Clambake

1967 "It's ELVIS barreling... biking... bikini-ing and belting out that W I L D Presley beat"
5.6| 1h39m| NR| en
Details

The heir to an oil fortune trades places with a water-ski instructor at a Florida hotel to see if girls will like him for himself, rather than his father's money.

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Reviews

Incannerax What a waste of my time!!!
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Fairaher The film makes a home in your brain and the only cure is to see it again.
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
nigel77 By the time Clambake was released the critics were well and truly down on his 'film quickies'. And Elvis himself is said to not have enjoyed making Clambake. However, it is a fun take on the Prince and the Pauper story with some pleasant songs and a solid supporting cast including Gary Merrill, Will Hutchins (best known as TV's Sugarfoot) and the King's favorite film co-star, Shelley Fabares. The film divides Elvis fans who either love or loathe it. There are worse ways to pass a dreary afternoon.
atlasmb Elvis Presley reunites with Shelley Fabares for this typical Elvis film, filled with girls, music, and fast vehicles. This film includes a Corvette concept car and some racing boats. But the music is mediocre at best.Shelley is a gold-digger looking to trap a wealthy man. She sets her sights on Bill Bixby, race boat driver. Elvis is a wealthy man masquerading as a water skiing instructor, so he flies under her radar. Inevitably, of course, the ruse is revealed.This is one of the thinner Elvis films. In my opinion, Shelley Fabares--despite the writing--is the highlight of this production.Because there is actually a song titled "Clambake" in this film, you have to wonder if they were naming these films just to make it difficult for the songwriters, as a joke.
tilloscfc I've been an Elvis Presley fan since the age of 6 - that's almost 30 years, and yet I only saw 'Clambake' for the first time last week then again just before. What's the old proverb of waiting so long for a bus and then... I'd always been put off buying or even watching 'Clambake' due to the poor reviews it's always had from pretty much EVERYBODY Elvis himself and members of the support cast. But I was pleasantly surprised by it! Again, I don't think it's as bad as other films he did like "Tickle Me", "Frankie and Johnny", "Harum Scarum", "Blue Hawaii", "Girls! Girls! Girls!", "The Trouble with Girls" or the three westerns...maybe it's merely timing. One thing I can agree on is that Elvis looks his worst than in any movie he made for the first half of the movie, which was filmed when Elvis was not in good health, spirits and subsequently had a nasty fall at Graceland that suspended filming for 6 weeks in which he was told to recover (and get himself straight) - thus the second half of the film you see a much fresher, healthier, better looking Elvis although the obvious use of diet pills is...well that's another debate away from the movie that Elvis fans will have long and hard. I think this is a decent movie. I once heard dancing extra Terri Garr brand 'Clambake' as "a movie about nothing.",,,but...it is about something? It builds up toward a power boat race at the end, to which Elvis (Scott Haywood) is rebuilding a damaged boat from the year before, and win over Shelley Fabaras (Dianne Carter) - in her third Presley movie. It has the interesting sub plot of Haywood meeting a cash strapped Tom Wilson at a garage at the start of the film. Elvis/Haywood is playing the son of an oil billionaire and is concerned that women are only interested in him for his money rather than his personality. The skint Wilson wants the women but they're not interested in him because he has no money or that rich lifestyle...so en route to Miami, the two men decide to travel together, swap identities and vehicles and "see how the other half lives" which puts an interesting spin on things, for as Wilson is lapping up the playboy lifestyle that he has inherited, Elvis is struggling to land Dianne...because she's only interested in finding a rich man, therefore has her eyes on millionaire power boat champion, Bill Bixby. The soundtrack to 'Clambake' is pretty good, aside from the cringe worthy, dire "Who Needs Money?" that Haywood and Wilson duet on after swapping identities and lifestyles. "Clambake" is not a bad song, if a little daft. "Confidence" is just a kids song in the mould of Willy Wonka's "The Candy Man" and accompanies a nice scene where Elvis and his new friend Wilson are entertaining kids at a playground, but the three stand out tracks are all ballads - "A House That Has Everything" is a smooth, sexy song, "You Don't Know Me" a great cover of the Ray Charles classic, "The Girl I Never Loved" the song of the film. Throughout the film, Dianne appears to be wanting Haywood...but the gold digger craves the flashy Bixby. However, come the race, she's almost been converted and instead of cheering on her lover to another victory, instead ends up roaring Elvis to an expected last gasp win! After that, the two lead men return their identities and back to their normal lifestyles with Wilson now carrying the title of "1967 Miami Power Boat Champion" thanks to Haywood (Elvis)' exploits. The next morning, Dianne commits her future with Haywood and passes out at the news of the icing on the cake...he's filthy rich anyway!
aimless-46 Although it has the worst title of any Elvis movie, "Clambake" (1967) is actually one of his better films. Which is surprising as it is one of his last and generally speaking each film seemed a bit worse than its predecessor. "Clambake's" salvation is certainly not in the soundtrack which is at best very ordinary, only the title song has any energy. Although there is an actual clambake scene on the beach about midway into the film, it seems thrown in just to justify the title, more impressive is a cameo of "Flipper" who had his own television show at that time.I'm inclined to credit Shelley Fabares for the good vibe I got from this film. She plays "golddigger with a heart of gold" Dianne Carter, Elvis' ultimate love interest. I never cared for her uptight Mary Stone character on reruns of "The Donna Reed Show", and therefore paid almost no attention to her until recently. But since seeing her in "Ride the Wild Surf" and "Clambake" I've had a major attitude adjustment. "Clambake" was the third time she was tapped for the love interest role in an Elvis film so obviously she and the King had grown comfortable working together. Their romance is a little different than the Elvis standard. In "Clambake" she does not start out hating or ignoring him. Instead they quickly become friends and she is obviously attracted, but she puts the brakes on any romance because she is hunting for a rich husband and has tycoon J.J. Jamison (Bill Bixby) squarely in her sights. She comes around in the end and their chemistry actually feels real, much like it did with Ann Margret in "Viva Las Vegas".The comfort factor is also apparent between Elvis and Will Hutchins, his real-life buddy. Oil tycoon Scott (Elvis) pulls a "Prince and the Pauper" and swaps places with drifter Tom Wilson (Hutchins). He wants to find someone who loves him for himself. Hutchins is supposed to provide the film's main comic relief as he enjoys the life of the rich and famous, driving Scott's "Munsters" inspired convertible and surrounding himself with gorgeous women who can't dance very well. Although the director had Hutchins overplay the part it is so poorly written that they can't squeeze many laughs out of the premise. But having most of his scenes with Fabares and Hutchins seems to have relaxed Elvis considerably, which makes both he and his film more likable. Contrary to most, I enjoyed the corny playground scene with the little girl who was afraid of the slide. The "Confidence" song is not a rip off of "High Hopes", the whole scene is a variation on the "Bounce Right Back" number Donald O'Connor did in "Anything Goes". While "Confidence" is not much of a song, this surreal scene is priceless. I wonder what long-time fans thought as they watched Elvis and Hutchins do something so totally "Guffman"? Most entertainers only do embarrassing stuff like this when they are first breaking into the business. Then again, what do I know? I'm only a child.