Exoticalot People are voting emotionally.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Metra Ton The indie feeling, the old-school acting, the moral conflict - really gives the movie some depth. Unfortunately, the movie hardly fits the description. When I read it, I expected anything, but this. Cheap slasher, perhaps, or something demonic or some mutation.The idea of cloning is well-established, but it's so diluted by everything going on that it sort of disappears by the time the movie climaxes.Here you have a baby, a science marvel, extremely valuable. But... there you allow second-hand people next to her. There you start getting attached or treating her like a baby. At first, the focus was on her, and that's what the movie was about. From her weird eyes to that needle to whatever else.Then the story of the caretakers, moving the baby to the house... classic cliché of such movies: when a scientist does something on his own - it ends badly.But this secret... The way it was presented at first, it was disturbing. It was suggesting. Hinting at possibilities. But of all the possibilities, I assumed it would be genetic, it would be relevant to the subject.But no... Of all the possibilities, of all the indie flair, even stained with his irritating family, the movie just had to end as a monster slasher. And not just monster slasher, but incredibly stupid at that.A brilliant doctor, who gives enough pity to keep his "secret" alive, but doesn't ever once check up on it? Caretakers, who, against all sense, just don't quit or press the matter? And... with tons of security at the gates - the only resolution ever is to go alone armed with a freaking syringe? The movie starts by actually thrilling you. You feel like it's something unique, it has potential. To discuss the idea of cloning, the reactions, the consequences, even unreal ones.But the bottom line is that cloning is only a background, moral is about as much as religion in The Mist, and the center plot is a monster slasher hidden as a "payback for past sins" of the doctor.It's not a bad movie, it can deliver unease and more... thoughtfulness than modern "indie horrors", but unfortunately it just doesn't end well. Perhaps the movie deserves more, but if there's one thing I, personally, can't stand - is when all the buildup is ruined in the end. Few movies can accomplish that, and this is one of them.

Peter Pluymers "This is just the beginning, isn't it ? …." This being a kind of modern version of "Frankenstein", is the least you can say. Even the name of the doctor in question is identical with that of Frankenstein. The only difference with the classic movie is that new life isn't created by sewing together human body parts, but by making use of modern day technology. Cloning a human being is the central topic in this low-budget sci-fi horror. Don't expect an alien looking creature as in "Splice". This cloned human being looks perfectly normal and healthy.It's not extremely creepy and intense at all. It's the aspect of cloning and the controversy arising on this subject which are developed the most. The fuss, the media attention and the protest groups who are opposed to these practices and consider this more as a blasphemy than scientific progress, demand the most attention. The angry mob at the immense gate of Dr. Reed's residence, is more terrifying than the additional secret that Victor is hiding on his domain. The movie fades from hight-tech SF to social drama. And ultimately it ends as a kind of psychopathic slasher. At first this surprises you, but eventually it looks rather routinely and not really innovative.What remains is a not so original low-budget monster story, embellished with high-tech-looking situations. A highly motivated geneticist who puts more energy into his work than in his family life, resulting in a wife who feels abandoned. The secret that painstakingly is separated from the outside world, is hidden from sight for a considerable time or displayed as a hazy shape in the background. It felt like an attempt to keep the suspense alive and postpone the disclosure as long as possible.Perhaps there should be restrictions and guidelines when it comes to cloning, so that we don't end up with an uncontrollable process where superior specimen are being created. Or an illegal trade is being initiated, producing organs on demand. That a religious aspect also comes with it, is quite evident. Though it's more of a dogmatic religious plea that no one should acquire the authority to create something. God has the exclusive rights for that, so they say. But then one must be able to admit that there are also advantages. Improving the quality of human life and removing those terrible diseases from the world. And there are also disadvantages. What to do with the failures ? And who's going to pass judgment on that matter ? This diversity of views is the heart and essence of this rather modest SF horror story.The whole movie feels like a creation out of the 70's. The decor and presentation, the style of interactions, the overall atmosphere and the meager horror elements. Eventually, it all feels like a typical movie that you can see on Syfy. In the 80s it would fit in between "The Entity" and "Critters" during a VHS marathon at the weekend. The only similarity between Jeremy Childs and the Frankenstein monster, is his imposing stature. A walking wardrobe with a facial expression that shows no emotion. Not even while handling the cloned baby. It's all done on automatic pilot without much feelings. The subject of this movie and the reaction of the community comes across as being weighty. However, the film on itself, is nothing but a lightweight.More reviews here : http://bit.ly/1KIdQMT

Snaggletooth . I didn't expect much going into this, but what I got treated to was a pure disturbing joy. Impeccably acted, and downbeat from start to finish, the tension builds and builds to a horrific finish. I have to say, that on the subject matter therein this will be the definitive movie for years to come. Its astounding too that this is a debut feature by this director, being an extremely mature piece of filmmaking. What you get here is a Cronenbergian nightmare, which deals with an issue we will all find ourselves confronted with at some point in the distant future. Science and religion collide, but the very end of the movie leaves us with a piece of dialogue concerning just how much we might need to put our personal morals aside for the future of our species. This is easily one of the best horror movies I've seen this year, but if you're a horror fan who thinks that the genre must always be silly slashers and guts and gore then maybe you should go back to your Jason and Michael DVDs. This movie will play well to all lovers of great cinema however.

bostianb Absolutely loved this film! This modern, smart interpretation of Frankenstein pushes the boundaries of real-world bioethics and ramifications of human cloning. Closer to God asks what would happen if we could improve our gene pool, making people smarter, stronger, better. What begins as an innocent enough measure of pushing the boundaries of science turns into an moral and ethical controversy fraught with suspension. Of course, the aftermath is explosive as one doctor pushes the science further than he is capable of handling. This film will have you on the edge of your seat as it heads towards the suspenseful conclusion. Seeing classic works revamped for modern audiences is always appreciated, and Mr. Senese's work would make Mary Shelley proud. Very impressive and well-done!