving herself to Sean when she loses her virginity, her betrayal by him when he hears of her pregnancy, and even to some extent her dastardly deed to both Jack and Benny for her own selfish interests. One point well brought out is that while Nan believes herself to have contempt for Catholicism, when it comes to abortion, we see that she has internalized at least some of the teachings of her faith.Of course the Irish music is fantastic and the country scenery beautiful, the green hills, streams, and meandering roads. I was less impressed that the professor's lecture topics just happened to involve the sexual practices of savages. I certainly don't recall that from the novel, though it's been awhile. What is the likelihood that this would have been the class subject matter for a coed freshman class in Ireland back in the 1950's?The film has a different ending than the novel, which will disappoint some readers. Normally this would infuriate me, but I found surprisingly that I didn't mind. In the book, Benny forgives Jack and remains friends with him, but, having gained confidence and a sense of independence, moves on with her life. Here of course we see a less complex storybook type ending with the couple getting together. Pity she has sex with him at the end...of course with a parting dig at the Catholic Church ('Bless me, Father, for I have sinned'). At least it's apparently at Benny's own instigation, not in response to pressure from Jack. The movie is really mainly sex...either wanting it, talking about it, or having it. Not much else to the story.So...yes, a mixed review. Not the best morals and a certain mocking of Catholic teachings (or Christian teachings, in general), but kind of a touching story of first love, a sympathetic heroine, and that lovely Irish scenery.
Enrique Sanchez
There is something to be said when a movie ends and you do not want it to end just there. You want it to proceed, go on, continue, to know these people, what they do, what they think.Circle of Friends is such a movie. For me.I know very little of what Ireland really is. All I know is what I see in the movies. But I do something of what culture was 40 or 50 years ago. Life has changed. The way we approach relationships has changed. Perhaps it is this utter charm of the glossed-over conventions of days gone by that attracts me. Perhaps it is the Irish culture.But then again, it was just the wonderful direction and acting all the time. Minnie Driver and Chris O'Donnell suprise us with these tender performances. Both of these actors have done large mass-market productions. But it is these tender performances that really shine far above the flashy movies they've done before and since.Call me a romantic. Go ahead. Do that. I'll just smile right back and say: yes.Fine movie.
tedg
Spoilers herein.Pretty tepid and predictable, just like the society the story disparages.And pretty ordinary in the way it exploits the themepark charm of Ireland. That's a recurring problem with Pat O'Connor who seems doomed to his Darby O'Gill world. But it has three strong performers, and in this case those alone are worth watching. Incidentally those three are to be reunited for the big budget "Phantom of the Opera."Of these three, Minni Driver impresses. She has that young abandon and commitment to the role that is almost virginal in its approach. Like Emily Watson in "Waves" or Kate Winslet in "Creatures" or Cate Blanchett in "Lucinda." It has something to do with fearlessness and is most effective when the character is supposed to have that same sense of tentative inhabitation of strange person.Often, that ability to risk wears off, and it appears to have with Minnie. But still...Another of these three has made a career of sleazy characters. I find Cumming's energy pretty fascinating, especially the areas of the character where he places that energy. These characters are always sprung, dramatic. How sweet to know that Cumming really did walk away with Saffron when this was over.Ted's Evaluation -- 3 of 4: Worth watching.
