SunnyHello Nice effects though.

Marketic It's no definitive masterpiece but it's damn close.

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

kingnick19 When I watch a film for the first time I tend to go in with an open mind, block all pre-conceptions. Teen movies are often sneered at by critics as simply being boring, cliched tales of adolescent love and insecurity - indeed some teen films fit this description, but City Loop (or Bored Olives as I prefer) does not. I caught Bored Olives at 1.50 AM on Channel 4 a while back and was thoroughly entertained. Despite its low-budget the direction and acting are excellent. Set against the amazingly atmospheric and tranquil backdrop of late-night, inner-city Brisbane the film focusses on the lives of a group of young takeaway workers who are, as-per-usual in teen films, bored with their lives and apprehensive regarding their futures. Filmed as a set of intertwining short stories (each character is given their own story), the films main and most endearing characters are Ryan Stapleton who stars as Dom, and Stacey, played by the stunning Megan Dorman in grunge mode. The worst thing about some film critics are their pre-conceptions regarding certain genres, and reviews of Bored Olives have, in my humble opinion, suffered from this. Very similar to the American flick, 'Empire Records', Bored Olives is good entertainment with no pretensions - i.e. it does not pretend to be what it isn't. The characters might be slightly shallow and skin-deep, but thats not what we want in a film like this. Go into Bored Olives with an open mind and you will enjoy.

adsie i loved this film. it is a great piece which is set around a group of teenagers working in a pizza joint. the action is real and gets you involved, but doesn't try to fool you with any industrial light and magic. that's what makes it so good - the characters are developed well, and the "story" type segmentation gives a great travelling theme - and the stories are cut with just enough continuity to make it interesting. the power and intensity of teenage lust, confusion, identity, and hormones are all exquisitely captured in this film. it is a great piece of work which is a credit to the actors and director. look for more of their stuff!!

kier-6 Youth culture has never been so honestly represented. A world class film, with a delightful structural sensibility. Bravo to all involved, most especially the father/son team in the beat sequence, and congratulations to the writer for altering my life in a way that I know I shall never be able to fully explain.

Spleen I'm finding this very difficult to write. After a few false starts I realise how hard it is to properly convey the unusual badness of "City Loop". It's not that it's VERY bad - "insufferably bad" is the strongest phrase I'd use - but it is, unlike many bad things, INDISPUTABLY bad. Moreover (and this is a different thing again) I don't see how anyone could take pleasure in watching it.It's a multi-story ensemble pic in which the stories aren't really stories (they're CALLED stories - "Dom's Story", "Misha's Story", etc., but nothing to speak of happens in them), and the ensemble consists entirely of characters I found it impossible, and I mean IMPOSSIBLE, to take any interest in. (What I wanted to happen was ALWAYS whatever would bring the film to a merciful end.) All characters are amoral and inarticulate, they all move through the world at random, none of them have redeeming qualities (few of them even have qualities). Chayko tries to swindle us into caring by leaving crucial matters unexplained (an excuse to make us watch some scenes TWICE, as if once weren't bad enough), but it doesn't work.I haven't exhausted the film's weaknesses. Photography is unattractive - although I get the feeling it probably wasn't the cinematographer's fault; it feels rather as if Chayko took the poor man (or woman - I fled as soon as the credits began, so I wouldn't know) to some ugly, bare location, asked him to film the ugliest part of it, and then tied his (/her) hands by firing the lighting technician. The music is also pretty drab. The best thing going for it is the fact that, although it seems as though it will never end, it really doesn't last very long.