TrueJoshNight Truly Dreadful Film

ThiefHott Too much of everything

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

jgbotwinick-82030 It's really hard to know how to rate this film because there's two ways to watch it. One ways is horribly wrong, and the other way is wonderful. If I'm rating the movie on its own merits, it's a horrible piece of garbage which should never have been made (what was James Earl Jones thinking accepting this part...). If, however, I'm rating this as an MST3K fan, it is comedy gold. So, to recap, DO NOT WATCH THIS MOVIE JUST FOR THE MOVIE ITSELF! You will regret that decision forever. Do, however, pull up the MST3K version of this on Netflix and enjoy it.

Comeuppance Reviews In the future, two rival gangs are vying for turf: the Clippers and the DA's. Lee (Stockwell) leaves his rural life behind and heads to the big city to be part of the action, and gets embroiled in the gang warfare. Mainly this includes riding around on modified motorbikes and wearing silly outfits. But their masks are pretty cool. Even more trouble forms in the guise of Carver (Benson) who wants to control the city, or possibly the world, and is willing to use the gangs towards his evil ends, even pitting them against each other. Will Lee and his buddies prevail? At the outset of this movie, we're informed that what we're seeing is "fifteen years from now", but the Vestron VHS box tells us the movie takes place in the distant future of 2003. But one character's Masters of the Universe (1987) coat really tells us what decade we're in. But apparently Steven Seagal's personal style had an impact, as a lot of people in the future wear fringed jackets. While City Limits isn't quite in Shredder Orpheus (1990) territory, it is a bit reminiscent of Wired To Kill (1986). These are not favorable comparisons, as this movie seems like it could have been directed by Albert Pyun. When are filmmakers going to learn that annoying characters doing annoying things does not a movie make, and you cannot skip character development. Isn't that movie-making 101? This movie makes no sense, and it's hard to imagine anyone, whilst making it, thinking it was a good idea, much less NOT a total waste of everyone's time, but here you go. It's total shelf-filler tailor made for the expanding video store market in the 80's. It seems only the Italians can make entertaining post-apocalyptic movies. Basketball fans may get a kick out of the fact that one of the roving street gangs in this movie are called the Clippers, but it falls on deaf ears for mostly everyone else, including us. Also Robby Benson does what we call a "sit-down" role, where a character never moves from his seat.Why did James Earl Jones agree to be in this? Sure, this movie may be boring, pointless and adds nothing new whatsoever to the post-apocalyptic genre, but the filmmakers were shrewd enough to realize Jones has a commanding voice, so they had him narrate this slog. Seeing as how it was the 80's, and JEJ wears this brown fur coat in the movie, and how he's the narrator of course, only one thing comes to mind: Teddy Ruxpin. But this movie is an insult to Mr. Ruxpin as whoever wrote the cassette that was placed in James Earl Jones did a horrible job. Only Jones' professionalism prevails.It's easy to see why MST3K chose to do this movie. It's just weak on pretty much every level.For more action insanity, please visit: comeuppancereviews.com

Seb A bunch of teens on bikes living in a post-apocalyptic city? That sounds like the premise for a pretty fun movie to me but sadly it just wasn't to be.The costumes are nothing short of ridiculous even allowing for the fact that this was the 80's and although that sounds petty it constantly reminds you that this film has just been flung together much like the actors costumes. There's no plot, no characters, absolutely nothing to cling on to so the film just rolls along with not much happening. At one point I thought the film had given up and started again but it was just a bit of footage reused. Or maybe it just looked the same because honestly ten minutes after this film ends you won't be able to remember a single significant scene.It's a shame because every once in a while you catch sight of something in the distance that looks a bit like a plot and the film perks up slightly. I can't recommend this film but I like the setting so it gets an extra point for that and it does have curiosity value because of the unusual cast.It's a dud though, even for fans of bad movies.

InzyWimzy City Limits is so mind boggling since it can't make it's mind up if it's an apocalypse/biker/romance/comedy. Admittedly, I have never seen a society relying so heavily on comic books and the significance of Insect Man. Add lots of crappy costumes, cheapo sets and even more cheapo actors, typical 80s soundtrack drenched with crappy casio tones and James Earl Jones impatiently waiting for his check and City Limits will have you wishing for Soonya Corp. to take over!! Guest starring (oh, I don't think so) Robbie Benson as the epitome of corporate lifestyle refusing to die in the apocalypse. And Kim Cattrall, one of the dues she had to pay early on. She was great in Big Trouble in Little China, why this Kim?? I still laugh seeing James Earl Jones shooting a shotgun and delivering fine lines like, "Damn boy. I told you to find adventure, not to drag it home." Watch this MST style and it becomes a tad more entertaining.